Yang Zihua's Northern Qi Collated Calligraphy

Yang Zihua's " Northern Qi School Maps " had a high-definition version.

Calligraphy research during the Northern Qi period showed that the calligraphy style of the Northern Qi Dynasty showed the characteristics of "flat strokes and wide knots", including a style that "had many official meanings, loose knots, vigorous strokes, and strange momentum", and another style that "contained a little official meaning, proper posture, simple and elegant, clumsy and skillful". Northern Qi's calligraphy mainly included regular script, official script, and a mixture of regular script and official script. The number of regular script gradually increased, and official script occupied the mainstream position in the inscription style. Northern Qi's calligraphy works were artistic. The font was flat and wide, with the lingering charm of official script and the structure of regular script. The characteristics of Northern Qi calligraphy also included the flat and overlapping of the characters, and the horizontal style of the characters. The study of Northern Qi calligraphy is of great significance to reveal the artistic value of Northern Qi and its influence on later generations.

The Northern Qi Colloquial Painting depicted the clothing of the Northern Qi period. According to historical records and pictures, men's clothing during the Northern Qi period mainly included robes, inner shirts, and skirts. During the Jin Dynasty, robes were used with crossed collars and right lapels, wide sleeves, collar, sleeves, lapels and other parts inlaid with edges. The robes of the Northern Dynasty were either cross-collared or round neck, with the right side of the skirt, narrow sleeves, and fitting. The collar, sleeves, and lapels were either inlaid with edges or not. The inner garment was a sleeveless cloak, usually made of white cloth. It was tied with a tie that could be draped over the shoulder and tied around the neck to block the cold. As for the skirt, it was worn by the music artist who was wearing the traditional skirt. The specific style and shape were unknown. Generally speaking, men's clothing during the Northern Qi period was mainly loose and elegant, paying attention to decoration and details.

Gao Yang of Northern Qi (526-November 25, 559), also known as Zijin, was originally from Bo Hai County (Jing County, Hebei Province). He was the founding emperor of Northern Qi during the Northern and Southern Dynasties and the second son of Gao Huan, Emperor Shenwu of Northern Qi. He was born in 529 in Jinyang (near Taiyuan, Shanxi Province), nicknamed Jinyang Le. Gao Yang inherited his father and brother's regime and became the ruler of Eastern Wei. In the year 549, after his brother Gao Cheng was assassinated, Gao Yang quickly took control of the government and was conferred the title of King Qi by the Emperor of Wei. The following year, he forced Emperor Xiaojing of Wei to abdicate and ascended the throne himself, establishing the Northern Qi Dynasty. In the early days of Gao Yang's reign, he displayed a wise and decisive ability to govern. He carried out a series of reforms, strengthened the power of the central government, and promoted the economic and cultural development of Northern Qi. However, in the later stages of his rule, he became tyrannical and capricious. He drank too much and killed too many people, causing the political situation in Northern Qi to become unstable. Gao Yang died in the year 559 at the age of 34. In short, Gao Yang was an Emperor full of contradictions and complexity. His talent and decisiveness allowed Northern Qi to be established, but his tyranny and bloodlust also made his rule full of controversy.

Yang Zihua was a crosstalk artist from mainland China. He was born in Beijing in 1932. He studied crosstalk at the Qiming Tea House in Beijing since he was a child and began working with Ma Zhiming in the early 1970s. Yang Zihua's crosstalk style was humorous and popular with the audience. His representative works included " Fake Sky " and others, which earned him fame and status. Although Yang Zihua was already over 90 years old, he was still active on the crosstalk stage and was a veteran in the crosstalk world. His artistic level had been tested by time, and his techniques were unique and could withstand the test of time. Yang Zihua's artistic achievements in crosstalk could not be ignored. He had made an important contribution to the inheritance and development of Chinese crosstalk culture.

Gao Yang was the founding emperor of the Northern Qi Dynasty. During his reign, he had achieved good achievements in civil and martial arts. However, he later became violent and absurd, and became famous for his drunkenness, which led to his early death and infamy. Although he had shown some talent and achievements in the early days of his reign, Gao Yang was generally a cruel and absurd person. He had an unhappy childhood, often teased or toyed with by his brothers, and his mother did not like him. Because of this, the Northern Qi Dynasty became a short-lived dynasty.

Northern Qi and Qi were two independent governments of different periods. There was no direct relationship between them. Northern Qi was established by Gao Yang during the Northern and Southern Dynasties, and was also known as the " Gao Qi ". Qi was established by Xiao Daocheng during the Northern and Southern Dynasties, and was also known as the " Xiao Qi " or " Southern Qi ". Although they all used the same name, Qi, they were established in different regions. One was the southern regime, and the other was the northern regime. Therefore, other than the same name, Northern Qi and Qi had no other practical relationship.

Northern Qi was called Northern Qi because it was a dynasty during the Northern and Southern Dynasties of China. During the Northern and Southern Dynasties, there were many governments in the north named Qi. In order to distinguish them, people called them Northern Qi. Northern Qi was a regime established by Gao Yang, the second son of Gao Huan, a powerful minister of the Eastern Wei Dynasty. It existed from 550 to 577 and shared the country for 28 years. Northern Qi's royal family had the surname Gao, so it was also known as Gao Qi.

The smile of the Northern Qi Buddha statue was one of its most charming features. Compared to the smile of the Buddha statues in Northern Wei, the smile of the Buddha statues in Northern Qi was more reserved and had a deeper meaning. This kind of smile conveyed the peace and ease of Buddhists and the dignity of being unperturbed by changes. The characteristics of the Northern Qi Buddha statues included a plump face, simple clothing patterns, and body-fitting clothing. Overall, they presented a smooth and clean appearance. Her lines were smooth and her clothes were light, giving off a calm and confident feeling. Although the smile of the Northern Qi Buddha statue was simple, through the overall streamlined and dynamic image, people would not feel bored. The artistic style of the Northern Qi Buddhist statues was unique. They were famous for their simplicity and purity, as well as their inner vitality. However, the exact reason why the smile of the Northern Qi Buddha statue was so calm was still unclear.

The Northern Qi Dynasty was famous for its unique characteristics. The emperors of this dynasty all had shocking behaviors and characteristics. They were known as the " Beast Dynasty,"" Perverted Dynasty,"" Scum Family," and so on. These labels reflected their cruelty, debauchery, and perverted behavior. The founder of Northern Qi, Gao Yang, was known for his cruelty. He liked to kill people by dismembering them, burning them with fire, and throwing them into water. His younger brother, Emperor Wucheng Gao Zhan, also liked to kill people by burning them. He refused to mourn for his mother when she died. The royal family of Northern Qi was described in the history books as " abnormal." Their actions were shocking. However, although the Northern Qi Dynasty had these unique characteristics, it also left behind a very special cultural image, that is, King Lan Ling.