One of Yan Zhenqing's representative works

One of Yan Zhenqing's representative works was Magu Fairy Altar.

Yan Zhenqing's representative works include "Sacrificial Nephew Manuscript,""Pagoda Stele,""Yan Qinli Stele,""Li Xuanjing Stele,""Magu Immortal Altar Record," etc. His writing style was elegant and dignified, and his strokes were vigorous and powerful. He was good at using the center stroke. The knot word changed from the thin and long in the early Tang Dynasty to a square, with a circle in the square, which had a centrifugal force. His cursive calligraphy was vigorous and powerful, revealing his true feelings. The structure was calm, and the stippling was flying, showing the atmosphere of the prosperous Tang Dynasty. Yan Zhenqing's calligraphy was known as the " Second Running Script in the World ", and it was a perfect example of the combination of calligraphy and personality.

Yan Zhenqing's representative works include "Sacrificial Nephew Manuscript,""Pagoda Stele,""Magu Immortal Altar Record,""Yan Qinli Stele," etc. His writing style had changed at different stages. His early works were influenced by the regular script of the early Tang Dynasty, so the style was tight and he had not formed his own style as a whole. Later works such as Magu Fairy Altar showed Yan Zhenqing's unique style, which was upright and steady, vigorous and ancient, creating a precedent for the conversion of seal script into regular script. In his later years, his calligraphy style alternated between two styles. One was square, broad, clumsy, and vigorous, while the other was dignified, broad, and sparse. These representative works demonstrated Yan Zhenqing's innovation and maturity in the art of calligraphy.

Yan Zhenqing was a calligrapher and painter of the Tang Dynasty. His representative works included the Manuscript of Sacrifice to Nephew and the Stele of Yan Family Temple. The Sacrificial Nephew Manuscript was an elegiac calligraphy work created by Yan Zhenqing. It was an elegiac that Yan Zhenqing wrote for his nephew, Yan Jiming. This work is currently in the Forest of Steles Museum in Xi'an City, Shaanxi Province, China. It is a classic work in the history of Chinese calligraphy. The Yan Family Temple Stele was an inscription written by Yan Zhenqing, which recorded the history and construction process of the Yan Family Temple. It was also an important document in the history of Chinese calligraphy. The work is now in the Jinan City in Shandong Province, China. These two works are Yan Zhenqing's representative works, with extremely high artistic value and cultural significance, and are also an important part of Chinese culture.

Yan Zhenqing was a famous calligrapher in the Tang Dynasty. His works were mainly in running script and regular script. Among them, one of his representative works was "Sacrificial Nephew Manuscript", which was a cursive calligraphy work depicting the heroic deeds of Yan Gaoqing and his son during the An Lushan Rebellion. This work was written in a bold and vigorous manner, with surging emotions and a majestic momentum. It was known as the " Second Cursive Script in the World ". In addition, Yan Zhenqing also created the 'Pagoda Stele.' This was a work of regular script, with a dignified and precise structure, beautiful and varied. His calligraphy works were full of strength and emotion, showing his personal style and artistic talent.

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Yan Zhenqing's representative works include "Pagoda Stele,""Persuade to Learn,""Yan Qinli Stele,""Sacrifice to Nephew Manuscript,""Yan Family Temple Stele," etc.

Yan Zhenqing's most famous works were "Sacrificial Nephew Manuscript" and "Yan Qin Li Stele." These two works showed his vigorous calligraphy style and deep emotional expression.

Yan Zhenqing's works include Duobao Stele, Yan Qinli Stele, Magu Immortal Altar Record, Sacrifice Nephew Manuscript, Seat Competition Post, Yan Family Temple Stele, etc.

Yan Zhenqing was an outstanding calligrapher. His works covered many fields such as running script and regular script. He exerted the essence of the seal script in cursive script creation, forming a completely different style from the style of the "Two Wangs" and the aesthetic form of "external expansion". His semi-cursive work, Sacrifice to Nephew Manuscript, was known as the second semi-cursive in the world. In addition, Yan Zhenqing was also good at regular script. He created the style of regular script, which had an important impact on later generations. His representative works included "Pagoda Stele","Dongfang Shuo Painting Praise Stele","Yan Family Temple Stele","Yan Qin Li Stele" and so on. Yan Zhenqing's calligraphy creation presented different characteristics and realms at different stages. His artistic image could be displayed through the passage, change, richness and improvement of these works.