The Empress on the Dragon Throne

Empress Ma was the only empress who dared to sit on the dragon throne. With the support of Zhu Yuanzhang, she became the Empress of the Ming Dynasty and occupied an important position in Zhu Yuanzhang's heart. Empress Ma's sitting posture showed her noble temperament and confidence. She not only dared to sit on the dragon chair, but also dared to sit on it with Zhu Yuanzhang. This action showed her close relationship with Zhu Yuanzhang and the trust between husband and wife. To Zhu Yuanzhang, Empress Ma was not only a woman who took care of her husband and raised her children, but also his "good wife" and "good minister". She was a virtuous helper to Empress Ma internally and a virtuous empress to the country externally. She was the person Zhu Yuanzhang was grateful to for his entire life.

Empress Ma was the only empress who dared to sit on the dragon throne. With the support of Zhu Yuanzhang, she became the Empress of the Ming Dynasty and occupied an important position in Zhu Yuanzhang's heart. Empress Ma's sitting posture showed her noble temperament and confidence. She not only dared to sit on the dragon chair, but also dared to sit on it with Zhu Yuanzhang. This action showed her close relationship with Zhu Yuanzhang and the trust between husband and wife. To Zhu Yuanzhang, Empress Ma was not only a woman who took care of her husband and raised her children, but also his "good wife" and "good minister". She was a virtuous helper to Empress Ma internally and a virtuous empress to the country externally. She was the person Zhu Yuanzhang was grateful to for his entire life.

Empress Ma was the only empress who dared to sit on the dragon throne. With the support of Zhu Yuanzhang, she became the Empress of the Ming Dynasty and occupied an important position in Zhu Yuanzhang's heart. Empress Ma's sitting posture showed her noble temperament and confidence. She not only dared to sit on the dragon chair, but also dared to sit on it with Zhu Yuanzhang.

Empress Ma was the only empress who dared to sit on the dragon throne. With the support of Zhu Yuanzhang, she became the Empress of the Ming Dynasty and occupied an important position in Zhu Yuanzhang's heart. Empress Ma's sitting posture showed her noble temperament and confidence. She not only dared to sit on the dragon chair, but also dared to sit on it with Zhu Yuanzhang. This action showed her close relationship with Zhu Yuanzhang and the trust between husband and wife. To Zhu Yuanzhang, Empress Ma was not only a woman who took care of her husband and raised her children, but also his "good wife" and "good minister". She was a virtuous helper to Empress Ma internally and a virtuous empress to the country externally. She was the person Zhu Yuanzhang was grateful to for his entire life.

Empress Ma was the only empress who dared to sit on the dragon throne. With the support of Zhu Yuanzhang, she became the Empress of the Ming Dynasty and occupied an important position in Zhu Yuanzhang's heart. Empress Ma's sitting posture showed her noble temperament and confidence. She not only dared to sit on the dragon chair, but also dared to sit on it with Zhu Yuanzhang. This action showed her close relationship with Zhu Yuanzhang and the trust between husband and wife. To Zhu Yuanzhang, Empress Ma was not only a woman who took care of her husband and raised her children, but also his "good wife" and "good minister". She was a virtuous helper to Empress Ma internally and a virtuous empress to the country externally. She was the person Zhu Yuanzhang was grateful to for his entire life.

Empress Ma was the only empress who dared to sit on the dragon throne. With the support of Zhu Yuanzhang, she became the Empress of the Ming Dynasty and occupied an important position in Zhu Yuanzhang's heart. Empress Ma's sitting posture showed her noble temperament and confidence. She not only dared to sit on the dragon chair, but also dared to sit on it with Zhu Yuanzhang. This action showed her close relationship with Zhu Yuanzhang and the trust between husband and wife. To Zhu Yuanzhang, Empress Ma was not only a woman who took care of her husband and raised her children, but also his "good wife" and "good minister". She was a virtuous helper to Empress Ma internally and a virtuous empress to the country externally. She was the person Zhu Yuanzhang was grateful to for his entire life.

Here are a few ancient novels about the empress's struggle for the throne: 1. " The concubine's daughter: The doctor's daughter is a little poisonous ": This novel tells the story of the daughter of a medical family who was reborn into a prestigious family and fought for the throne with the concubine's fifth prince. 2. " I Don't Want to Ascend to the Throne ": This novel described the story of a female crown prince who hid her identity and fought for the throne. 3. " Heavenly Emperor, Your Character Is Broken ": This novel was about an ancient novel where the male protagonist was gentle and knew martial arts, while the female protagonist was lively. The female protagonist eventually became the empress. I hope you like these recommended novels!

The dragon on the dragon chair referred to the dragon pattern carved on the chair where the ancient Chinese emperor sat. The dragon chair was usually made of wood. The back and armrests were engraved with the image of a dragon, and then painted with yellow paint to express the majesty of the royal family. The dragons on the dragon throne were usually three-dimensional carvings. They were lifelike and displayed a mighty and majestic image. The dragon chair was exquisitely designed and exquisitely crafted. It was regarded as one of the masterpieces of traditional Chinese craftsmanship. There were many explanations for the specific meaning of the dragon on the dragon throne. One explanation was that the dragon symbolized the supremacy of the emperor, and the dragon on the dragon throne represented the power and status of the emperor. The other explanation was that the dragon on the throne represented the emperor's bloodline inheritance and symbolized the emperor's descendants. In general, the dragon on the dragon throne was the symbol of imperial power in ancient China, representing the dignity and power of the emperor.

The dragon on the dragon chair referred to the chair that the emperor sat on in ancient times with a dragon pattern on the armrest. The dragon on the dragon chair was usually presented by carving a dragon pattern on the back of the chair and the armrest. For example, in the Hall of Supreme Harmony in the Forbidden City, there were nine golden dragons coiled around the back of the dragon chair, and 13 golden dragons coiled around the chair ring. In addition, the golden screen behind the throne was also decorated with dragon patterns. The dragon pattern on the throne symbolized the majesty of the royal family and the supreme feudal imperial power.

The horizontal board on the dragon throne wrote "Jianji Suiyou". This was the Emperor Qianlong's calligraphy, one of the horizontal boards in the Hall of Supreme Harmony. There was very little information before Qianlong, so he could not find any exact information. Above the throne was a cast-in-place with a relief of a coiling dragon with a ball in its mouth. The ball was made of copper and coated with mercury. It was called the Xuanyuan Mirror. The dragon chair was made of Phoebe nanmu, decorated with 13 golden dragons, agate, rubies, and other precious materials. The dragon throne was the throne of the ancient emperor, symbolizing the supreme imperial power.