Where is the location of the Battle of Xiangji Temple in Tang Dynasty today?

The final battle at Xiangji Temple was a decisive battle in the An Lushan Rebellion of the Tang Dynasty. The Battle of Xiangji Temple took place on November 13, 757. The Tang army and the Anshi rebels participated in the battle. The battle lasted for a day. The Tang army defeated the rebels with 70,000 casualties and recovered Chang 'an the next day. In this battle, the Tang army displayed outstanding combat experience and strategic planning. In particular, the performance of the Anxi-Beiting Protectorate troops, the Shuofang army, and the Uighur cavalry was regarded as the Tang army's winning weapon. In addition, the "international coalition forces" from the Arabian Empire, the Uighur Kingdom, Nanzhao, Khotan, and many other countries also stepped forward at the critical moment and made great contributions to the Tang army. The battle at Xiangji Temple was seen as the turning point for the Tang Empire to reverse the decline of the An Lushan Rebellion, providing an opportunity for the Tang Dynasty to extend its life by 150 years.

The Battle of Xiangji Temple had been a bitter battle that had led to the destruction of the elite soldiers of the Great Tang. According to the information provided, the Tang army had paid a huge price in this battle, with 70,000 casualties. However, they had successfully killed more than 60,000 rebels and captured 20,000 people. The outcome of this battle was the turning point of the Great Tang's decline and the destruction of its elite army. The intensity of the battle at Xiangji Temple was evident. The total number of casualties on both sides reached 130,000. This battle had a far-reaching impact. The Great Tang Empire began to decline, never to return to its former glory.

The Battle of Xiangji Temple was a battle between elites. Both sides were the Tang Empire's most elite troops. They did not use siege tactics or mutual deception, but fought for victory by killing each other. At the cost of 70,000 casualties, the Tang army killed 60,000 enemies and captured 20,000 prisoners. In the end, they won. The casualty rate of this battle had reached an astonishing 50%, which was almost unimaginable in ancient times. Although some search results mentioned that there were also temporarily recruited troops in the battle, overall, the Battle of Xiangji Temple was an elite confrontation, showing the hard power of both sides.

Xiangji Temple is located at No. 1 Xiangji Temple Lane, Gongshu District, Hangzhou City, Zhejiang Province.

There were many reasons why the Battle of Xiangji Temple was rarely mentioned. First of all, the literati did not like this battle because they believed that war brought destruction and death, not victory and glory. Secondly, this battle lacked legendary and entertaining elements. There was no clever use of tactics, and it was purely based on hard power. In addition, after the victory of the Tang army, the troops of the vassal states burned, killed, and looted wantonly in Chang 'an, the capital, and Luoyang, the eastern capital. The pain they brought to the Tang people was comparable to that of the rebels, which made the Battle of Xiangji Temple even more unwilling to be discussed. All in all, these reasons caused the Battle of Xiangji Temple to not be widely discussed. However, this battle was of great significance to the stability and development of the Tang Dynasty. It was not only an important battle, but also an important step for the Tang Dynasty to unify the north, laying the foundation for the revival of the Tang Dynasty.

Xiangji Temple was a famous Buddhist temple located in Chang 'an District, Xi'an City, Shaanxi Province. It was one of the ancestral temples of the Pure Land Sect of Chinese Buddhism and one of the key Buddhist monasteries in the Han region determined by the State Council. Xiangji Temple was built in the Tang Dynasty. In the second year of Emperor Gaozong's Yonglong reign (681), in order to commemorate the second ancestor of the Jingtu Sect, Master Shandao, his disciples built Xiangji Temple and the offering tower. The temple was situated in a superior location, facing the Ke River in the south and the beautiful Fanchuan in the north. The entire temple was quiet and beautiful. Xiangji Temple was once very prosperous in the Tang Dynasty. Li Zhi, Emperor Gaozong of the Tang Dynasty, once went to the temple to worship Buddha and gave him more than 1,000 relics and a hundred treasure banner flowers. The Xiangji Temple was huge, with magnificent halls and towers. There was also a pagoda in the temple for the second ancestor of the Pure Land Sect, Master Shan Dao. It was recognized by the Buddhist community as the ancestral court of the Pure Land Sect. Xiangji Temple was also the first dojo after the official establishment of the Pure Land Sect. The temple was announced as one of the first batch of key cultural relics to be protected in Shaanxi Province, and was listed as a key temple of Han Buddhism in the country.

Xiangji Temple was a temple dedicated to the Buddhist God of Food, and it was also the only temple dedicated to the Bodhisattva of fasting. In Xiangji Temple, visitors can participate in vegetarian fasting, burn incense, pray, and pray.

The location of the Tang Dynasty's Di Gong Golden Mystery Case was mainly in Hengdian Film and Television City, Zhejiang Province, China. Hengdian Studios was one of the largest film and television production bases in China. It provided many antique buildings and scenes, such as Guangzhou Street, the Qin Dynasty Palace, and the Qingming Festival Along the River.

Xiangji Temple belonged to the Pure Land Sect.

The main filming location of 'The Case of Di Gong', was Hengdian Film and Television City. The original plan of shooting in Lanzhou, Shanxi Bingzhou (Taiyuan), Dongting Lake, Guangzhou Panyu, Chang 'an (Xi'an) and other places was not actually filmed. In addition, there were also reports that the drama was shot in Tang City, Xiangyang. However, the report about the crew using AI to generate images of Chang 'an City also aroused the curiosity of the audience.