The 27 basic strokes of the regular script of the willow style

Yan Zhenqing's regular script style was full, vigorous, and majestic. His font structure was square and dense, his strokes were light horizontally and heavy vertically, and his strokes were vigorous, upright, open and vigorous. Yan Zhenqing's strokes were strong and powerful, and the turns were natural and smooth, showing an extremely high level of skill. His word structure was balanced and rigorous. The size of each word was coordinated, and the spacing between the words was just right, forming a unique visual rhythm. Yan Zhenqing's style of regular script was known as " Yan Style ", which was unique in the history of calligraphy and created a new model of regular script. His regular script works had a vigorous and broad artistic style. It not only had outstanding emotions and spirituality, but also showed the prosperous demeanor of the Tang Empire. Yan Zhenqing's style of regular script was widely studied and imitated by later generations. He was known as one of the four masters of regular script and the founder of round brush calligraphy.

" Gu Feng letterhead, regular script girl " was a radical phrase." Gu Feng letterhead " was a nominal radical phrase, and " regular script girl " was a subject and verb phrase. " Ancient style letterhead " referred to letters with an ancient style. They were usually made of traditional paper and printed in a traditional way, and had a strong cultural atmosphere and artistic value. " Regular script girls " referred to women who were good at regular script calligraphy. Therefore, the " girl with regular script on ancient style letterhead " could be understood as a girl who was good at writing regular script on ancient style letterhead. While waiting for the TV series, you can also click on the link below to read the original work of " Little Fox Demon Matchmaker " to understand the plot in advance!

Regular script copybook referred to the copybook of Tang Kai Yan Zhenqing's handwriting. Regular script copybooks could be used to learn and practice the calligraphy skills of regular script. Yan Zhenqing's works Sima Yan and Tian Yingzhang were one of the representative works among the regular script copybooks. The characteristic of regular script was that it was in line with the aesthetic habits of the public. The lines were smooth, the structure was well-proportioned, and the overall style was consistent. The purpose of the regular script copybook was to help the learner quickly master the basic skills of regular script and be able to apply them to practical writing. Some websites provided regular script copybooks for download and appreciation. At the same time, some calligraphy enthusiasts and experts recommended some introductory regular script copybooks and courses.

The following are a few regular script works suitable for beginners to copy: 1. [Ninety percent Palace Almond Spring Inscription] was one of Ouyang Xun's representative works. Its font was simple and its structure was rigorous, suitable for beginners. 2. The Multi-Pagoda Stele was one of Yan Zhenqing's representative works. The font was neat and suitable for beginners to practice their basic skills. 3. The Mysterious Secret Tower Stele was one of Liu Gongquan's representative works. It was square and suitable for beginners to practice. These works displayed the artistic charm and cultural value of regular script, and were one of the representative works of Chinese calligraphy culture.

The basic settings of the Beast Taming Script included the types and categories of subdued beasts, the existence of spirit beasts, the beastmaster's class choice, the concept of the Beast Tamer Space, the rules of subdued beasts, and the relationship between the number of pets the beastmaster subdued and the Beast Tamer Space. The types of familiars included fierce beasts and spirit beasts. There were more than ten types of fierce beasts, including birds, reptiles, flying insects, flying beasts, scale beasts, beasts, ancient beasts, amphibians, and dragons. Beastmaster was one of the main professions to choose from. The other professions included mages, swordsmen, knights, blacksmiths, telekinesis masters, martial artists, warlocks, and so on. The familiar space was a small plane world that existed in this world. Beastmasters could put their subdued beasts into their own familiar space and control the living beings in this small world. The size of a beastmaster's familiar space would affect the number of pets they could tame.

The basic elements of scriptwriting included: 1. Script type: Script can be divided into comedy, romance, action, science fiction, history, and other different types. 2. Story background and plot: The script needs to set the background and plot of the story, including the development of the characters, the time and place of the story, conflict and climax, etc. 3. Character: The characters in the script needed to be set up, including the protagonist, supporting characters, villains, etc., and their personalities, backgrounds, motives, etc. 4. Setting up the scene: The script needs to set up the scene, including indoors, outdoors, and the background of the scene. It also needs to determine the specific plot and atmosphere of these scenes. 5. Script structure: The script needs to determine the structure of the script, including the beginning, middle, and end, and determine the content and theme of each chapter. 6. Language and music: The language of the script needs to match the type and style of the script. The music needs to match the atmosphere and theme of the script. These were the basic elements of writing a script. Of course, more details and creativity needed to be added to the specific script in order to make the readers like and enjoy the script more.

A comic script is basically a blueprint for a comic. It lays out everything from the sequence of events to the expressions on characters' faces. Unlike a regular script for plays or films, it has to account for the unique way comics convey information through images and text. For example, it might specify how many panels are on a page and what's shown in each one.

The four masters of regular script referred to Ouyang Xun, Yan Zhenqing, Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty.

The four masters of regular script were Ouyang Xun of the early Tang Dynasty, Yan Zhenqing of the prosperous Tang Dynasty, Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty.

The characteristics of Liu Gongquan's regular script were vigorous, steady but not ordinary, dangerous but not strange, old but not withered, moist but not fat, harmonious and charming. His strokes were even, hard, and thin, with exposed edges and corners. They were rich in variation, avoiding monotonous repetition. Most of the horizontal paintings are square and round, with strong bones, clear starting and ending, short horizontal thick, long horizontal especially slender, delicate and beautiful. The vertical painting is powerful, tall and thin, concise and solid, sharp strokes, heavy and short strokes, and clean strokes. On the whole, it was introverted and outward expansion, the middle palace tightened, and the limbs spread out. In the rigorous, it showed a loose and open demeanor. Liu Gongquan's regular script started with Wang Xizhi, and then he extensively dabbled in the works of famous masters of the Sui and Tang Dynasties. Then he mastered them, brewed changes, and finally came up with new ideas, becoming a master.