The Northern Qi Lanling King Tomb was located 5 kilometers south of Ci County, Handan City, Hebei Province. It was the tomb of Gao Su, the grandson of Gao Huan, Emperor Shenwu of Northern Qi. The tomb was tall, surrounded by a flowery wall, and the cemetery had a stele pavilion. Lanling King Gao Su was a famous general who was skilled in both civil and martial arts at the end of Northern Qi. He was loyal to his superiors and waited for his subordinates. He had made many military achievements. He was successively conferred the titles of Xu Prefecture's Lanling Prince, Great General, Great Sima, and Shangshu Ling. Because of their delicate appearance, when the two armies fought, they had to wear a fierce mask to intimidate the enemy. The Lanling King Tomb was a national key protected cultural relic, and the Lanling King Stele was also listed as a national key protected cultural relic. There was also a representative piece of music in the cemetery,"Lanling King Entering the Array". The Tomb of Lanling King was the most famous tomb of the Northern Dynasty in Ci County. The tombs were designated as national key cultural relics protection units by the State Council.
Northern Qi indeed had a King Lan Ling. Gao Changgong, King of Lanling, was a member of the royal clan and a general during the Northern Qi period. He was famous for his bravery and fighting. He had performed outstandingly in the battles between Northern Qi and Northern Zhou, especially in the Battle of Mang Mountain and the Battle of Mang Mountain. King Lan Ling had a prominent background. He was the fourth son of Emperor Gao Cheng of Northern Qi's Shizong Wen Xiang. He was listed as one of the ten most beautiful men in ancient times because of his handsome looks. King Lan Ling's mother was unknown, but his family had a high status. Thus, it was certain that there was indeed a King Lan Ling in Northern Qi.
Northern Qi indeed had a King Lan Ling. Gao Changgong, King of Lanling, was a member of the royal clan and a general during the Northern Qi period. He was famous for his bravery and fighting. He had performed outstandingly in the battles between Northern Qi and Northern Zhou, especially in the Battle of Mang Mountain and the Battle of Mang Mountain. King Lan Ling had a prominent background. He was the fourth son of Emperor Gao Cheng of Northern Qi's Shizong Wen Xiang. He was listed as one of the ten most beautiful men in ancient times because of his handsome looks. King Lan Ling's mother was unknown, but his family had a high status. Thus, it was certain that there was indeed a King Lan Ling in Northern Qi.
Northern Qi indeed had a King Lan Ling. Gao Changgong, King of Lanling, was a member of the royal clan and a general during the Northern Qi period. He was famous for his bravery and fighting. He had performed outstandingly in the battles between Northern Qi and Northern Zhou, especially in the Battle of Mang Mountain and the Battle of Mang Mountain. King Lan Ling had a prominent background. He was the fourth son of Emperor Gao Cheng of Northern Qi's Shizong Wen Xiang. He was listed as one of the ten most beautiful men in ancient times because of his handsome looks. King Lan Ling's mother was unknown, but his family had a high status. Thus, it was certain that there was indeed a King Lan Ling in Northern Qi.
Gao Changgong, also known as Gao Xiaoguan and Gao Su, was a royal family member and general in Northern Qi. He was conferred the title of Lanling King. His father was Gao Cheng, Emperor Wen Xiang of Northern Qi, and his grandfather was Gao Huan, a famous general of Northern Wei. King Lan Ling was famous for his bravery and fighting. He had made many contributions in the battles between Northern Qi and Northern Zhou, especially in the battles of Mang Mountain and Mang Mountain. Although King Lan Ling was born into a prominent family, his status in the family was not high because of his mother's humble status. King Lan Ling was handsome and was listed as one of the top ten handsome men in ancient times. On the battlefield, in order to avoid the enemy's contempt, he made some terrifying masks and wore them on his face to scare the enemy. There was no mention of the cause of King Lan Ling's death.
Northern Qi tombs mainly included Lou Rui's tomb and Xu Xianxiu's tomb. Lou Rui's tomb was the tomb of the most powerful family in Northern Qi. The owner of the tomb, Lou Rui, was the nephew of Empress Dowager Wuming and the cousin of the founding emperor, Gao Yang. The tomb preserved the murals of the most famous painter of Northern Qi, Yang Zihua. Xu Xianxiu's tomb was small in scale, but the murals in the tomb were well preserved and gorgeous as new. The discovery of these tombs and the study of the murals revealed the rules of the changes in the figures in the Northern Dynasty's plastic arts. Other Northern Qi tombs included Liu Gui's tomb, Han Zunian's tomb, Kudi Huiluo's tomb, and Han descendants 'tomb. These tombs all displayed a relatively high cultural taste and had extremely high cultural and artistic value. As for the details of the Northern Qi Emperor's mausoleum, they had yet to be excavated, so they could not provide more information.
" The Legend of King Lanling: The Peerless Beauty Under the Beacon Smoke " was a biography written especially for one of the four great beauties of ancient China, Gao Su, a general of Northern Qi, known as " King Lanling." Gao Su, King of Lanling, was the son of Gao Cheng, Emperor Wenxiang of Northern Qi. He was famous for his bravery and good fighting skills, but his handsome appearance was not enough to deter the enemy, so he would wear a helmet every time he went to the battlefield. He and his soldiers had composed the Song of King Lanling Entering the Array after the great victory at Mount Mang. This song had been passed down to this day. The author of The Legend of King Lanling was Xiao Sheng. He was the founder of the Chinese Home of Writers website and had an in-depth study of ancient Chinese history. The biography of King Lan Ling also recorded his military achievements and knighthood. However, there were some disputes about King Lan Ling's background, and different historical records were different.
The Northern Qi mural tombs were tombs from the Northern Qi period, including the Shuiquan Liang Tomb, Xu Xianxiu Tomb, and Lou Rui Tomb. These tombs preserved a large number of murals, showing the artistic characteristics and cultural content of the Northern Qi period. The murals of the Northern Qi Dynasty were mainly distributed in the corridor, the top of the tomb, and the chamber. The contents included the astronomical map, the four gods map, the twelve zodiac maps, and the living scenes of the tomb owner and his wife. These murals were of a certain artistic level, showing the painting style and characteristics of the Northern Qi Dynasty. The discovery and protection of the murals in the Northern Qi Dynasty had received widespread attention and attention. The relevant institutions and experts had worked hard to protect and display these precious cultural relics through scientific archaeology and restoration techniques.
The murals in the Northern Qi tombs referred to the murals painted in the tombs and tomb passages during the Northern Qi period (550 - 577 AD). We can understand that the murals of the Northern Qi tombs are unique in terms of artistic style, modeling characteristics, and painting skills. According to the descriptions in Literature [1] and Literature [4], the style of the murals in the Northern Qi tombs was concise and accurate, focusing on the overall outline and the performance of the structure. Through the changing colors, the characters appeared three-dimensional. The simple lines and the gradual change of colors highlighted the physical characteristics of the character. The oval face was slightly elongated, which further highlighted the stylized meaning of the character's style. In addition, according to the descriptions of literature [1] and literature [3], the artistic style of the murals in the Northern Qi tombs was influenced by the modeling concepts and artistic styles from the Western Regions. The addition of these external artistic factors accelerated the formation of a unique "simple and beautiful" new style of painting in the tomb murals of Northern Qi. To sum up, the murals in the Northern Qi tombs had the characteristics of simplicity, accuracy, three-dimensional sense, and style. At the same time, under the influence of the Western Region, a unique new style of "simple beauty" was formed.
Gao Changgong, King of Lanling, was an important figure among the emperors of the Northern Qi Dynasty. He was the fourth son of Gao Cheng, Emperor Wen Xiang of the Northern Qi Dynasty. He was born in the year 541. King Lan Ling was famous for his bravery and battle prowess. He had once led 500 cavalrymen to break through the encirclement at the Battle of Mang Mountain and successfully lifted the siege. This battle made him famous, and the soldiers wrote the Song of King Lan Ling's Entering the Array to celebrate his victory. King Lan Ling's talent and moral character were highly praised. He maintained a clean and honest government and was deeply loved by the people. However, King Lan Ling's fate was tragic. He was killed by Gao Wei, the Latter Ruler of Northern Qi. As for the other kings of Lanling in the Northern Qi Dynasty, there was no relevant information in the information given so far.
Northern Qi's King Lan Ling made a toasting robot.