Fan Qianwen's Purple Sand Teapot

It was difficult to determine the value of Fan Qianwen's teapot because the search results provided did not provide clear information about the specific value of Fan Qianwen's teapot. Fan Qianwen was the fifth generation of the Fan family's teapot art. Her works were highly praised in the field of purple clay teapot. Her works combined the traditional techniques and innovative elements of the Fan family's teapot art, which was artistic and collectible. However, the specific value depended on many factors, including the rarity, uniqueness, artistry, and market demand of the work. If you are interested in the value of Fan Qianwen's purple clay teapot, it is recommended to consult a professional purple clay teapot connoisseur or refer to the relevant market conditions.

Fan Qianwen's purple clay teapot wasn't made by a manufacturer. Fan Qianwen was the fifth generation descendant of Fan Dasheng's teapot. She had been influenced and guided by her father, Fan Weiqun, since she was young. She was very passionate about the art of purple clay. After graduation, she followed her father to learn teapot making skills. She was good at traditional handmade techniques and studied traditional purple sand crafts and teapot making. Her craftsmanship was getting better and better, and she was well received in the industry. Fan Qianwen's purple clay teapot was made using traditional craftsmanship. The glaze was warm, durable, and beautiful. The overall texture was extremely simple and beautiful. Therefore, according to the information provided, Fan Qianwen's purple clay teapot was not a contract manufacturer.

Fan Jianqiang was an excellent artist of purple clay pots and porcelain. His works were highly appreciated and loved in the world of purple clay teapots. Fan Jianqiang's works included the series of " Aofan Kettle,"" Heaven and Earth Fangyuan,"" Gentleman Huaide Kettle," and " Dafu." These works had been selected for the Olympic Sailing Competition, the National Gift Purple Sand, and were permanently collected by the Guangxi Museum. They were awarded the Outstanding Award of the Chinese Arts and Crafts "Hundred Flowers Award" for outstanding works, and were permanently collected by the Republic of Korea's ceramic culture museum. Fan Jianqiang's works had a clear design concept, and the production was constantly improving. His original inlaid series was deeply loved by purple sand lovers at home and abroad. His works had a leading position in the history of the development of purple sand.

Fan Jianzhong's works of purple clay teapot included the series of Rain Striking Banana Leaves, Clear Bottom Groove, Plum Piles, Zen Lotus, Stone Piao, and Six Directions of Da Bin. The capacity of these works ranged from 160cc to 600cc. Most of Fan Jianzhong's purple clay teapots were priced between 30,000 to 150,000 yuan. The specific price may vary according to the work and the early works. His works had won many awards and were published in many domestic and foreign journals, winning the favor and admiration of people at home and abroad. Fan Jianzhong was a senior craftsman, and his teacher was He Daohong. He was known as one of the top ten outstanding young ceramists. His works demonstrated his aesthetic concept of both refined and vulgar, his talent in purple sand art, his serious and delicate spirit of art, and his skillful production skills.

Fan Qianwen was a Yixing purple clay teapot artist and the fifth generation of the Fan family teapot shop. She was born in a ceramic family in Yixing, Jiangsu Province. Her father was Fan Weiqun, a master of arts and crafts in Jiangsu Province and the founder of the Fan family's teapot shop. Fan Qianwen had been learning teapot making from her father since she was young and was good at traditional handmade techniques. Her purple clay works were more and more loved by teapot friends, and she became a new generation of purple clay female craftsmen. Fan Qianwen's works were famous for their exquisite craftsmanship and unique designs. She paid attention to the research of traditional craftsmanship and teapot making, and also tried to create new types of utensils. Fan Qianwen's teapot works often combined traditional and modern elements, showing her unique understanding and creativity of purple sand art. She used high-quality raw ore mud to make the pot body. The color was bluish gray, the mud was delicate, clear and warm, elegant and steady. Fan Qianwen's works were well received in the industry, and she was praised as an outstanding representative of the inheritance and innovation of the Fan family's purple sand skills.

Fan Qianwen's purple clay teapot was praised for its plump and round body, ancient brush strokes, and exquisite details. Her work was made of raw ore, azure clay. The color was bluish gray, and the clay was delicate. It was clear and gentle, elegant and calm. Fan Qianwen was Fan Dasheng's fifth-generation direct descendant and had inherited the glory of the Fan family's teapot art. Her works had a beautiful meaning, often using auspicious elements such as pine trees as the theme, showing a sense of ease and leisure. Fan Qianwen's purple clay works were increasingly favored by teapot lovers, and she became a new generation of purple clay female craftsmen. Overall, Fan Qianwen's purple clay teapot was highly praised for its exquisite craftsmanship and unique artistic style.

Fan Xuejun was a state-level assistant craftsman. He was born in 1965 and was a pottery artist in Yixing, the hometown of purple sand art. He had been influenced by the art and culture of purple sand since he was young, and he had a special liking for purple sand techniques. In 1983, he was admitted to the Second Purple Sand Craft Factory to study the art of purple sand, and was personally guided by Yang Qinfang, a senior craft artist from Jiangsu Province. Fan Xuejun had made great progress in his production skills. He combined his own creative designs, constantly studied the sand art styles of various eras, and integrated modern theoretical knowledge to constantly enrich himself. His works were filled with emotion, inspired with new ideas, and inherited and carried forward tradition. Fan Xuejun's purple clay teapot works had won many awards and were favored and praised by collectors and industry insiders at home and abroad.

The specific information of Fan Jianhua's purple clay teapot was not found in the search results provided. Fan Jianhua was a senior craftsman and a master of ceramic art in Jiangsu Province. He was good at making all kinds of purple clay ware, especially decorative and patterned ware. Her works were simple and elegant, with smooth lines and exquisite and beautiful features. Although there was no specific information about Fan Jianhua's purple clay teapot seal, her works were deeply loved and respected by teapot lovers, and she was known as a master of purple clay teapot art. Fan Jianhua's purple clay teapot seal can be used as a reference for teapot lovers.

The price of Fan Zhonghua's teapot could not be determined based on the search results provided. The search results mentioned that Fan Zhonghua's teapot was priced at 1060 yuan and 944 yuan, but no other specific price information was provided. Therefore, it was impossible to accurately answer the price of Fan Zhonghua's purple clay teapot.

Fan Zehong was a state-level arts and crafts artist. He was born in 1967 and came from Yixing, China. In 1986, he entered Yixing Second Purple Sand Craft Factory to learn the art of pottery carving. During his work, he received guidance from Chinese arts and crafts masters Xu Xiutang and Xu Hantang. Fan Zehong was good at making light and small flower ware. His works often decorated important parts of the purple clay teapot, retaining the practicality of the purple clay teapot. His works have been included in many domestic professional newspapers and magazines, and have been collected by many teapot lovers at home and abroad. One of Fan Zehong's specialties was that he focused on the craft of making red clay pots. Through layers of screening and fine processing, he made red clay pots that were as fine as grease. Fan Zehong's works were famous for their exquisite craftsmanship and unique style, and were highly praised.