Xiangxi folk games

Folk games referred to the playful entertainment activities that spread in the lives of the majority of the people. They were mainly popular among children and adult entertainment programs during festivals. These games were casual and fun. They could use local materials and some simple props such as sticks, stones, leaves, etc. to play. Some of the classic folk games included fighting grass, flying kites, riding bamboo horses, swinging, hide-and-seek, fighting crickets, jumping houses, jumping hundreds of ropes, tug-of-war, dragon boat racing, wrestling, and playing chess. Not only were these games fun, but they could also train one's body, intelligence, and teamwork. At the same time, they reflected the simple wisdom and life interests of Chinese folk culture.

Hunting corpses in Xiangxi was an ancient folk tradition of the Miao people in Xiangxi, Hunan Province. It belonged to the witch culture. According to the legends, corpse driving was the use of witchcraft to bring the corpses of people who died in foreign lands back to their hometown and bury them in peace. The corpse transporter would use special techniques and props, such as the Soul-sucking Bell and yellow paper talismans, to control the corpses and guide them to walk. During the process of transporting the corpses, the corpse transporter wore a black robe and a bamboo hat. He held a copper gong in his hand and struck the small Yin Gong in his hand. He led a group of corpses draped in black sheets forward. Although Xiangxi's corpse chasing had never been verified by science or personally, it had become the prototype of many horror movies and was widely known. The activities of corpse herders in Xiangxi were mainly limited to the mountainous area of Xiangxi in the northwest of Hunan.

Shen Congwen was a modern Chinese artist. His works depicted the local customs and folk culture of Xiangxi. Xiangxi folk culture has many unique characteristics, the following are some of them: 1. The uniqueness of the natural environment: Shen Congwen described the natural scenery of Xiangxi, including mountains, rivers, forests, swamps, etc. These natural environments reflected the local ecological culture. 2. Witchcraft and witchcraft: There are many witchcraft and witchcraft traditions in Xiangxi. These traditions are considered a mysterious cultural phenomenon with the function of praying for health, peace and happiness. 3. Traditional Handicraft: Shen Congwen described the traditional crafts of Xiangxi, including embroidery, bamboo weaving, feather making, paper-cutting, etc. These crafts were considered to be an art form with unique beauty and cultural value. 4. Folk music and dance: There are many music and dance traditions in Xiangxi, including the Lusheng dance of the Miao people, the waving dance of the Tujia people, and the Taiji boxing of the Han people. These traditional music and dances are considered to be an important part of the local people's emotional and cultural heritage. 5. Food culture: Xiangxi has a unique food culture, including the glutinous rice of the Miao nationality, the cured meat of the Tujia nationality, the tofu of the Han nationality, etc. These traditional foods are considered an important part of the local people's food culture. Shen Congwen's Xiangxi folk culture depicted a unique and beautiful cultural world, which reflected the local customs and traditional culture.

There were many types of folk games, including indoor games, courtyard games, smart games, entertainment games, and various games. Indoor-life games were usually popular among children of four or five years old, such as playing family members and imitating home life. Courtyard games referred to outdoor activities, such as hide-and-seek, handkerchief throwing, eagle catching chicks, pinball, shuttlecock kicking, and so on. Other traditional folk games included squeezing oil dregs, pulling a saw, mosquito bites, piling up steamed buns, eagle catching chicks, jumping rubber bands, and so on. There were many ways to play these games. Some required teamwork, some required physical coordination, and some required chasing and competition. These games enriched children's lives and cultivated their social skills and imagination.

" My Experience in Folk Games " was a novel written by the bride of the Lord. This novel told the story of the protagonist, Feng Jiudong, who had transmigrated into the folklory-styled " Tiannuo " game and became the final BOSS, the " Holy King Beyond the Pass ". In order not to be overthrown by the upcoming fourth catastrophe, he turned into a leveling demon. Feng Jiudong had experienced all kinds of adventures and battles in the game, constantly improving his strength. He also interacted with other characters and completed various missions and challenges. Feng Jiudong's experience and growth were the main content of this novel.

" My Experience in Folk Games " was a light novel by the Lord's Bride. The story was about the protagonist, Feng Jiudong, who had transmigrated to a folk-styled game called " Tiannuo " and became the game's big BOSS, the " Holy King of the Pass." In order to not be overthrown by the upcoming fourth catastrophe, he transformed into a leveling maniac and increased his strength by constantly gaining experience points. The novel was published on Qidian Chinese website and there were 79 chapters updated. Other than this novel, there were other similar works, such as My Experience in the Other World and My Experience in Muye Liver. As for the specific content and evaluation of " My Experience in Folk Games," one needed to read the chapter of the work to understand more.

The corpse herder was from Xiangxi. Corpse chasing was a folk custom of the Miao people in Xiangxi. It belonged to the witch culture and was related to Zhu Youke. The legend of corpse chasing in Xiangxi was inseparable from the Miao people. Corpse driving was a legendary magic that could drive corpses to walk. It was a type of Miao Gu technique and a part of Chu Wu culture. Although the Xiangxi corpse drive had never been verified by science or personally, it had become the prototype of many horror movies and was widely known.

The existence of corpse chasers in Xiangxi was real, but the existence of corpse chasers in Jiangxi had not been confirmed. Hunting corpses in Xiangxi was an ancient folk tradition. It originated from the period of frequent wars and blocked traffic in ancient China. The corpse transporter would use some special techniques and props, such as the Soul-sucking Bell and yellow paper talismans, to control the corpses and guide them to walk. However, there was no conclusive evidence of the existence of Jiangxi corpse herders. Therefore, it could be said that Xiangxi corpse chasing was real, but the existence of Jiangxi corpse chasing had not been confirmed.

The third episode of "Bloody Xiangxi" told the story of Long Feihan's revenge after he grew up. In this episode, Long Feihan tried many times to assassinate Shen Baiwan and the other bandits, but he failed. The episode also revealed some of Long Feihan's past and his hatred for bandits. Overall, the third episode showed Long Feihan's determination and perseverance to take revenge.

The opening song of the TV series " Bloody Xiangxi " was " Lang Uphill, Sister Uphill ", and the ending song was " There's Good Water in the High Mountain." Among them," There's Good Water in the High Mountain " was sung by Xu Qianya. It was a heroic and tragic song that deeply touched people's hearts. These two songs used Xiangxi folk songs as the theme, showing the charm of Xiangxi's local folk songs and the original ecological style.