Meshra Kazak

Kazak artists referred to all kinds of artistic performers and traditional craftsmen belonging to the Kazak people. We can see that Kazak artists cover different fields of performance and craftsmanship, including folk singers, folk art representatives, knife craftsmen, bone carving artists, embroidery artists, etc. They displayed the culture and traditions of the Kazak people through different art forms and techniques. For example, the folk singer Saleh Saili was a special kind of folk artist. He had the demeanor of a chivalrous gentleman and the talent to play and sing. Tiermai was a typical representative of the Kazak people. It was a form of performance that extracted the essence of Kazak proverb, aphorism, and poetry, accompanied by a melody. Heizlar was a folk artist who specialized in making Kazak knives. He had specially learned how to make Kazak knives. Ta Yifu was a Kazak national bone sculptor. He was very skilled in sculpting. Badiha Bahedari was a Kazak embroidery artist. She established an embroidery cooperative dedicated to protecting and inheriting traditional embroidery techniques. In addition, Kazak Aytes was a competitive form of duet performance, which was one of the artistic treasures of the Kazak nation. In general, Kazak artists had displayed a variety of artistic talents and traditional skills in different fields, making an important contribution to the inheritance and development of Kazak culture.

Kazak women's lives were filled with traditional customs and culture. We can understand that Kazak women play an important role in life, including embroidery, dowry preparation, and participation in various life customs. Kazak women began to learn embroidery from an early age, which was one of the important skills in their lives. Embroidery was one of the ways for Kazak women to show their talent and beauty. They used silver needles and colored threads to embellish their lives and portray their ideals. There were many kinds of embroidery patterns, including the sun, moon, stars, animals, flowers, trees, and other geometric patterns. The different colors of embroidery symbolized different moods. For example, blue symbolized the sky, red symbolized the sun and sunshine, white symbolized happiness and happiness, yellow symbolized wisdom, black symbolized the earth and sadness, and green symbolized spring and hope. In addition, Kazak women had to prepare their own dowry before marriage. The most important part of the dowry was the floral felt, which was a kind of embroidery that was embroidered on the primary color felt. The floral felt represented a girl's beautiful longing for love and future life, and it was also one of the ways to show her talent to her in-laws. Kazak women may embroider a lot of flower felts in their lives, but the flower felts they bring when they get married are the most painstaking. In addition, Kazak women had to participate in various life rituals, including birth ceremonies, cradle ceremonies, full moon ceremonies, walking ceremonies, one-year-old ceremonies, hair-cutting ceremonies, horse-riding ceremonies, circumcisions, hunting ceremonies, weddings, funerals, and so on. These rituals are very important in Kazak culture, representing different stages of life and traditional values. Generally speaking, Kazak women's lives were full of traditional culture and etiquette. They displayed their talents through embroidery, prepared dowries to show their beautiful vision for the future, and participated in various life rituals to celebrate and commemorate important stages of life. These traditions and rituals were an important part of Kazak women's identity and cultural inheritance.

In the novel, Xiang wrote two conversations between Urdarak and his father to analyze its effect: The first conversation was with his father after Urdarak learned of his mother's death. This conversation provided Urdarak with a window to vent his inner world, allowing him to express his inner feelings and also allowing him to understand more deeply the impact of his mother's death on him. Through this conversation, Urdarak had a deeper understanding of the importance of family and the role his father played in his growth. The second conversation took place when Urdarak was reprimanded by his father for not completing his mission. This conversation made Urdarak understand his father's expectations and sense of responsibility. It also made him realize the shortcomings in his growth. Through this conversation, Urdarak realized that he needed to work harder to prove his worth and also hope to be proud of his father. Through these two conversations, Urdarak gained a deeper understanding of the relationship between himself and his family, as well as the role and responsibility he played in the process of growing up. At the same time, he also became more clear about his learning goals and direction. These conversations also laid the foundation for the development of the story, allowing Urdarak to achieve his goals more smoothly as he grew up.

There were several reasons why the Qing Emperor did not kill Wu Zhu. First, the Qing Emperor believed that he could control Wu Zhu. He felt that Wu Zhu was simple-minded and often lost his memories, so he believed that he could easily control him. Secondly, because of Ye Qingmei, Chen Pingping, Fan Jian, and the others had been paying attention to Wu Zhu's movements, so the Qing Emperor would not rashly deal with Wu Zhu. In addition, the Qing Emperor believed that Wu Zhu had great value. As long as he used him well, not only could he kill the other three Great Grandmasters, but he could also help him easily complete his hegemony of unifying the world. The Qing Emperor also knew how powerful Wu Zhu was. If even a Great Grandmaster could not kill him, what else in the world could do anything to him? Thus, it was best for the Qing Emperor not to move. The Qing Emperor still wanted to use Wu Zhu's blindfold. He was very curious about Wu Zhu's eyes. Thus, the Qing Emperor did not kill Wu Zhu because he believed he could control Wu Zhu. He felt that Wu Zhu had value, and he was afraid of Wu Zhu's powerful strength.

The second season of Celebration of the Year 2 would be broadcast on China Central Television (CCTV).

The 81st to 100th episodes of " Aiya, Her Majesty the Empress Came to Work " can be viewed in the search results provided. The drama told the story of an ancient empress, Rong Dai, who accidentally transmigrated to modern society and entered a company to work. She signed a one-year marriage contract with the company's CEO, Huo Shaoting. The details of the 80 to 100 episodes were not clear.

Fan Xian was the main character in the novel " Celebrating the Years " and the TV series " Celebrating the Years." He was a transmigrator and a witness to the Qing Kingdom's decades of storms. Fan Xian's appearance was peerlessly handsome. His nature was indifferent and resolute. He was kind and black-bellied. He was very shrewd and valued kindness. In the end, he lived in seclusion in Jiangnan, put down the Jingdou rebellion, and became a hero of the Qing Kingdom. Fan Xian's father was the Qing Emperor and his mother was Ye Qingmei. He also had Fan Sizhe, Fan Ruoruo, Li Chengqian, Li Chengze, the Third Prince, and other non-blood related siblings. Fan Xian displayed outstanding ability and wisdom in the play and became a key character.

Ye Qingmei was an expert of Level Nine and above. In " Celebrating Years ", she had demonstrated the ability to break through Ye Chong's protective Qi, which meant that she was at least a rank-nine. Although the specific rank was not explicitly mentioned, it could be confirmed that her strength was at least above the ninth rank.

" Celebrating Years 2 " didn't reveal any resources in advance. The government had issued a solemn statement many times, clearly pointing out that the so-called leak of the drama resources was purely false news, and said that they had already called the police to deal with it. The links that spread on the Internet were all fake links such as advertising and fishing. The official statement and the measures taken showed their firm attitude towards protecting the copyright of works and the interests of the audience. Although some netizens revealed that they had watched the entire drama in advance and posted screenshots of the suspected film, these news were not officially confirmed. Therefore, it could be confirmed that Celebrating Years 2 did not leak any resources in advance.

Heaven Covering Emperor appeared in chapter 197 of the novel " Heaven Covering ".