On the Dragon Throne

The horizontal board on the dragon throne wrote "Jianji Suiyou". This was the Emperor Qianlong's calligraphy, one of the horizontal boards in the Hall of Supreme Harmony. There was very little information before Qianlong, so he could not find any exact information. Above the throne was a cast-in-place with a relief of a coiling dragon with a ball in its mouth. The ball was made of copper and coated with mercury. It was called the Xuanyuan Mirror. The dragon chair was made of Phoebe nanmu, decorated with 13 golden dragons, agate, rubies, and other precious materials. The dragon throne was the throne of the ancient emperor, symbolizing the supreme imperial power.

The Dragon Throne was a chair used by ancient emperors to symbolize their majesty and power. It was usually made of red sandalwood, golden nanmu, birch, brass, and other materials. The official name of the dragon chair was the " carved dragon wood chair ", or simply the dragon chair. Even though the throne was not made of gold, it was made of very particular materials. The frame of the chair was made of red sandalwood, and the heart of the birch wood was inlaid inside. The royal wood, golden nanmu, and some brass were also used. Finally, the carved surface of the dragon throne was painted with a layer of gold paint, making it look golden. The dragon throne was used for formal occasions, receiving ministers and foreign envoys, and handling state affairs.

The emperor on the dragon throne referred to the ancient emperors of China. The dragon throne was the throne of the emperor, symbolizing the uniqueness of the imperial power. Other than the emperor, no one else was qualified to sit on the dragon throne, including the emperor's descendants. The dragon throne was usually made of precious materials and had been carefully carved. The dragon chair currently placed in the Palace of Supreme Harmony was made of red sandalwood, golden nanmu, birch, brass, and other materials. The official name of the dragon chair was the golden carved wooden dragon chair. Although it was not made of gold, it was very particular about the materials used. The dragon throne gave off a golden and regal feeling. In short, the emperor on the dragon throne referred to the emperors of ancient China.

Empress Ma was the only empress who dared to sit on the dragon throne. With the support of Zhu Yuanzhang, she became the Empress of the Ming Dynasty and occupied an important position in Zhu Yuanzhang's heart. Empress Ma's sitting posture showed her noble temperament and confidence. She not only dared to sit on the dragon chair, but also dared to sit on it with Zhu Yuanzhang.

Empress Ma was the only empress who dared to sit on the dragon throne. With the support of Zhu Yuanzhang, she became the Empress of the Ming Dynasty and occupied an important position in Zhu Yuanzhang's heart. Empress Ma's sitting posture showed her noble temperament and confidence. She not only dared to sit on the dragon chair, but also dared to sit on it with Zhu Yuanzhang. This action showed her close relationship with Zhu Yuanzhang and the trust between husband and wife. To Zhu Yuanzhang, Empress Ma was not only a woman who took care of her husband and raised her children, but also his "good wife" and "good minister". She was a virtuous helper to Empress Ma internally and a virtuous empress to the country externally. She was the person Zhu Yuanzhang was grateful to for his entire life.

The Emperor on the Dragon Throne referred to the Emperor sitting on the Dragon Throne. The dragon throne was the throne of the emperor, symbolizing the supreme feudal imperial power. The dragon throne was usually made of precious materials and was meticulously carved, making it magnificent and majestic. We can understand the image and symbolic meaning of the dragon throne, but there is no specific mention of which emperor sat on the dragon throne. Therefore, based on the information provided, it was impossible to determine which Emperor was sitting on the throne.

Empress Ma was the only empress who dared to sit on the dragon throne. With the support of Zhu Yuanzhang, she became the Empress of the Ming Dynasty and occupied an important position in Zhu Yuanzhang's heart. Empress Ma's sitting posture showed her noble temperament and confidence. She not only dared to sit on the dragon chair, but also dared to sit on it with Zhu Yuanzhang. This action showed her close relationship with Zhu Yuanzhang and the trust between husband and wife. To Zhu Yuanzhang, Empress Ma was not only a woman who took care of her husband and raised her children, but also his "good wife" and "good minister". She was a virtuous helper to Empress Ma internally and a virtuous empress to the country externally. She was the person Zhu Yuanzhang was grateful to for his entire life.

Empress Ma was the only empress who dared to sit on the dragon throne. With the support of Zhu Yuanzhang, she became the Empress of the Ming Dynasty and occupied an important position in Zhu Yuanzhang's heart. Empress Ma's sitting posture showed her noble temperament and confidence. She not only dared to sit on the dragon chair, but also dared to sit on it with Zhu Yuanzhang. This action showed her close relationship with Zhu Yuanzhang and the trust between husband and wife. To Zhu Yuanzhang, Empress Ma was not only a woman who took care of her husband and raised her children, but also his "good wife" and "good minister". She was a virtuous helper to Empress Ma internally and a virtuous empress to the country externally. She was the person Zhu Yuanzhang was grateful to for his entire life.

I cannot provide any illegal or copyright-violating content. Dragon Clan 6:" The Iron Throne " was a long fantasy novel by the author Jiang Nan. It was not yet finished. The work was published by Changjiang Press in October 2015. If you are interested in this novel, I suggest you purchase or borrow it through formal channels to support the author's creation and protect intellectual property rights. While waiting for the TV series, he could also click on the link below to read the classic original work of " The Legend of Mortal Cultivation "!

'Celebrating the Year: The Dragon Throne Above' was a novel written by Maoni, the fourth volume of the Celebrating the Year series. The story centered on the protagonist, Fan Xian, and described his growth in the Qing Kingdom through family grudges, Jianghu disputes, and court politics. Fan Xian had a distinct personality. He valued emotions and righteousness. He did not show his joy or anger on his face, but his heart was filled with passion and impulse. He had a peerless divine technique and was talented. He had created a legendary career in the capital. The novel was cleverly constructed, and the plot was full of ups and downs, which was fascinating. It had both an oriental classical charm and a modern meaning, so it was widely loved by readers. The specific content and plot could only be found by reading the fourth volume of the revised edition.