Liu Gongquan's Masterpiece

Liu Gongquan's calligraphy was famous for its unique style and beautiful font structure. On the basis of studying and inheriting the styles of Zhong Yao, Wang Xizhi, and other masters of regular script, he created his own new ideas and formed a unique "Liu Style" regular script. Liu Gongquan's regular script was famous for its vigorous strength, concise style, strict rules, and smooth and delicate appearance. His handwriting was well-proportioned, horizontal and vertical. The strokes were fine and powerful, and the overall appearance was a combination of hardness and softness. In terms of the use of strokes, Liu Gongquan's handwriting was thick and powerful. Every stroke was full of tension and movement. It was natural and not artificial, showing its own natural and elegant charm. Liu Gongquan's regular script copybook, Preface to Lanting Collection, was one of his representative works. It was also a good model for learning regular script. Liu Gongquan's regular script had a wide influence in later generations and was known as one of the prominent representatives of the Tang Dynasty's calligraphy.

Liu Gongquan had a lot of calligraphy works, and some of them could be found online. One of his representative works was the 'Mysterious Tower Stele.' This was a milestone that marked the maturity of Liu Gongquan's calligraphy and was regarded as a model for beginners. Other than that, there were also the 'God's Will Stele' and 'Mengzhao Invitation' and other works. These works displayed Liu Gongquan's unique calligraphy style, which had the characteristics of strong bones and clear lines. If you want to appreciate Liu Gongquan's calligraphy works, you can search for related pictures on the Internet.

The characteristics of Liu Gongquan's regular script were vigorous, steady but not ordinary, dangerous but not strange, old but not withered, moist but not fat, harmonious and charming. His strokes were even, hard, and thin, with exposed edges and corners. They were rich in variation, avoiding monotonous repetition. Most of the horizontal paintings are square and round, with strong bones, clear starting and ending, short horizontal thick, long horizontal especially slender, delicate and beautiful. The vertical painting is powerful, tall and thin, concise and solid, sharp strokes, heavy and short strokes, and clean strokes. On the whole, it was introverted and outward expansion, the middle palace tightened, and the limbs spread out. In the rigorous, it showed a loose and open demeanor. Liu Gongquan's regular script started with Wang Xizhi, and then he extensively dabbled in the works of famous masters of the Sui and Tang Dynasties. Then he mastered them, brewed changes, and finally came up with new ideas, becoming a master.

Liu Gongquan's calligraphy masterpieces included Mysterious Secret Tower Stele, Divine Strategy Army Stele, Meng Zhao Tie, Sending Pear Tie Postscript, Diamond Sutra Stone Engraving, Feng Su Stele, Jiuyi Mountain Fu, etc.

Liu Gongquan's main works included Diamond Sutra Stele, Bell Tower Inscription, Feng Su Stele, Quiet Sutra, Mysterious Tower Stele, and God's Will Army Stele.

Liu Gongquan's main representative works included the Mysterious Secret Tower Stele, the Divine War Stele, the Diamond Sutra Stone Engraving, and the Feng Su Stele. These works represented his style and attainments in regular script and cursive. Among them,'Mysterious Secret Pagoda Stele' was one of his most famous works, and it was also a masterpiece in the history of Chinese calligraphy.

Liu Gongquan's outstanding works included the Mysterious Secret Tower Stele, the Diamond Sutra Stone Carving, the Shence Army Stele, and the Feng Su Stele. These works represented his style and accomplishments in regular script and cursive script. 'Mysterious Secret Pagoda Stele' was one of his most famous works, and it was also a masterpiece in the history of Chinese calligraphy.

The characteristics of Liu Gongquan's regular script were vigorous, steady but not ordinary, dangerous but not strange, old but not withered, moist but not fat, harmonious and charming. His strokes were even, hard, and thin, with exposed edges and corners. They were rich in variation, avoiding monotonous repetition. Most of the horizontal paintings are square and round, with strong bones, clear starting and ending, short horizontal thick, long horizontal especially slender, delicate and beautiful. The vertical painting is powerful, tall and thin, concise and solid, sharp strokes, heavy and short strokes, and clean strokes. On the whole, it was introverted and outward expansion, the middle palace tightened, and the limbs spread out. In the rigorous, it showed a loose and open demeanor. Liu Gongquan's regular script was known for its strength and strength. It had three characteristics: square and round, thin and hard, and rigorous structure. The characteristic of his handwriting was the "bone rhythm", which meant that the strokes were full of strength, the bones and muscles were distinct, and there was a sense of rhythm between the strokes. His calligraphy also paid attention to the rules and regulations. He handled the relationship between words and passages just right to form a perfect overall effect. Liu Gongquan's regular script had a great influence on later calligraphers. His works were widely read, and his calligraphy ideas and methods were inherited and used by later calligraphers.

Liu Gongquan's most famous work was the Mysterious Secret Pagoda Stele.

Liu Gongquan's most famous works included the Mysterious Tower Stele, the Diamond Sutra Stone Carving, the Stele of the Shence Army, the Stele of Li Sheng, and the Stele of Fu Lin.