Official script calligraphy

The cursive script was an art form of Chinese calligraphy. Its characteristics were that the strokes were bold and unrestrained, full of changes, and often appeared in the form of continuous curves and strokes. Cursive script was known as the most difficult calligraphy style in Chinese calligraphy because it required the calligrapher to have superb pen and ink skills and aesthetic ability. Cursive script was widely used not only in calligraphy exhibition but also in painting, poetry and other fields. In calligraphy appreciation, cursive script is often regarded as a unique art form because it has a unique beauty and expression. The characteristics of cursive strokes included: One stroke was unrestrained and full of changes. Cursive calligraphers usually used continuous curves and continuous strokes to make the strokes appear smooth and dynamic. 2. The font was uneven in density and fat and thin. The cursive script was often composed of multiple parts, and there was a certain amount of space and density between each part. 3. The pen is concise and the ink is dripping. The strokes of cursive script were very concise and usually did not require too much ink. The fluency and change of the strokes were the main emphasis on the structure and overall effect of the characters. 4. Pay attention to charm and pursue artistic conception. A cursive calligrapher would usually pay attention to the charm and artistic conception of the words. Through the changes and combinations of strokes, they would express a unique artistic conception and beauty. Cursive script played a very important role in Chinese calligraphy. It required calligraphers to have superb pen and ink skills and aesthetic ability, as well as rich imagination and creativity. In calligraphy appreciation, cursive script was often regarded as a unique art form that could bring unique aesthetic experience and feelings to the audience.

In novels, there was usually no mention of whose copybook was better for practicing calligraphy because it was usually not a necessary option. However, if you want to practice regular script, it is recommended to start with the works of calligraphers such as Wang Xizhi, Liu Gongquan, and Zhao Mengfu because their handwriting is considered to be the model of regular script. However, he could also choose the works of his favorite calligrapher according to his own interests and preferences. No matter which calligrapher's work you choose, the most important thing is to persist in practicing and gradually form your own font style.

Choosing which block script was better for practicing calligraphy should depend on one's personal preferences and needs. Different people have different aesthetic views and purposes of practicing calligraphy, so when choosing a copybook, you should choose according to your actual situation. If you want to improve the beauty and overall level of handwriting, you can consider choosing works of calligraphers such as Wang Xizhi and Yan Zhenqing. The works of these calligraphers had unique styles and characteristics. When practicing calligraphy, one could learn their writing skills and aesthetic views. If you want to practice regular script to improve your writing ability, you can consider choosing some famous literary works such as Dream of the Red Chamber, Romance of the Three Kingdoms, etc. These works have high literary value and historical value. The words and phrases can help improve one's language and writing ability. The choice of whose block script was better for practicing calligraphy should be based on one's own needs and preferences. At the same time, one should also learn the calligraphy skills and aesthetic views of calligraphers to improve their handwriting.

The Han Dynasty used official script.

Official script was an official script in the Han Dynasty. The representative characters were Cai Yong, Deng Shiru, and others. The official script was featured by beautiful strokes, smooth shapes, and a certain degree of decoration, so it was widely used in the Han Dynasty culture. In modern times, official script was regarded as a traditional art form of calligraphy and was widely used in culture, art, advertising and other fields.

Both official script and seal script were representative works of the writing style of Chinese characters. Official script was mainly popular in the Han Dynasty. It was the official document and calligraphy form of the Han Dynasty. The representative figures of the Han Dynasty calligrapher Cao Quanbei, Shimen Song, etc. The characteristic of official script was that the strokes were beautiful, graceful, and smooth. The writing style was beautiful, and the form was beautiful. It was mostly used for letters, regulations, inscriptions, and so on. Seal script was mainly popular in the Qin Dynasty and the Western Han Dynasty. It was the writing form of seals and currency. The representative figures were Li Si, Zhao Gao, Deng Ai, etc. The characteristic of seal script was that the strokes were square, hard, standard, and neat. It was mostly used for seals, stone inscriptions, history books, and so on. The main differences between official script and seal script were in writing style, stroke form, and writing tools. The elegant strokes of official script, smooth and beautiful in shape, were mostly used for letters, regulations, inscriptions, etc., while seal script, with its square and hard strokes, was mostly used for seals, inscriptions, history books, etc. In addition, the writing tools of official script and seal script were also different. Official script was usually written with a brush, while seal script was written with a pen or ballpoint pen.

Liu Yi was a famous calligrapher in modern China. His running script, cursive script, official script and seal script all had unique styles and characteristics. Running script was one of Liu Yi's most famous scripts. It was featured by its smooth and majestic strokes, which often contained elements of regular script and official script. The main feature of semi-cursive was that the strokes were closely connected and the characters were rounded, presenting a harmonious beauty as a whole. Cursive script was another important font of Liu Yi. Its characteristics were that the strokes were unrestrained and free, and it often had elements of regular script and running script. At the same time, it also had its own unique style and characteristics. The main feature of cursive script was that the strokes were standardized and had a high degree of freedom. The structure of the characters and the changes in strokes were rich, often with the elements of official script. Official script was one of Liu Yi's commonly used scripts. Its characteristics were that the font was relatively flat and round, the strokes were relatively clear, and it presented a dignified and beautiful feeling as a whole. The main characteristic of official script was that the strokes were standardized and had a high degree of freedom. Its strokes were closely related to regular script, running script, and cursive script. Seal script was one of Liu Yi's more special scripts. It was featured by complex strokes, elegant and dignified glyphs, and often had the charm of a seal. The main feature of seal script was that the strokes were standardized and had a high degree of freedom. Its font was closely related to official script, regular script, and running script. Liu Yi's running script, cursive script, official script, and seal script all had their own unique styles and characteristics. There were also great connections and references between different font types.

Lingque Zhaoxi's official script could be written as follows: ``` Ling E rejoices ``` Among them,"Ling E" was another name for Ling Que, and "Xi" was a symbol of good luck. The writing style of the official script was beautiful and smooth, and the strokes were mellow and round, with a certain artistic value.

The oracle bone script was one of the earliest forms of Chinese characters. It appeared in the early Shang Dynasty (about the 14th century B.C. to the 11th century B.C.) and was carved on tortoise shells and animal bones. The inscriptions on bronze were a form of Chinese characters that appeared on bronzes in the late Shang Dynasty (about 11th century B.C. to 4th century B.C.) and the Western Zhou Dynasty (about 10th century B.C. to 7th century B.C.). Xiaozhuan was an official script of the Qin Dynasty (221 - 206 B.C.). It was created by Prime Minister Li Si and others after the Qin Dynasty unified China. Its characteristic was that it was neat, clear, and easy to write and read. Lishu was a type of Chinese character in the Han Dynasty (206 B.C. to 220 A.D.). It was featured by beautiful strokes and fast writing speed, gradually replacing the position of Xiaozhuan. The cursive script was a type of Chinese character in the late Han Dynasty (220 - 7th century). It was often used in poetry, calligraphy, and painting. Running script is a kind of fluent, free and ever-changing font in the evolution of Chinese characters. It developed on the basis of cursive script and regular script. Generally speaking, the evolution of Chinese characters was a long process. The characters of each period had their own unique characteristics and styles. These characteristics and styles also reflected the cultural, social and historical background of the time to a certain extent.

If you want to practice calligraphy, I recommend you to use a common running-regular script, which is the Preface to Lanting Collection. This copybook was written by Wang Xizhi and is one of the most famous calligraphy works in ancient China. It is very suitable for those who want to practice running-regular script. The Preface to Lanting Collection had beautiful handwriting, smooth strokes, and a rigorous structure. It was a good model for practicing calligraphy. In addition, the Preface to Lanting Collection also contained many Chinese characters 'structure and stroke techniques, which could help you better grasp the writing rules of Chinese characters. If you want a more practical copybook, then [Ninety percent Palace Wine Spring Inscription] is also a good choice. This copybook was written by Ouyang Xun. Its strokes were more vigorous and powerful, and its structure was more rigorous. It could be a good reference for those who wanted to improve their calligraphy skills. In short, these two copybooks were very classic running-regular script copybooks, very suitable for people who wanted to practice calligraphy. You can choose a copybook that you like and start practicing. I believe that if you persist, your calligraphy level will definitely improve.