Baoyue Pavilion Master's Calligraphy

The owner of Baoyue Pavilion's calligraphy works were well-known in the Chinese calligraphy world. Yao Nai was a calligrapher in the Qianjia period. His calligraphy was mainly expressed in running script, and the main melody was a touch of lyricism. His calligraphy has been passed down to this day, showing his smooth and elegant style. In addition, Chen Jiazhi was also an artist who was good at calligraphy. Her calligraphy skills were strong and she was considered to be better than many big shots of the Calligraphy Association. However, the information provided so far was not enough to draw a clear conclusion about the specific calligraphy works and style of the owner of Baoyue Pavilion.

The owner of Baoyue Pavilion's calligraphy works were well-known in the Chinese calligraphy world. Yao Nai was a calligrapher in the Qianjia period. His calligraphy was mainly expressed in running script, and the main melody was a touch of lyricism. His calligraphy has been passed down to this day, showing his smooth and elegant style. In addition, Chen Jiazhi was also an artist who was good at calligraphy. Her calligraphy skills were strong and she was considered to be better than many big shots of the Calligraphy Association. However, the information provided so far was not enough to draw a clear conclusion about the specific calligraphy works and style of the owner of Baoyue Pavilion.

There were many versions of the Preface to the Orchid Pavilion, including Wang Xizhi's original work, Feng Chengsu's copy, Zhao Mengfu's copy, etc. Wang Xizhi's Preface to the Orchid Pavilion was regarded as a model for running script by later generations. Li Shimin, Emperor Taizong of the Tang Dynasty, once ordered Chu Suiliang, Ouyang Xun, Feng Chengsu and other calligraphers to copy several copies and give them to his subjects. In addition, Feng Chengsu and Zhao Mengfu also had their own copies. For beginners, they could choose Feng Chengsu's copy to practice. In addition, there were some copybooks and practice methods for reference, such as practice magnified version, using color printing version, tracing red copybooks, etc. In short, the selection of the Preface to the Orchid Pavilion calligraphy copybook should be decided according to personal preferences and learning needs.

The Moon Pavilion was a building in Suzhou. It was also the three characters written by Song Richang, the chairman of the Shanghai Calligraphy Association. The architectural style of the Moon Obtaining Pavilion was simple and elegant. There was a flying dragon on both sides of the building. With the lace eaves on the back of the cloud pattern, it was exquisite and free, harmonious and handsome. There was a half-pavilion built on the front wall, and a pair of five-colored kylin hung upside down from the eaves of the half-pavilion. The Moon Pavilion was named one of the top ten buildings in Suzhou in 1986. In addition, Deyue Tower was also the venue of the Yu Garden Painting and Calligraphy Fair, providing a place for painters to gather, display, and promote. Regarding the calligraphy works of the Moon Pavilion, there was currently no relevant information provided.

The calligraphy of the Preface to King Teng's Pavilion was not in the search results.

We can conclude that the calligraphy works of the Preface to the Pavilion of King Teng include Tian Yingzhang's regular script Preface to the Pavilion of King Teng, Wen Zhengming's running script Preface to the Pavilion of King Teng in Suzhou Museum, Zhu Yunming's cursive script Preface to the Pavilion of King Teng and Poetry, Fang Aisheng's calligraphy works of Preface to the Pavilion of King Teng, Wen Zhengming's Preface to the Pavilion of King Teng/Complete Collection of Calligraphy, etc.

The calligraphy works of the Preface to the Pavilion of King Teng included Wen Zhengming's cursive calligraphy and Zhu Yunming's cursive calligraphy. Among them, Wen Zhengming's cursive calligraphy works were collected in the Suzhou Museum, while Zhu Yunming's cursive calligraphy works showed his calligraphy attainments and style. In addition, Tian Yingzhang's regular script work, Preface to the Pavilion of King Teng, was also a famous calligraphy work. As for the other calligraphy works, there was no mention of them in the given search results.

The calligraphy works of the Preface to the Pavilion of King Teng included Tian Yingzhang's regular script Preface to the Pavilion of King Teng, Wang Bo's official script Preface to the Pavilion of King Teng, Zhu Yunming's cursive script Preface to the Pavilion of King Teng and Poetry, Wen Zhengming's cursive script Preface to the Pavilion of King Teng, and Gao Wei's regular script Preface to the Pavilion of King Teng.

In the years of celebration, Fan Sizhe's Baoyue Brothel was discovered by Fan Xian and taken for himself. Baoyue Brothel became one of Fan Xian's most important sources of support in the future. He used Baoyue Brothel to set up branches in various countries and collect intelligence through Baoyue Brothel. Baoyue Brothel was described as the most popular brothel in the capital. It was rich in resources and had a powerful backer. Fan Sizhe was sent to Northern Qi in the movie, but this became a turning point for his business. He found his life goal and became a successful businessman.

In the TV series " Celebrating Years," Fan Sizhe's Baoyue Brothel became the turning point of his business. Baoyue Brothel was originally a brothel inspired by the Second Prince and became the most popular brothel in the capital. However, after Fan Xian learned that Baoyue Brothel was a trap set by the Second Prince, he used a series of methods to take it for himself. Baoyue Brothel was very important to Fan Xian. It had become one of his greatest reliance. Fan Sizhe had demonstrated his proficiency in numbers and business skills in Baoyue Brothel. Even though Fan Sizhe had been sent to Northern Qi because of the Baoyue Brothel incident, it had become a turning point for his business. In the end, he had become a successful businessman. As a result, Baoyue Brothel's importance to Fan Sizhe and Fan Xian exceeded that of the Overwatch Council. It became one of the most powerful brothels in the show.