The couplet on the stage was a common literary form in opera performances. It was used to embellish the stage and express emotions. You can find some classic examples of stage couplets. For example, there was a couplet that read," The first line: The stage is a small world, and the second line: The stage is a small world." The other couplet was," First verse: Ancient and Modern True Yuefu, Second verse: Heaven and Earth Great Pear Garden." These couplets expressed the importance of the stage and the charm of opera performance through simple and powerful language. However, due to the limited search results, it was impossible to provide a complete collection of couplets on stage.
The classic couplets on the pillars on both sides of the stage referred to the couplets on both sides of the stage. We can find some content related to the couplet on the stage, but there is no specific content of the classic couplet on the pillars on both sides of the stage. Therefore, based on the information provided, it was impossible to give an accurate answer.
The couplet on the stage was a common ornament in opera performances, used to display the culture and artistic charm of opera. The following are some examples of stage couplets: 1. The first couplet: a natural picture; the second couplet: a song of spring. 2. The first couplet is the ancient and modern Yuefu, and the second couplet is the Great Pear Garden of Heaven and Earth. 3. The first couplet is a vivid mirror, and the second couplet is a freehand style article. 4. The first couplet: The bright moon faces the singing fan; The second couplet: New flowers and beautiful dance clothes. 5. The first couplet: Qingge condensation snow; The second couplet: wonderful dance scattered red clouds. 6. The first couplet: The stage is a small world; the second couplet: the earth stage. 7. The first couplet: Jade Tower in the sky half of the song; The second couplet: Pengdao immortal class laughter and harmony. These couplets displayed the charm and characteristics of opera through simple and powerful words. They both expressed praise for the art of opera and depicted the scene of the opera stage. These couplets were not only the decorations of the stage, but also the inheritance and expression of the opera culture.
The wonderful couplets on both sides of the stage referred to the couplets hanging on both sides of the stage. They attracted the audience's attention with exquisite antithesis and ideas. We can find some descriptions and examples of stage couplets, but we don't provide specific wonderful couplets. Therefore, given the information, I don't know what the wonderful couplets on both sides of the stage are.
The Spring Festival couplets were an art form in traditional Chinese culture. It was usually composed of the first and second couplets, which implied good luck and happiness. The following are a few classic examples of the Spring Festival couplets: The spring breeze is proud to welcome the door court, the fortune is prosperous, and the year is auspicious. (First couplet: The spring breeze is proud to welcome the door. Second couplet: Fortune and prosperity recommend auspicious years) Auspicious snow flies to celebrate the bumper harvest, spring breeze brings warmth to welcome the new year. (First couplet: Auspicious snow flying to celebrate the bumper harvest. Second couplet: Spring breeze brings warmth to welcome the new year.) 3. Auspicious wishes and blessings are full of wealth and wealth. (First couplet: Auspicious Ruyi Fu Mantang Second couplet: Wealth and wealth are long) The spring wind is full of spring, and the horse hooves are galloping. (First half: Vientiane updates spring garden second half: spring breeze complacency hoofs disease) 5. Full of gold and jade, prosperous financial resources, both happiness and wealth, smooth career. (First couplet: Full of gold and jade, prosperous financial resources, second couplet: Fu Lu, both career smooth) Six years of good fortune, longevity, good luck and good luck. (First couplet: Every year, there will be more than enough happiness and longevity. Second couplet: Auspicious and happy.) 7. Flowers bloom, wealth and wealth flourish, and the world is full of spring. (First couplet: Flowers bloom, wealth and wealth flourish. Second couplet: Blessings fill the world, spring is thick.) 8. Prosperous fortune, full of happiness, spring breeze, good luck. (First couplet: Rich in wealth, full of blessings, second couplet: The spring breeze is proud and good luck comes) These couplets were rich in meaning and magnificent. It was a classic way to express auspicious blessings.
The classic couplet of ancient gamblers was as follows: Left-wing: God of Gamblers without a trace to win thousands of good; Right couplet: The dice points are large and the winner or loser is determined freely. This couplet expressed the attitude of ancient gamblers towards gambling. The God of Gamblers 'absence meant that the outcome of gambling could not be predicted because the God of Gamblers could not appear in the casino. All gambling results were determined by the number of dice, so winning or losing depended entirely on the player's luck.
The Four Great Classics of China were Dream of the Red Chamber, Journey to the West, Water Margins, and Romance of the Three Kingdoms. There were many classic couplets among them. Here are some examples: 1 In "Dream of the Red Chamber", there was a classic couplet on Jia Baoyu's birthday: Silkworms in spring die, silk is exhausted, wax torches turn into ashes, tears dry. 2 In Journey to the West, Sun Wukong met many monsters on his way to the scriptures. One of the monsters was called "White Bone Demon". Her classic couplet was: Tigers, leopards, snakes, scorpions, hard-hearted foxes, wolves, and insects have strong desires. 3. In Water Margins, Lin Chong had a classic couplet when he was gathering in Liangshan: The three mountains gather lofty aspirations, and the five mountains cross the fierce tiger. In Romance of the Three Kingdoms, Zhuge Liang had a classic couplet in Wolonggang: The world's wind and clouds are in our hands. These couplets contained profound philosophical and cultural meanings, and were widely praised and quoted as an important part of Chinese culture.
Alright, here are some classic couplets from novels: Every generation has its own talents, each leading the way for hundreds of years. - Tang Dynasty poet Wang Zhihuan's "Climbing Stork Tower" Since ancient times, who hasn't died? - Song Dynasty poet Lu You's "Show My Child" Sunset clouds and lone ducks fly together in autumn water, sharing the same color of the sky. - Tang Dynasty poet Wang Bo's Preface to the Pavilion of King Teng A bosom friend in the sea is like a neighbor in the far end of the world. - Wang Bo, a poet of the Tang Dynasty, sent Du Shaofu to Shuzhou. The Peach Blossom Pond is a thousand feet deep, not as deep as Wang Lun's love. - Poet Li Bai of the Tang Dynasty,"To Wang Lun" I am not afraid of the floating clouds blocking my eyes, because I am at the highest level. - Song Dynasty poet Wang Anshi's "Ascending" The spring breeze is green again. When will the bright moon shine on me again? - Tang Dynasty poet Wang Anshi's "Moored Boat on Guazhou" The 8,000-mile River-Mountain Painting was illuminated by thousands of lights. - Journey to the West by the Ming Dynasty novelist Wu Chengen The Iron Horse and Ice River came to me in my dream, a lonely city and a mountain. - The Poet Lu You of the Tang Dynasty,"The Phoenix with the Head of a Dragon, The Feelings of the World" The green mountains cannot hide the east. - The Song Dynasty poet Xin Qiji's "Bodhisattva Man·Writing on Jiangxi's Mouth Wall"
The world's wind and clouds come from our generation. Once we enter the Jianghu, time urges the emperor to seek hegemony. In laughter, we can't win. Life is drunk. It was from " Smiling Proud in the Pugilistic World ", which described the heroic and unruly attitude of the characters in the martial arts world. [Story: The protagonist, Ling Huchong, has experienced many hardships in Jianghu and finally became a master of the martial arts world.] The meaning of the couplet was: This sentence expressed the heroic and unruly attitude of the people in the martial arts world. They pursued the pursuit of the emperor's hegemony and realized their ideals through laughter instead of pursuing power just for utility. The green mountains never change, the green water flows forever, and the heroes are immortal; The fickle life is like a dream, and the past is gone with the wind. It came from 'Dream of the Red Chamber', which described the complexity and impermanence of human society. Story: The love story between Jia Baoyu and Lin Daiyu in the Jia family and the decline and destruction of the Jia family. The meaning of the couplet: This sentence expressed that life is fickle, and so is love, whether good or bad, will disappear with the passage of time. However, the immortal spirit of a hero would always be passed down, and people would never forget their original intentions. The affairs of the world are as unpredictable as the universe of chess. When I'm free, I walk slowly and watch the ups and downs of life with a smile. Human feelings are as thin as paper and unpredictable as the wind. Fate is fleeting and unpredictable. It was from Journey to the West, which described the dangers of the human world and the impermanence of fate. [Story: The story of Tang Sanzang and his disciples going to the West to obtain scriptures, as well as the funny story and battle between Sun Wukong and Zhu Bajie.] The meaning of the couplet: This sentence expressed that life is a journey, the world is like a chess game, the wind of fate is unpredictable, but we can maintain a calm state of mind and watch the ups and downs of life with a smile. Since ancient times, who hasn't died? Keep your loyal heart to shine on the history; The rise and fall of the world is the responsibility of every man, don't be so idle that the youth's head turns white. It was from the Warring States Strategy, Qi Ce IV, which described the people's concern and responsibility for the fate of the country during the Warring States Period. [Story: In order to save the fate of the country, the protagonist Gu Yanwu put forward the idea that every man is responsible for the rise and fall of the world, and finally made a great contribution to the establishment of the country.] The meaning of the couplet: This sentence shows the people's concern and responsibility for the fate of the country. Even if the times change, we must strengthen our beliefs and use our own efforts to change the fate of the country.
There are many classic couplets in the Four Great Classics that are not noticed by people. The following are a few examples: 1. Couplets from Dream of the Red Chamber: "I hope we can live together for a long time." This couplet was left behind by Jia Baoyu when he was reciting Shuidiao Datou under the moon to express the feelings between him and Daiyu. Two couplets from Journey to the West: "Only I, De Shang, can sense the fate of heaven for the lamp to die." This couplet was left behind by Sun Wukong in the temple to express his firm belief in his path of cultivation. 3 Couplets from Water Margins: "In front of the Zhongyi Hall, the loyal hero, the heroic hero." This couplet was left by Song Jiang in front of Zhongyi Hall to express his pursuit of justice and admiration for heroes. 4 Couplets in Romance of the Three Kingdoms: "Everyone is responsible for the rise and fall of the world." This couplet was left behind by Liu Bei in Maicheng to express his sense of responsibility and mission to the country and the people.
A classic couplet from Journey to the West: First couplet: When I walk to the end of the water, I sit and watch the clouds rise. The second half of the couplet: I was born with talent, so I must be useful. This couplet expressed the need to maintain an optimistic attitude in the face of difficulties and setbacks, believing that one's efforts and talent would definitely be rewarded. At the same time, it also inspired people to stick to their goals and move forward bravely no matter where they were in life. The classic couplet from Dream of the Red Chamber: First couplet: No matter how weak the water is, I only take a ladle to drink. The second half: May the world's lovers finally get married. This couplet expressed the persistence and determination of love, not being disturbed or tempted by the outside world. At the same time, it also implied that one had to have their own goals and values when making choices and decisions in life. They should not be confused and disturbed by the surface and stick to their own beliefs and pursuits. A classic couplet from the Water Margins: The first couplet says: Heroes are brave and brave. The second couplet: Loyalty and loyalty, the feelings of a child. This couplet depicted the images of the heroes in the Water Margins. They had firm beliefs and noble moral character, bravely marching forward without fear of danger, and had a strong sense of justice and responsibility. At the same time, it also expressed people's pursuit of justice and loyalty, as well as the cherishment of sincere emotions and humanity. A classic couplet from the Romance of the Three Kingdoms: The first verse: The rolling Yangtze River flows eastward, and the waves wash away all the heroes. The second half of the couplet: The green mountains are still red with the setting sun. This couplet depicted the historical background of the Three Kingdoms period, showing the grand scene of the rolling Yangtze River flowing eastward and the historical background of heroes coming forth in large numbers. At the same time, it also implied that life was like flowing water, but the spirit and values of a hero would always be passed down and become a bright pearl in the long river of history.