The types of characters created in midnight

Mao Dun started writing Midnight in October 1931.

The main characters in Midnight included Wu Sunfu, Zhao Botao, Old Master Wu, Tseng-hai, Li Yu-ting, Fan Bowen, Lu Kuangshi, Liu Yu-ying, and Chang Su-su. Wu Sunfu was a national capitalist who had the ambition to revitalize China's industry, but in the end, he failed and went bankrupt. Zhao Po-tao was another capitalist who was competing with Wu Sunfu. Old Mr. Wu and Tseng-hai were landlords, and they represented different characteristics of the landlord class. Li Yuting, Fan Bowen, and the others were all academics, and they represented different types of academics. Lu Kuangshi was Wu Sunfu's mole, and Liu Yuying was his widowed daughter-in-law. Chang Su-su was Wu Sunfu's cousin. These characters reflected the fate and situation of all social classes at that time.

The characters in Midnight included Wu Sunfu, Zhao Botao, and Tu Weiyue. Wu Sunfu was a complicated character with two sides. He was a man who exploited the workers 'blood and sweat, and he was also a man who resisted the imperialists and comprador class. On the other hand, Zhao Botao was an arrogant, treacherous, cruel, and ruthless comprador capitalist. His moral corruption, arrogance, and treachery fully exposed the revolutionary, predatory, and decadent nature of the comprador capitalist class. Tu Weiyue was Wu Sunfu's right-hand man in the factory. He was shrewd and capable, but he also used despicable means to bribe the workers and suppressed the workers 'movement. In Midnight, these characters showed the social class contradictions and characteristics of Chinese society at that time.

The main characters in Midnight included Wu Sunfu, Zhao Botao, Old Master Wu, Tseng-hai, Li Yuting, Fan Bowen, Lin Peiyao, Advisor Lei Ming, Lin Peishan, Liu Yuying, Lu Kuangshi, and Tu Hsin-to. Wu Sunfu was a national capitalist who had the lofty ambition of revitalizing China's industry. However, in an era where the national capitalist class had to face multiple attacks, he gradually lost his previous determination and eventually went bankrupt. His image represented the characteristics of the entire national capitalist class. The other characters also represented different social roles and classes. Their fates reflected the contradictions and basic conditions of society at that time.

The characters in Midnight included: 1. Wu Sunfu: A national capitalist, 40 years old, known as the Third Master, who runs the Wu Mansion in Shanghai. 2. Lin Peiyao, Wu Sunfu's wife, also known as Mrs. Wu, was the eldest daughter of the Lin family. 3. Wang Ma: Wu Sunfu's servant. He's related to Wu Sunfu. 4. Lin Peishan was Lin Peiyao's younger sister, known as the Second Miss Lin, and Fan Bowen's cousin. 5. Du Chuzhai, Wu Sunfu's second aunt, in her forties. 6. Wu Fufang, the second daughter of Du Chuzhai, Mrs. Du, in her thirties. 7. Du Xinjto, the eldest son of Tu Chuzhai, was an artist who had studied abroad in France. 8. Du Xueshi, the younger brother of Du Chu-chai, was called Cat-face. 9. Old Mr. Wu: Wu Sunfu's father, who once pursued new ideas but succumbed to reality and died as soon as he appeared. 10. Wu Huifang: Wu Sunfu's fourth daughter, shy and reserved. 11. Wu A-hsuan: Wu Sun-fu's Seventh Young Master. Good-looking, but sometimes deranged. 12. Zhang Susu: Lively and unrestrained. 13. Li Yuting, Professor of Economics. 14. Fan Bowen: Lin Peishan's cousin. Likes to play with words, likes to write poems, and is rather cowardly. Please note that the above information is based on the search results provided and may not be complete.

In Mao Dun's novel Midnight, the protagonist Wu Sunfu's ending was tragic. He eventually lost his career and family. At the end of the novel, Wu Sunfu's career suffered a major blow. He was defeated by his own credulity and business competitors, and fell into bankruptcy. Wu Sunfu's bankruptcy was caused by the situation at that time, the civil war, the pressure of foreign investment, and the factory strike. In the face of the contradictions between the comprador forces and the workers and peasants, Wu Sunfu showed his dangerous and dark side. Although he had shown courage and determination to overcome difficulties in some ways, he still failed in the end. His ending was heroic and tragic, but it also reflected the restrictions and challenges of the social environment to the national capitalists.

The characters in Midnight included Wu Sunfu, Lin Peiyao, Mother Wang, Lin Peishan, Tu Chu-chai, Wu Fu-fang, Tu Hsin-to, Tu Xueshi, Old Master Wu, Wu Huifang, Wu A-xuan, Zhang Susu, Li Yu-ting, and Fan Bowen.

Some of the main characters in Midnight include Wu Sunfu, Lin Peiyao, Mother Wang, Lin Peishan, Tu Chu-chai, Wu Fu-fang, Tu Hsin-to, Tu Xueshi, Old Master Wu, Wu Huifang, Wu A-xuan, Zhang Susu, Li Yu-ting, and Fan Bowen. Wu Sunfu was a national capitalist with great ambitions and aspirations, hoping to develop the national industry. He was smart and capable. He had outstanding wisdom and tactics. At the same time, he was confident and energetic. Other people included Wu Sunfu's family, servants, friends, and some people related to him. These characters played different roles in the novel, showing different levels of society and different fates.

The characters in Midnight included Wu Sunfu, Lin Peiyao, Mother Wang, Lin Peishan, Tu Chu-chai, Wu Fu-fang, Tu Hsin-to, Tu Xueshi, Old Master Wu, Wu Huifang, Wu Ah-hsuan, Zhang Susu, Li Yu-ting, and Fan Bowen.

The main characters in Midnight included Wu Sunfu, Feng Yunqing, and Lin Peiyao. Wu Sunfu was a typical Chinese national capitalist. He had the lofty ambition to develop national industry, but at the same time, he exploited and suppressed the masses of workers and peasants. Feng Yun-ching was the image of a landlord cum venture capitalist. He was a "smiling tiger" who hid a knife behind his smile. He obtained benefits through usury and exploitation of farmers. Lin Peiyao was an educated female representative with the ability to manage the family business and coordinate interpersonal relationships. Her fate was destined to be tragic. Although she was a noble wife, her life was filled with loneliness and helplessness. In Midnight, these characters showed the fates and contradictions of different social roles in a complex social environment.