The corresponding tone of the shakuhachi

Void Shakuhachi and Starmist Shakuhachi were both Shakuhachi brands, but the search results did not provide a direct comparison or evaluation of the two Shakuhachi models. Therefore, based on the information provided, it was impossible to determine which was better, Void Shakuhachi or Starmist Shakuhachi.

Shakuhachi score was a musical score used to record the music of the Shakuhachi. We can see some information about the Shakuhachi score, including the simplified scores and kana scores of songs such as "Empty Bell,""One Drop," and "Naruto main theme." In addition, there was also information about the types and schools of Shakuhachi music scores, such as the scores of the Kooguryu and the Dushan Ryu. Shakuhachi music scores were usually written vertically, using katakana to represent musical notes. The basic scale of the shakuhachi was GAFCD, which was played by tilting and special fingering. The Void Shakuhachi Workshop had created a table of fingers and a table of finger movements to help those who were learning Shakuhachi. However, the search results did not provide a detailed introduction or more information about the shakuhachi score. Therefore, we are unable to come up with a definite answer regarding the specific content and characteristics of the shakuhachi score.

Shakuhachi applied oil to the surface of the bamboo to maintain it and prevent it from cracking due to drying. Plant oil could be used, such as natural tea oil, olive oil, or walnut oil. After applying a small amount of oil and wiping it clean, it formed a thin layer of oil film. However, the search results did not specify which part of the shakuhachi should be oiled. Therefore, I don't know where Shakuhachi applied the oil.

The selection of the shakuhachi could take into account the following factors. First of all, he had to look at the introduction of the shakuhachi. Generally speaking, it was better to weigh between 360 grams and 430 grams. It was not recommended to choose something that was too light. Secondly, he had to pay attention to the workmanship of the shakuhachi. An excellent pipe master and pipe master would have fine workmanship, which could be judged from the angle of the inlaid opening, the workmanship of the relay, and the inner diameter. The groove must be flat, the relay must be square, and the inner diameter must achieve a mirror effect. In addition, the budget was also a consideration. If the budget was sufficient, they could buy a shakuhachi with better performance, but if the budget was limited, they could spend more money on class fees and put technical learning first. In addition, buying a second-hand shakuhachi was also an option, but one had to choose a trustworthy merchant or buy it from a teacher. In short, when choosing a shakuhachi, one had to consider the materials, workmanship, budget, and other factors. It was best to try it out personally or consult a professional.

The following information about the famous Japanese shakuhachi: - Doyama Fujiwara, a famous Japanese shakuhachi musician, was a famous shakuhachi player. - Nakao Tsuyama was the successor of the shakuhachi. He founded the Tsuyama Ryu, which was one of the most popular shakuhachi schools in Japan. - The second generation Aoki Suzuki was a famous shakuhachi musician of Kotoku Ryu. - Yamamoto Kuniyama was a famous shakuhachi musician of the Dushanryu. - Miyata Kohachi was a famous Japanese shakuhachi and one of the founding members of the Japanese Music Group. - Masaru Hengshan was also a famous master of shakuhachi. His teacher was Fukuda Rantong, and he had composed many famous shakuhachi pieces. In summary, the famous shakuhachi masters in Japan included Fujiwara Doyama, Nakao Toyama, Second Generation Aoki Suzuki, Yamamoto Kuniyama, Miyata Kohachiro, and Hengshan Katsuya.

There were several factors to consider when buying a shakuhachi. First of all, the sensitivity of the shakuhachi was an important performance indicator, which could be tested by blowing. A shakuhachi with good sensitivity could play out more range, while a shakuhachi with poor sensitivity might have problems with unclear and broken notes. Secondly, the price was not the only standard to measure the quality of the shakuhachi. A high price did not necessarily mean good quality. It is recommended that the buyer make a decision after trying it out, to avoid the situation of not being able to try it out only by looking at photos or buying it online. In addition, it was also important to understand which type of shakuhachi one wanted and was suitable for. One could choose the appropriate shakuhachi genre according to one's needs. Finally, if you have a limited budget, you can consider buying a second-hand shakuhachi, but you must choose a reputable merchant or buy it from a teacher. In short, one should think twice before buying a shakuhachi and try it out before making a decision to ensure that they chose the right instrument.

Shakuhachi was a traditional wind instrument. To make it, one needed to choose thicker bamboo with dense bamboo fibers and thicker inner walls. Among them, osmanthus bamboo was the most suitable material. The selection of bamboo was very particular, and it had to meet the requirements of making shakuhachi. The higher the fiber density of bamboo, the greater the hardness. Observing the size and density of the fiber spots at the cut bamboo could determine the density of the bamboo. In addition, the age of the bamboo would also affect its density. Old bamboo would have dark black spots on the cutting surface. Making a shakuhachi required many years of bamboo processing and production techniques, so it took about five years to make a shakuhachi. The bamboo of Shakuhachi was mainly produced in the Kyushu region of Japan, which was considered the birthplace of real bamboo. The price of the bamboo of the shakuhachi was relatively high. On average, the price of each shakuhachi ranged from 20,000 to 100,000 RMB. The shakuhachi of the master teacher collection was even more expensive. Most of the shakuhachi songs came from Japan, and there were fewer local shakuhachi songs in China. In short, the production of shakuhachi required strict selection of bamboo. The quality and density of bamboo had an important impact on the sound quality and performance of shakuhachi.

The price range of the shakuhachi was very wide, ranging from a few thousand to hundreds of thousands. Generally speaking, the price of an intermediate shakuhachi was between 150,000 yen and 200,000 yen, which was about 9,000 to 12,000 yuan. The high-end shakuhachi was priced between 25,100 and 80,500 yuan. In addition, there were also some cheap shakuhachi brands to choose from, such as You, Shaoyun, etc. In general, to buy a good shakuhachi, the recommended budget was between 200,000 yen and 300,000 yen. However, the specific price still depended on the individual's needs and budget.

Miura Koto was a shakuhachi musician, and he had high attainments in Koto-Ryu's shakuhachi. He was born on December 31st, 1952, and he learned Kotoko-Ryu Shakuhachi from Oase Shouyun. In his music career, he also learned how to play the shakuhachi from Okoyama Ranmu and Okoyama Katsuya, and taught himself how to make the shakuhachi. After Miura Koto returned to Akita, he opened a shakuhachi classroom and began a shakuhachi performance. He was regarded as one of the highest level representatives in theoretical research and practical aspects of shakuhachi production. His in-depth research and original views on the long pipe shakuhachi were highly praised. Miura Koto was also well-known in China, and his performances and teaching activities received much attention.

The golden three-thread shakuhachi was a classification of shakuhachi tubes. The golden three-thread shakuhachi tubes were tubes decorated with three golden threads. The price of gold three-wire was relatively high and was usually considered to be a high-grade pipe. However, the selection of the shakuhachi was not only dependent on the number of gold threads, but also on personal preferences and performance level to choose the pipe that suited him. The sound and performance of the shakuhachi were related to the personal habits and techniques of the producer, so different shakuhachi producers might have different styles and characteristics. When buying a shakuhachi, a reasonable price and a suitable tube were the key. There were also some shakuhachi makers with high production standards in the country, so they could consider buying the shakuhachi produced in the country. In short, the Kinsansan shakuhachi was a high-level pipe, but when choosing a shakuhachi, one should consider personal preferences, performance level, price, and other factors.