Liu Gongquan's Representative Calligraphy

Liu Gongquan had a lot of calligraphy works, and some of them could be found online. One of his representative works was the 'Mysterious Tower Stele.' This was a milestone that marked the maturity of Liu Gongquan's calligraphy and was regarded as a model for beginners. Other than that, there were also the 'God's Will Stele' and 'Mengzhao Invitation' and other works. These works displayed Liu Gongquan's unique calligraphy style, which had the characteristics of strong bones and clear lines. If you want to appreciate Liu Gongquan's calligraphy works, you can search for related pictures on the Internet.

Liu Gongquan's main works included Diamond Sutra Stele, Bell Tower Inscription, Feng Su Stele, Quiet Sutra, Mysterious Tower Stele, and God's Will Army Stele.

Liu Yuxi's calligraphy was 'Humble Room', his inscription was' Mr. Takeshima', and his dynasty was 'Tang Dynasty'. His representative work was 'Humble Room Inscription'.

The characteristics of Liu Gongquan's regular script were vigorous, steady but not ordinary, dangerous but not strange, old but not withered, moist but not fat, harmonious and charming. His strokes were even, hard, and thin, with exposed edges and corners. They were rich in variation, avoiding monotonous repetition. Most of the horizontal paintings are square and round, with strong bones, clear starting and ending, short horizontal thick, long horizontal especially slender, delicate and beautiful. The vertical painting is powerful, tall and thin, concise and solid, sharp strokes, heavy and short strokes, and clean strokes. On the whole, it was introverted and outward expansion, the middle palace tightened, and the limbs spread out. In the rigorous, it showed a loose and open demeanor. Liu Gongquan's regular script was known for its strength and strength. It had three characteristics: square and round, thin and hard, and rigorous structure. The characteristic of his handwriting was the "bone rhythm", which meant that the strokes were full of strength, the bones and muscles were distinct, and there was a sense of rhythm between the strokes. His calligraphy also paid attention to the rules and regulations. He handled the relationship between words and passages just right to form a perfect overall effect. Liu Gongquan's regular script had a great influence on later calligraphers. His works were widely read, and his calligraphy ideas and methods were inherited and used by later calligraphers.

Liu Gongquan's most famous works included the Mysterious Tower Stele, the Diamond Sutra Stone Carving, the Stele of the Shence Army, the Stele of Li Sheng, and the Stele of Fu Lin.

Ouyang Xun's representative calligraphy works included "Jiucheng Palace Liquan Inscription,""Huangfu's Birthday Stele,""Huadu Temple Stele,""Zhongni Dream Dietie," and "Running Script Thousand Words."

Liu Pingping was a Chinese calligrapher, and his calligraphy was highly praised. His latest work was posted on his personal homepage, and he had many fans and likes. However, the given search results did not provide any specific information about Liu Pingping's calligraphy, so they could not provide more details.

Ouyang Xun's representative works included the Inscription of Jiucheng Palace's Liquan, the Stele of Huangfu's Birth, and the Inscription of the Buddhist Monk's Stupa in Huadu Temple. Ouyang Xun's calligraphy was strict, neat, and upright. Although his font was slightly longer, it was divided into white, neat and rigorous, the middle palace was tight, and the main pen was elongated, making it seem bold and unrestrained, sparse and dense, all sides were prepared, exquisite, lively and just right. In terms of the combination of dots and the arrangement of the structure, most of his words expanded to the right, but the center of gravity was still very stable. There was no sense of tilting, but the interest of danger in the right. Ouyang Xun's regular script was mostly in regular script. His writing style was square, slightly formal, strong and meticulous. His calligraphy was called the European style, which emphasized the strength of his fingers. The strokes he wrote were strong and firm, and the backbone was contained. It was neither too thin nor too full. Every stroke was too long and too short. The weight was appropriate and the length was just right.

Liu Shunping's calligraphy had a certain value in the market. Liu Shunping was a professional calligrapher. He had been engaged in calligraphy creation for more than 50 years and had achieved fruitful artistic results. Although there was no specific mention of the price of his calligraphy, it could be seen that his work was highly praised. It was evaluated as " another thousand-year-old historical site!" And "Engraving stones and flowing fragrance, life is enough!" Therefore, it could be inferred that Liu Shunping's calligraphy had a certain value in the market.

Liu Ping was a famous painter and calligrapher. He was famous for his unique style and exquisite skills. Liu Ping's works included calligraphy and painting. His calligraphy works were loved and sought after by calligraphy lovers and collectors for their unique strokes and profound cultural implications. His paintings covered many fields, such as landscape painting, flower and bird painting, and figure painting. Liu Ping's artistic achievements were highly acclaimed. His works had participated in many domestic and foreign exhibition and won many awards. He was also actively involved in public welfare, contributing more than 800 times to social charity. Liu Ping was committed to inheriting Chinese culture, promoting the national spirit through his own artistic creation, and contributing to the great rejuvenation of the Chinese nation.