Yao Liming was an excellent purple clay artist, born in Dingshu, the capital of pottery. He had been exposed to the art and culture of purple sand since he was a child, and he learned the making techniques of purple sand pots under the guidance of Fan Weiqun, a master of ceramic art in Jiangsu Province, and Lu Junjie, a master of arts and crafts in Jiangsu Province. His works were a combination of personal emotions, forming a simple and magnanimous style with rich content, distinctive personality, and elegant taste. His works have won many awards in various expositions and were also collected by the Ambassador of the Embassy of Namibia in Namibia and the respected Guru Cui Khin Cher Lim Rimpoche. As for the price of Yao Liming's purple clay teapot, there was no relevant information yet.
Zhou Fajun was an artist who specialized in making square teapots in the purple clay industry. He was in charge of quality inspection at the Purple Sand Factory and had high requirements for quality. His square pot works had a strong appearance, straight and powerful lines, tight lid, and exquisite craftsmanship. His works were loved by collectors at home and abroad, and he had won many awards in domestic and foreign ceramic art competitions. Zhou Fajun's works had a unique artistic style. His techniques and skills were outstanding. However, the details and characteristics of his purple sand works were not mentioned in the current information.
We are unable to provide any pictures of the antique teapot.
Ling Xigou was a famous master of purple clay pots. He was committed to artistic creation and summarized his creation process of purple clay pots in three words: think, taste, and do. He would carry a small notebook with him to record his inspiration and select useful information when he was creating. His representative works included Sun and Moon Flask, Dragon and Phoenix Flask, Twelve Zodiac Flask, and so on. Ling Xigou's creation combined culture and art, demonstrating his unique innovative design ability. His works were full of creativity and touching charm. His creative talent made him achieve great success in the field of purple sand art.
Yong Shuying's purple clay teapot had a very high collection value. She was a master of the purple clay teapot, and her craftsmanship was superb. Every detail of the craftsmanship had been carefully carved. Her purple clay teapot was not only unique in shape, but also pure in color and delicate in texture. It had a high ornamental value. Yong Shuying's purple clay teapot represented one of the highest levels of Chinese purple clay teapot art. It had a unique artistic style, strong cultural content, and artistic appeal. According to the information provided, the price of Yong Shuying's purple clay teapot was 508 yuan.
The Yong Piao Zisha teapot was a classic type of Zisha teapot. It had been improved by the elites of the later generations and was divided into Ziye Stone Piao, Jingzhou Stone Piao, and Hantang Stone Piao. Ziye's stone ladle gave people a kind of ancient and gentle beauty. The pot button was small, the lid was slightly thick, the body was slightly straight, and the flow handle had a more dynamic feeling. Jingzhou's stone ladle weakened its solemnity and added a hint of smoothness, giving people a humble and reserved feeling. Han Tang stone ladle shape round, slightly simple and honest, from a straight flow into a curved flow. The Yongpao teapot was popular because of its shape, lines, and charm. It was called the "King of Piao". Li Hanyong was a purple clay artist. The purple clay teapot he made was highly praised and had a high level of teapot making skills. However, the search results did not provide any information about the specific price and story of the Yongpao teapot.
Fan Jianhua was a senior craftsman and a master of ceramic art in Jiangsu Province. She was born in 1964. In 1982, she entered Yixing Purple Sand Craft Factory to study under the famous master of arts and crafts, Lv Yaochen. Fan Jianhua was good at making all kinds of purple clay ware, especially flowery and patterned ware. Her works were simple and elegant, with smooth lines and exquisite and beautiful features. Fan Jianhua's artistic achievements included winning many awards, such as the second prize of the fourth national ceramic competition and the Jingdezhen International Fine Ceramic-quality Competition. Her works were deeply loved and respected by teapot friends, and she was known as the master of purple clay teapot art.
Fan Jianhua was a master of ceramic art in Jiangsu Province. He was also a senior craftsman and a famous master of Yixing Purple Sand Teapot. She was born in 1964. In 1982, she entered Yixing Purple Sand Craft Factory to study under the famous master of arts and crafts, Lv Yaochen. Fan Jianhua was good at making all kinds of purple clay ware, especially flower ware and vein ware. Her works were simple and elegant, with smooth lines and exquisite and beautiful features. Fan Jianhua's works had won many awards, such as the second prize of China Yixing International Porcelain Exhibition and the 7th National Excellence Award for Porcelain Evaluation. She had been pursuing the art of purple sand for 35 years. She integrated her personal thoughts on the basis of tradition and created works with her own style. According to the information provided, Fan Jianhua held an important position in the Zhengzhou City Development and Reformation Committee and was responsible for the work of the key project construction center.
The Purple Sand Master Mi Ke referred to the Purple Sand Artist Mi Wanzhang during the Qianlong period of the Qing Dynasty (1711-1799). He was one of the representatives of the Chinese Purple Sand Art and was known as the "Master of Purple Sand". Mi Wanzhang was born in Yixing County, Jiangsu Province. He had a wealth of experience and skills in the art of purple sand. His unique style of work was known for its simplicity, smoothness, bright lines, and exquisite craftsmanship. Not only did he produce a large number of purple clay pots, but he also produced many fine works such as "beige clay pot","jade pot spring" and so on, which were praised as the classic works of purple clay art. Mi Wanzhang's purple sand works had an important position in the history of Chinese purple sand art and had a profound influence on the later purple sand artists.
Zhou Lihua was a famous Yixing purple clay teapot master. She was born in 1962 in a pottery family in Dingshu Town, Yixing. She had loved purple clay pottery since she was a child, and in 1982, she entered Yixing Purple Sand Craft Factory No. 2 to study. She had learned exquisite skills from the famous pottery sculptor Shao Xin and the Chinese art master Xu Xiutang. Zhou Lihua's purple clay teapot works were simple and elegant, with smooth lines and fine craftsmanship. They were deeply loved by Chinese and foreign tea people. Her works have won awards in many domestic and foreign exhibition reviews and have been included in professional books. Zhou Lihua's works included Dragon and Phoenix, High Piao, Strong Wind, Stone Drum, Spring of the South, Sifang Bridge Top, Six-sided Snow Flower, and Stone Piao Set. According to the information provided, the capacity of Zhou Lihua's purple clay teapot ranged from 200cc to 320cc. The clay used included Baimu purple clay, vermilion clay, purple clay, Republic of China green clay, bottom groove green clay, and yellow vermilion clay. Her works were famous for their exquisite craftsmanship and unique shapes.
Zhou Liping was a famous Chinese pottery artist who was good at making purple clay pots. She was born in Yixing's Zisha family and was deeply interested in Zisha craftsmanship since she was young. After graduation, he studied under the arts and crafts master Fan Weiqun for three years and received guidance and teachings from Master Xu Hantang and many provincial and national masters. Her work was neat and exquisite, thick and elegant, and full of grandeur. His representative works included the Imperial Concubine Pot, the Pisces Pot, and the Auspicious Heavenly Pot. Her works were highly praised by Master Lü Yaochen, Teacher Wu Qunxiang, and many collectors. They had high collection value. However, the details and style of Yixing Zhou Liping's purple clay teapot did not provide relevant information, so it was impossible to give a specific description of the work.