The original text and translation of Shang Song and Yin Wu

The original text of "Song on the River" was: Mulan's boat, jade flute and golden pipe sitting at both ends. There are thousands of goblets of wine in the wine bottles, and the prostitutes are carried with the waves to go and stay. The immortal is waiting to ride the yellow crane, and the sea traveler has no intention to follow the white gull. Qu Yuan's poems and Fu are hanging like the sun and moon, and the pavilions of the King of Chu are empty on the hills. Happy and drunk, he wrote a poem to shake the five mountains, and the poem was written with a smile on the continent. If fame and wealth are eternal, the Han River should also flow northwest. On the boat where Mulan paddled and Tang made boats, the music of the flute was played at both ends of the boat. The boat was carrying a thousand bushels of wine and beautiful singing girls, allowing it to drift with the flow of the river. The immortals on the Yellow Crane Tower had yet to fly away on the yellow cranes, but I, a sea traveler, had no intention of playing with the white gulls. Qu Ping's Ci Fu hung between the sun and the moon, and the pavilion of the King of Chu was now an empty hill. When the mood is high, the brush can shake the five mountains. After the poem is completed, the proud smile is above Cangzhou. If fame and wealth could last for a long time, then the Han River should also flow northwest. Note: The provided search results do not include a complete and accurate translation of the poem.

The original text of the Midnight Song was: "Hibiscus is planted in the high mountains, and it passes through Huangbo Dock." As expected, when I got Yilian, it was hard on the wandering baby." The meaning of this poem was that it was so difficult to find love by planting lotus flowers on the high mountains and passing by the water's edge full of cork trees. If you can get it, even if you live a wandering life, you won't complain if you're sad.

The original text, translation and analysis of the song of righteousness Song of Righteousness was a wuxia novel written by Zhang Dai, a novelist of the Ming Dynasty. It told the story of a swordsman with unique skills walking in the Jianghu. The following is the original text and translation of the novel: Original text: Heaven and earth have a mixture of righteous qi, which is full of qi. Below is the river, above is the sun star. To others, it is said that it is vast and vast, blocking the dark sky. The emperor's road should be clear, the barbarians should contain and spit out the bright court. At that time, I had no choice but to see one by one. In Qi Taishi Jian in Jin Dong Hu pen. In the Han Dynasty, Dong Zhongshu wrote in the Wei Dynasty. Wan Zhong did not distinguish between etiquette and righteousness, governing the country and helping the people from generation to generation. The period of surplus and contraction is not only in the court, but also in the people. Follow the law of nature. The most reasonable and human feelings have been used to each other for a long time. Righteousness surpassed the longevity of the Southern Mountains. Forever and ever, as bright as the sky. Translator: The world was filled with Righteousness Qi, and this Righteousness Qi would naturally flow. It passed down to become rivers and mountains, and the stars passed up to become light and justice. In the world, this kind of Morality had incomparable power. For humans, it was a display of dignity and strength that could inspire people to move forward. This kind of righteousness is threatening but at the same time gentle. It is full of human society and makes everything go smoothly. Its rise and fall did not depend on its appearance, but on whether humans could adhere to the moral code and comply with the laws of nature. This kind of Righteousness Qi was even longer than Nanshan Hill. It could live forever and coexist with heaven and earth.

The original text of the reeds and reeds was "The reeds and reeds are green and the white dew is frost." The so-called Yi Ren is on the other side of the water." From Li Sao.

The original text and translation of hanging beams and piercing shares were hanging beams and piercing bones. Hanging a beam and stabbing a stock was an idiom to describe studying hard and not afraid of hardship. It literally meant to hang a rope from a tree and study in the biting wind. It was a longer idiom, which meant that one was very diligent and not afraid of hardship when studying. It was like an awl piercing into one's brain to make one study more clearly. These two idioms were used in ancient Chinese learning methods to emphasize the importance of learning and the spirit of hard work.

Midnight Song: How Can Life Be Free of Sorrow and Hatred? was a poem written by Li Yu, the Latter Ruler of the Southern Tang Dynasty. The following is the original text and translation of the word: Original text: How can we avoid sorrow and hatred in life? How can we limit our feelings when we are alone in ecstasy? The dream of the old country came back, and I woke up with tears in my eyes. Who can compare with the tall buildings? I long remember the autumn sunshine. The past has become empty, like a dream. Translator: How could the sorrow and hatred of life be avoided? Only my soul is in ecstasy and my emotions are limitless! I dreamed of returning to my hometown, and when I woke up, my tears fell. Who will climb the tower with me? I will always remember the view when it is clear in autumn. The past had become empty, just like a dream. This poem expressed Li Yu's infinite longing and sadness for the country's subjugation and the past.

Original text: Wen Xin Diao Long Zhiyin read carefully to explore the essence. Translated: Wen Xin Diao Long was a literary theory work written by Liu Xie, an ancient Chinese literary theorist. It mainly elaborated on the psychological description, ideology and artistic expression in literary creation. This work was regarded as the classic work of ancient Chinese literary theory, which had an important guiding significance for literary creation. Zhiyin referred to the book, Wen Xin Diao Long. This book was not only an important work of Chinese literary theory, but also an important part of Chinese culture. The word bosom friend implied a deep understanding and resonance of this work. Only by truly understanding and comprehending the theory in Wen Xin Diao Long could one become a true literary lover and literary critic. Note: 1 Wen Xin Diao Long: Liu Xie's work is an important theoretical work of ancient Chinese literature. [2] Intimate friend: It refers to the deep understanding and resonance of this work.

The ventriloquism is a traditional Chinese martial arts skill, also known as "ventriloquism performance" or "ventriloquism music". It's a skill that uses the mouth to produce a special sound to perform tricks. It's usually used in rap, crosstalk, and other types of comedy. The original name of ventriloquism was "ventriloquism performance" or "ventriloquism music". It originated in southern China and was formed during the Song Dynasty. A ventriloquism performance is usually performed by one or more performers. They express different storylines and topics by making special sounds and combinations of sounds. The performance of ventriloquism was usually accompanied by musical instruments such as flutes, gongs, drums, and erhu. Today, ventriloquism has become a traditional Chinese culture and is still valued and performed in some areas.

Stomat-fighting is a traditional Chinese art form, also known as the wind instrument. It is a musical instrument that uses the mouth and throat to make sounds. Its way of performing is very unique. It puts a ventriloquism object on its nose and blows it with its mouth to make it make a sound. The following is the original text and translation of the ventriloquism: The ventriloquism, also known as the wind instrument, is a musical instrument that uses the mouth and throat to make sounds. A wind instrument is a musical instrument that uses the mouth and throat to make sounds. It is usually placed over the nose and blown by the mouth to make the sound.

The art of ventriloquism was a traditional Chinese opera art form, also known as mouth opening, harmonica, wind, wind instrument, etc. Its performance form was unique. It was a very expressive art form by playing musical instruments in different parts of the mouth, nose, throat, etc. with facial and body expressions and movements. There were many forms of ventriloquism performances, such as playing the flute, flute, gourd flute, etc. There were also some playing the harmonica, flute, etc. The performance time of ventriloquism was not fixed. It could be a short performance of a few minutes or a long solo or duet. The ventriloquism in China had a long history, starting from the Han Dynasty and reaching its peak in the Tang Dynasty. Now, ventriloquism has become an important art form in Chinese opera and one of the favorite performances of domestic and foreign audiences.