The Calligraphy Works of Xu Wei in the Qing Dynasty

The Wei Stele Calligraphy was an inscription from the Northern Wei Dynasty. It had a unique style and artistic value. The Wei stele style inherited the Han Li and the Tang Kai, showing the innovative spirit of calligraphy art. Among them, Epitaph of Zhang Heinu, Stele of Zhang Menglong, and Record of Yang Dayan's Statue were all classic works in the copybook of Wei Monument. These inscriptions were famous for their dignified and handsome strokes, delicate and upright knots, and colorful styles. The copybook of the Wei Stele was very popular among calligraphy students and was regarded as an important reference for learning the calligraphy of the Wei Stele.

Xu Wei was a writer, painter, and military expert of the Ming Dynasty. His works of poetry included "Wind Kite Painting Poetry","Ink Grape Painting","Plum Blossom Satire","Night Rain Cutting Spring Leeks" and so on. Xu Wei's poems were full of emotion and artistic conception, with the theme of describing natural scenery and expressing the philosophy of life. Xu Wei's poems had a certain status and influence in the Ming Dynasty literature.

Xu Huanzhang was a ideologist and a flag slave at the end of the Qing Dynasty. He used to be a servant in a mansion in Beijing. Later, a street dispute caused a series of disasters. When the Eight-Nation Alliance invaded Beijing, Xu Huanzhang was appointed as the captain of the investigation team because he could speak Japanese. He took the opportunity to avenge the injustice he had suffered back then. However, his wife committed suicide because of this humiliation, and her family was destroyed. In the end, he moved into his master's house and inherited Gu Yuexuan's craftsmanship. Xu Huanzhang's exact date of birth and other details were unknown.

The actor of Wei Qing was Dong Yong.

Gao Yi was a famous calligrapher in the Qing Dynasty. His regular script was known as one of the most beautiful regular script in the Qing Dynasty. His calligraphy style combined the characteristics of Ouyang Xun and Chu Suiliang. It not only had the stability and standard of the European style, but also absorbed Chu Suiliang's fluency and naturalness, forming his own unique writing style. His regular script was exquisitely written and was praised as one of the most beautiful regular scripts of the Qing Dynasty. However, there were also some calligraphy experts who felt that Gao Yi's calligraphy was too standardized and patterned, lacking elegance and style. Experts had different opinions on Gao Yi's regular script.

Han Dynasty calligraphy had gone through several periods of development. At first, the Han Dynasty inherited the calligraphy tradition of the Qin Dynasty and used seal script. However, as time passed, seal script gradually declined, while official script flourished and reached its peak in the Eastern Han Dynasty. The appearance of official script was a revolution in the history of calligraphy. It not only made the shape of Chinese characters tend to be square and regular, but also laid the foundation for the birth of various types of characters later. Under the influence of official script, cursive script, regular script, and running script also began to appear. The main carriers of calligraphy in the Han Dynasty were stone inscriptions and bamboo slips. The development of calligraphy in the Han Dynasty was driven by social progress, and people's demand for words continued to expand. Han Dynasty calligraphers made full use of this favorable factor to explore the beauty of words and the beauty that could be obtained in writing, creating many classic works. At the same time, the thoughts of the Han Dynasty's calligraphy theorists also had a profound impact on the history of calligraphy. In general, the Han Dynasty was a very important period in the history of Chinese calligraphy, and its calligraphy art showed a prosperous situation.

Li Wei (February 2, 1687-December 3, 1738), also known as Jie, was born in Tongshan, Jiangnan (now Li Village, Dashahe Town, Feng County, Xuzhou, Jiangsu Province). He was a famous official of the Qing Dynasty. In the fifty-sixth year of Kangxi (1717), Li Wei donated money to Yuanwailang and then entered the court as an official. He experienced the three dynasties of Kangxi, Yongzheng and Qianlong. He was deeply appreciated by Emperor Yongzheng and held many important positions, including the doctor of the Ministry of Revenue, the salt post road of Yunnan, the governor, the governor of Zhejiang, the minister of the Ministry of War, the acting minister of the Ministry of Punishment, and the governor of Zhili. He was an honest official who was not afraid of the powerful. He could understand the sufferings of the people and was deeply loved by the people. Li Wei died in the third year of Qianlong (1738) at the age of 51. Emperor Qianlong gave him the posthumous title Minda.

Yes, Li Wei did exist in the Qing Dynasty. Li Wei was a famous official in the Qing Dynasty. He had held official positions in the Kangxi, Yongzheng, and Qianlong dynasties and was deeply appreciated by Emperor Yongzheng. He was born in Tongshan, Jiangnan (now Xuzhou, Jiangsu), and was the son of a wealthy family. Although Li Wei did not receive much education, he had made a name for himself in officialdom with his courage, perseverance, and talent. He performed well in the posts of Governor of Zhejiang and Governor of Zhili, setting a shining example for the country's governance and the integrity of officialdom. Li Wei died of illness in the third year of Qianlong and was posthumously named Minda.

Xu Hong was an artist, and his calligraphy works were exhibited in the solo exhibition "Paradise in the Deep Valley". The exhibition displayed Xu Hong's paper manuscripts, drawer series, and paintings on shelves, totaling 24 pieces. Xu Hong's writing style and characteristics could not be learned from the search results provided.

Xu Beihong was an artist who studied calligraphy. He started learning painting from his father when he was young, and he also learned inscriptions under his father's guidance. His calligraphy foundation was very solid, especially when it came to Wei steles and inscriptions on gold. He had copied many famous steles, such as Zheng Wengong Stele, Stone Gate Inscription, Zhang Menglong Stele, etc. Under Kang Youwei's guidance, he continued to study the inscriptions and expanded his vision to the inscriptions of the Southern Dynasty and the earlier inscriptions on bones and bronze. Xu Beihong's calligraphy style was unique. It had the vigor and imposing manner of the Northern Stele, but it also had its own unique characteristics. His calligraphy works were full of artistic accomplishment and aesthetic value. All in all, Xu Beihong was a very talented calligrapher.