Is the Han Dynasty official script or small seal script

The oracle bone script was one of the earliest forms of Chinese characters. It appeared in the early Shang Dynasty (about the 14th century B.C. to the 11th century B.C.) and was carved on tortoise shells and animal bones. The inscriptions on bronze were a form of Chinese characters that appeared on bronzes in the late Shang Dynasty (about 11th century B.C. to 4th century B.C.) and the Western Zhou Dynasty (about 10th century B.C. to 7th century B.C.). Xiaozhuan was an official script of the Qin Dynasty (221 - 206 B.C.). It was created by Prime Minister Li Si and others after the Qin Dynasty unified China. Its characteristic was that it was neat, clear, and easy to write and read. Lishu was a type of Chinese character in the Han Dynasty (206 B.C. to 220 A.D.). It was featured by beautiful strokes and fast writing speed, gradually replacing the position of Xiaozhuan. The cursive script was a type of Chinese character in the late Han Dynasty (220 - 7th century). It was often used in poetry, calligraphy, and painting. Running script is a kind of fluent, free and ever-changing font in the evolution of Chinese characters. It developed on the basis of cursive script and regular script. Generally speaking, the evolution of Chinese characters was a long process. The characters of each period had their own unique characteristics and styles. These characteristics and styles also reflected the cultural, social and historical background of the time to a certain extent.

Both official script and seal script were representative works of the writing style of Chinese characters. Official script was mainly popular in the Han Dynasty. It was the official document and calligraphy form of the Han Dynasty. The representative figures of the Han Dynasty calligrapher Cao Quanbei, Shimen Song, etc. The characteristic of official script was that the strokes were beautiful, graceful, and smooth. The writing style was beautiful, and the form was beautiful. It was mostly used for letters, regulations, inscriptions, and so on. Seal script was mainly popular in the Qin Dynasty and the Western Han Dynasty. It was the writing form of seals and currency. The representative figures were Li Si, Zhao Gao, Deng Ai, etc. The characteristic of seal script was that the strokes were square, hard, standard, and neat. It was mostly used for seals, stone inscriptions, history books, and so on. The main differences between official script and seal script were in writing style, stroke form, and writing tools. The elegant strokes of official script, smooth and beautiful in shape, were mostly used for letters, regulations, inscriptions, etc., while seal script, with its square and hard strokes, was mostly used for seals, inscriptions, history books, etc. In addition, the writing tools of official script and seal script were also different. Official script was usually written with a brush, while seal script was written with a pen or ballpoint pen.

The Tang Dynasty was a glorious period in Chinese history and also a prosperous period for the calligraphy world. There were many calligraphers in the Tang Dynasty, and one of the more famous ones was the calligraphy of Emperor Taizong of the Tang Dynasty, Li Shimin. He advocated the concept of "the book is passed down from person to person, and the word is revealed by person", so his calligraphy works were highly praised by later generations. In addition, there were many other outstanding calligraphers in the Tang Dynasty, such as Wu Zetian, Yan Zhenqing, Liu Gongquan, Ouyang Xun, etc. Seal script was one of the main styles of calligraphy in the Tang Dynasty. Its characteristics were that the strokes were hard, the turns were stiff, and the form was concise. The main characteristics of the seal script works of the Tang Dynasty were the smooth and vigorous lines, as well as the concise and dignified font. The representative works of the seal script works of the Tang Dynasty included the Mysterious Secret Pagoda Stele and the Mysterious Secret Pagoda Stele Calligraphy.

The seal script of the Wanli year of the Ming Dynasty should be "Ming Wanli year seal script".

Liu Yi was a famous calligrapher in modern China. His running script, cursive script, official script and seal script all had unique styles and characteristics. Running script was one of Liu Yi's most famous scripts. It was featured by its smooth and majestic strokes, which often contained elements of regular script and official script. The main feature of semi-cursive was that the strokes were closely connected and the characters were rounded, presenting a harmonious beauty as a whole. Cursive script was another important font of Liu Yi. Its characteristics were that the strokes were unrestrained and free, and it often had elements of regular script and running script. At the same time, it also had its own unique style and characteristics. The main feature of cursive script was that the strokes were standardized and had a high degree of freedom. The structure of the characters and the changes in strokes were rich, often with the elements of official script. Official script was one of Liu Yi's commonly used scripts. Its characteristics were that the font was relatively flat and round, the strokes were relatively clear, and it presented a dignified and beautiful feeling as a whole. The main characteristic of official script was that the strokes were standardized and had a high degree of freedom. Its strokes were closely related to regular script, running script, and cursive script. Seal script was one of Liu Yi's more special scripts. It was featured by complex strokes, elegant and dignified glyphs, and often had the charm of a seal. The main feature of seal script was that the strokes were standardized and had a high degree of freedom. Its font was closely related to official script, regular script, and running script. Liu Yi's running script, cursive script, official script, and seal script all had their own unique styles and characteristics. There were also great connections and references between different font types.

Seal characters and printing referred to seals that were carved using seal characters. The seal engraving font was evolved from the small seal script. Its strokes were square and straight, suitable for seal engraving. The engraving font was only used for seal engraving, not for writing. Seals had been widely used during the Warring States Period. At that time, they were called "seals" and were engraved with seal characters. As time went by, different artistic styles appeared in the seal characters, such as the nine-fold seal script, the bird and insect seal script, and the Miao seal script. Now, people could use the engraving font conversion tool to view the effect of the seal online, and they could also use the engraving font online query tool to find the way to write the engraving font.

The representative works of Wu Rui, a seal and official script calligrapher at the end of the Yuan Dynasty and the beginning of the Ming Dynasty, included: [1. Mysterious Secret Pagoda Stele: This is one of Wu Rui's most famous works and also the most complete one of Wu Rui's seal inscriptions.] The stele is about 27 meters high and 12 meters wide. It was carved in 1368 and is one of the representative works of the Yuan Dynasty. 2 Dongli Yuefu Stele: This is the stele inscribed by Wu Rui for the Yuan Qu Dongli Yuefu. The stele is about 18 meters high and 12 meters wide. It was carved in 1367. The inscription was written in Xingkai script, which was one of the representative works of Wu Rui's official script. 3."Ode to Coral": This is the full text of the Fu written by Wu Rui for the Yuan Qu "Red Whisk". It is about 500 words long and was engraved in 1366. The standard and rigorous structure of the font of this work reflected Wu Rui's skill in seal script and official script. 4. Preface to the Holy Church: This is a preface written by Wu Rui for the Buddhist classic Daji Sutra. The preface is about 400 words long and was engraved in 1364. The structure of this work was standard and the beautiful handwriting reflected Wu Rui's standard of seal script and official script calligraphy. The above is one of Wu Rui's representative works. Other works include "Dongli Yuefu Zan" and "Dongli Yuefu Ji".

Su Yue's character was written in seal script. The character for Su was formed by two single characters and one eye character. The character for Yue was formed by a moon character and a person character.

It wasn't written by Yi Shou Qian Xi, it was written in regular script.

Official script calligraphy was a type of Chinese calligraphy with unique characteristics and styles. The font of the official script is flat and square. The font is flat and develops in the horizontal direction. The main point of writing official script is to start writing silkworm head and finish writing goose tail. The origin of official script could be traced back to the Qin Dynasty, and it reached its peak in the Han Dynasty. In the Eastern Han Dynasty, Han Li had the secular aesthetic characteristics of craftsmanship and beauty. The representative works of official script include Zhang Qian's Stele and Cao Quan's Stele. Official script, as a style of calligraphy, had an important influence on calligraphy in later generations. Official script had extremely high artistic value and was widely collected and appreciated.