Fang Huaping was an artist of purple clay teapot. She was a national craftsman with the title of senior craftsman. She was born in Yixing, Jiangsu Province. She began to learn purple sand craftsmanship in 1988 and constantly improved her skills under the guidance of many famous teachers. Fang Huaping's works were round and restrained, full of spirit and energy, and were deeply recognized. She had won many awards, including the second prize of the 1994 factory evaluation and the fifth national ceramic art appraisal award. Fang Huaping's works include the Olympic Flame Pot, Lotus Rhyme Pot, and Well Ram. Her works were regarded as the finest works of the art of purple clay teapot and were loved by collectors and art lovers.
We are unable to provide any pictures of the antique teapot.
Ling Xigou was a famous master of purple clay pots. He was committed to artistic creation and summarized his creation process of purple clay pots in three words: think, taste, and do. He would carry a small notebook with him to record his inspiration and select useful information when he was creating. His representative works included Sun and Moon Flask, Dragon and Phoenix Flask, Twelve Zodiac Flask, and so on. Ling Xigou's creation combined culture and art, demonstrating his unique innovative design ability. His works were full of creativity and touching charm. His creative talent made him achieve great success in the field of purple sand art.
Yong Shuying's purple clay teapot had a very high collection value. She was a master of the purple clay teapot, and her craftsmanship was superb. Every detail of the craftsmanship had been carefully carved. Her purple clay teapot was not only unique in shape, but also pure in color and delicate in texture. It had a high ornamental value. Yong Shuying's purple clay teapot represented one of the highest levels of Chinese purple clay teapot art. It had a unique artistic style, strong cultural content, and artistic appeal. According to the information provided, the price of Yong Shuying's purple clay teapot was 508 yuan.
The Yong Piao Zisha teapot was a classic type of Zisha teapot. It had been improved by the elites of the later generations and was divided into Ziye Stone Piao, Jingzhou Stone Piao, and Hantang Stone Piao. Ziye's stone ladle gave people a kind of ancient and gentle beauty. The pot button was small, the lid was slightly thick, the body was slightly straight, and the flow handle had a more dynamic feeling. Jingzhou's stone ladle weakened its solemnity and added a hint of smoothness, giving people a humble and reserved feeling. Han Tang stone ladle shape round, slightly simple and honest, from a straight flow into a curved flow. The Yongpao teapot was popular because of its shape, lines, and charm. It was called the "King of Piao". Li Hanyong was a purple clay artist. The purple clay teapot he made was highly praised and had a high level of teapot making skills. However, the search results did not provide any information about the specific price and story of the Yongpao teapot.
Wu Lijun's purple clay teapot was a combination of traditional elements and modern aesthetics. It was unique in shape, smooth in lines, exquisite in craftsmanship, and very detailed in handling, making every teapot unique. The quality of the purple clay he chose was superior. After being baked at high temperatures, the body of the pot was hard and the color was warm. It had a high artistic value. However, the value of the purple clay teapot was not constant. It would fluctuate with the changes in market demand, the improvement of the maker's skills, and the increase or decrease of the existing quantity. Therefore, whether Wu Lijun's purple clay teapot was worth money still needed to be judged according to the specific works and market conditions. In general, Wu Lijun's purple clay teapot had a high collection value due to its exquisite craftsmanship and high-quality artistic performance.
Dong Yafang was a famous artist of purple clay teapot. She was a senior craftsman, and she studied under He Daohong, a master of Chinese ceramic art, and Bao Li 'an, a researcher. Her works were simple and elegant, and her teapot making skills were exquisite. Dong Yafang's purple clay teapot works participated in many auctions and set a record for high prices. Her works focused on artistic practicality in design, but also paid attention to social topics, praising the beauty of life through her works. Dong Yafang maintained a sincere ingenuity in the art of purple sand, and her works were widely recognized and praised.
Zhou Faxiang's purple clay teapot was a unique hand-made clay craft in China. Its production began in the Zhengde period of the Ming Dynasty. The raw material was purple clay, which originated from Dingshu Town, Yixing, Jiangsu Province. Purple clay teapots were on the rise in the auction market and were considered collectible antiques. The works of famous masters were often hard to come by, so they were called "worldly jewels". The purple clay teapot was precious because of its perfect combination of artistry and practicality. The benefits of making tea in the purple clay teapot combined with the culture of tea meditation increased the elegance of the purple clay teapot. Purple clay teapots had been famous both at home and abroad since the Ming Dynasty, and they had created a large number of famous purple clay teapots. However, regarding the specific introduction of Zhou Faxiang's purple clay teapot, the search results did not provide any relevant information.
Jiang Liping was a clay teapot artist. She was born in 1971 and was from Yixing, Jiangsu Province. She was a member of the Jiangsu Province Arts Society and a national assistant craftsman. Jiang Liping entered Yixing Purple Sand Craftsmanship Factory in 1989 to study under Ding Yaping, Liu Jianping, and other senior craftsmen. She graduated from the Central Academy of Arts and Crafts in 1993 with a major in ceramic design. She was now working in the Yixing ceramic museum's Yihuxuan pottery studio. Jiang Liping was skilled and was good at making square artifacts and light goods. Her works have been published in professional magazines in Taiwan many times. According to the information provided, Jiang Liping's purple clay teapot was considered to have collectible value. The market price was generally around 500 yuan.
Kong Xiaoming was a famous purple clay teapot artist. He was born in a family of pottery makers. Together with his brother Kong Chunhua and sister Kong Xinhua, he launched the "Kong Family Teapot" purple clay art brand. He was good at making square-shaped purple clay teapots and added regular mud patterns to the traditional foundation to create a unique artistic effect. Kong Xiaoming's works include many different types of teapot, such as the "Yangtze River Ripple" teapot,"Golden Leopard Rhyme" teapot,"Longevity" teapot,"Silver Box teapot" and so on. His work was exquisite and was known as the strength of the purple clay teapot industry. Most of Kong Xiaoming's purple clay teapots were priced between 80,000 to 300,000 yuan. The price of individual works and early works might not be within this range. All in all, Kong Xiaoming was a highly acclaimed artist of purple clay teapot. His works were highly influential both at home and abroad.
Zhou Liping was a famous Chinese pottery artist who was good at making purple clay pots. She was born in Yixing's Zisha family and was deeply interested in Zisha craftsmanship since she was young. After graduation, he studied under the arts and crafts master Fan Weiqun for three years and received guidance and teachings from Master Xu Hantang and many provincial and national masters. Her work was neat and exquisite, thick and elegant, and full of grandeur. His representative works included the Imperial Concubine Pot, the Pisces Pot, and the Auspicious Heavenly Pot. Her works were highly praised by Master Lü Yaochen, Teacher Wu Qunxiang, and many collectors. They had high collection value. However, the details and style of Yixing Zhou Liping's purple clay teapot did not provide relevant information, so it was impossible to give a specific description of the work.