Why did the Song Dynasty's descendants not flourish?

The Song Dynasty was a period of feudal society in China, and it was also one of the prosperous periods of Chinese culture. The prosperity of the Song Dynasty culture mainly stemmed from the following aspects: 1. Prosperous economy: The Song Dynasty was a period of economic prosperity in China's feudal society. Commerce, craftsmanship, agriculture, and other aspects had made great progress, leading to the cultural field's multiplication and prosperity. 2. Universal education: The imperial examination system was implemented in the Song Dynasty, and the examination system was fairer. The reading atmosphere was prevalent, and the education was very popular. Many civilians also began to receive education, which provided a talent reserve for the prosperity of culture. 3. Literature achievements: The Song Dynasty literature flourished and many outstanding writers such as Su Shi, Xin Qiji, Li Qingzhao, Lu You, etc. Their works such as "Ode to the Red Cliff" and "Shuidiao Getou" became classics of Chinese culture. 4. Art achievements: The Song Dynasty flourished in the fields of painting, music, dance, etc., and made great achievements in painting, calligraphy, and music. The Battle of Yashan was a war between the Southern Song Dynasty and the Jin Dynasty. After this war, the Southern Song Dynasty lost most of its territory and eventually perished. It was said that there was no Chinese culture after Yashan because even if the Southern Song Dynasty perished, Chinese culture was not greatly affected because Chinese culture had been passed down to this day.

The prosperity of Chinese novels and operas in the Ming Dynasty was mainly due to the following factors: 1. Social background: During the Ming Dynasty, the social and economic situation was stable, and the people's living standards improved. The demand for literature and art also increased. 2. Forms of literature: After the Tang Dynasty, literary works such as Chinese novels and operas gradually developed. The rise of novels and operas in the Ming Dynasty was the development and perfection of this literary form. 3 The novelists and dramatists of the Ming Dynasty contributed a great deal to the prosperity of these literary forms. 4. Cultural influence: During the Ming Dynasty, Chinese culture gradually matured, and literary works such as novels and operas were further influenced and inspired by culture. 5. Market demand: Market demand is also one of the important factors that lead to the prosperity of novels and operas. In the Ming Dynasty, with the development of society and economy, people began to have an increasing demand for literary works such as novels and operas, which also promoted the prosperity of novels and operas. In summary, the prosperity of novels and operas in the Ming Dynasty was the result of a combination of many factors.

Chinese novels and operas began to flourish in the Ming Dynasty mainly because of the following reasons: 1. Social and economic development: During the Ming Dynasty, China's economy began to gradually prosper, and the people's living standards improved. The demand for culture and art also increased day by day, which provided the soil for the prosperity of novels and operas. 2. The innovation of literary forms: In the Ming Dynasty, novels and operas began to be constantly innovative. Some excellent works such as "Water Margins","Journey to the West" and other novels, as well as "Dream of the Red Chamber","Romance of the Three Kingdoms" and other operas appeared. The innovation of these works made the literary forms more diverse and attracted more readers and audiences. 3. The rise of literary and art groups: In the Ming Dynasty, literary and art groups began to rise, such as literati groups and opera groups. The rise of these groups provided more opportunities for the singing of novels and operas, and also promoted the development of novels and operas. 4. Official support: During the Ming Dynasty, the government began to attach importance to literary forms such as novels and operas and gave them some official support. This kind of official support allowed novels and operas to be more widely spread and promoted their prosperity. In summary, the prosperity of Chinese novels and operas in the Ming Dynasty was mainly due to the development of social economy, the innovation of literary forms, the rise of literary groups, and the support of the government.

Song Ci originated from the Tang Dynasty and flourished in the Song Dynasty. The Song Dynasty was one of the most important periods in the history of Chinese literature. The origin of Song Ci could be traced back to the Tang Dynasty, when poetry was the main form of literature and Ci was relatively rare. In the Song Dynasty, with the development of commodity economy and the prosperity of culture, Ci gradually became an important literary form. The poets of the Song Dynasty were divided into two groups: the four scholars of the Sumen School, the poets of the Southern Song Dynasty, and the bold and unconstrained poets. The bold and unconstrained poets included Su Shi, Xin Qiji, and others. Their works were bold and unrestrained, good at describing scenes such as war, life, and nature, and had strong expressive power and artistic appeal. Their ideas were bold and unconstrained, emphasizing freedom, boldness and open-mindedness, forming a sharp contrast with the graceful and restrained school of the Southern Song Dynasty. In addition, the Song Dynasty's Ci songs were also very popular. People often used lyrics to sing this form, which was called "Ci songs". Ci songs were divided into southern songs and northern songs. The southern songs were mainly popular in the south of the Yangtze River while the northern songs were mainly popular in the north. The prosperity of Song Ci in the Song Dynasty was mainly due to the development of social economy and the prosperity of culture, as well as the unique artistic charm and expressiveness of Song Ci. Song Ci's beautiful language, rich emotions, and profound thoughts were deeply loved and respected by the readers. It became an indispensable part of the history of Chinese literature.

The vernacular version was a literary form that originated from the Ming Dynasty and flourished in the late Ming and Qing Dynasties. It is a novel written in oral form, usually by one or more authors, and narrates the story in a form similar to lyrics and rap. Storybooks usually had simple and straightforward plots, and the main topics were social criticism and moral education. It has an important position in the history of Chinese literature and is known as the "ancestor of the novel", which has a far-reaching impact on the creation of novels and literary forms of later generations.

The most prosperous period of the development of Chinese novels was the Tang Dynasty (618 - 907). During the Tang Dynasty, there were many outstanding people in the field of literature, such as Li Bai, Du Fu, Bai Juyi, Wang Zhihuan, Liu Yuxi, Liu Zongyuan, etc. These were still praised and appreciated by people today. The development of novels in the Tang Dynasty also reached a peak. At that time, all kinds of novel styles and forms appeared, such as legends, novels, legendary stories, short stories, and so on. Among them, legendary novels were the most popular form of novels in the Tang Dynasty, such as the Legend of the White Snake and Journey to the West. The Tang Dynasty was also a period of prosperity for the art of novels, which provided important enlightenment and influence for the creation of novels in later generations.

There was very limited information about the current situation of Song Ci's descendants. According to historical records, Song Ci's descendants lived in Jianyang during the Southern Song Dynasty, but their exact whereabouts were unknown. At the beginning of the 20th century, they moved back to Zhejiang, but the exact situation of their descendants was unknown. In addition, according to the information mentioned in an article, there was only one boy among Song Ci's third generation descendants. He was now an adult, but he had yet to have any descendants. There was currently no relevant information for reference regarding the situation of Song Ci's descendants abroad. Therefore, there was no way to know the exact situation of Song Ci's descendants.

The reason why the Song Dynasty's Inquisitor 2 was banned was because of copyright issues. The first season of " The Executioner of Great Song " was once the fourth-rated work of Central TV's annual viewership ratings, and it had been rebroadcasted many times. However, after the second season was broadcast, the show was banned due to copyright issues. Although some viewers thought that the second season was not as good as the first season, the specific reason for the ban was not mentioned.

Li Qingzhao, a female poet of the Song Dynasty, has left her descendants to this day. Li Qingzhao (1084 - 1155) was a famous writer, poet, and ideologist in the middle of the Northern Song Dynasty. Her Ci works occupied an important position in the history of Chinese literature. Li Qingzhao's eldest son, Li Gefei (1103 - 1173), was a famous writer and painter. His second son, Li Gang (1128 - 1189), was a famous musician and writer. Li Qingzhao's descendants were distributed in the fields of literature, art, music, etc. Some of the famous representatives included Li Gefei's eldest son Li Boju (1150 - 1224), his second son Li Te (1176 - 1252), Li Gang's eldest son Li Boqi (1170 - 1240), and his second son Li Bozhang (1188 - 1266). These descendants had great achievements in the fields of literature, art and music, which had an important influence on the development of Chinese literature and culture.

The prosperity of novels in the Ming and Qing Dynasties was mainly due to the following reasons: 1. social unrest: during the Ming and Qing Dynasties, China was in social unrest, wars, uprisings, natural disasters and other events occurred frequently. People's lives were extremely difficult. In order to survive and develop, people needed more entertainment and pastimes. Therefore, novels in this form became their first choice. 2. Prosperity of novel creation: During the Ming and Qing Dynasties, the creation of novels began to flourish. Many excellent works were created, such as "Dream of the Red Chamber","Journey to the West","Water Margins" and so on. These works were not only rich in content but also had high literary value, becoming the classics of Chinese classical literature. 3. The novels were widely spread. During the Ming and Qing Dynasties, novels began to spread through various channels, such as manuscripts, operas, novels and magazines. These methods of communication made novels more popular and more people could come into contact with novels, thus promoting the prosperity of novels. 4. Diverse types of novels: The types of novels in the Ming and Qing Dynasties were very rich, including legends, romance, strange stories, novels, operas, etc. Each type had its own unique characteristics and styles, allowing readers to choose to read according to their own preferences. Combining the above reasons, the prosperity of novels in the Ming and Qing Dynasties came into being.