Xu Hongjuan's Purple Sand Pot

We are unable to provide any pictures of the antique teapot.

Ling Xigou was a famous master of purple clay pots. He was committed to artistic creation and summarized his creation process of purple clay pots in three words: think, taste, and do. He would carry a small notebook with him to record his inspiration and select useful information when he was creating. His representative works included Sun and Moon Flask, Dragon and Phoenix Flask, Twelve Zodiac Flask, and so on. Ling Xigou's creation combined culture and art, demonstrating his unique innovative design ability. His works were full of creativity and touching charm. His creative talent made him achieve great success in the field of purple sand art.

Yong Shuying's purple clay teapot had a very high collection value. She was a master of the purple clay teapot, and her craftsmanship was superb. Every detail of the craftsmanship had been carefully carved. Her purple clay teapot was not only unique in shape, but also pure in color and delicate in texture. It had a high ornamental value. Yong Shuying's purple clay teapot represented one of the highest levels of Chinese purple clay teapot art. It had a unique artistic style, strong cultural content, and artistic appeal. According to the information provided, the price of Yong Shuying's purple clay teapot was 508 yuan.

The Yong Piao Zisha teapot was a classic type of Zisha teapot. It had been improved by the elites of the later generations and was divided into Ziye Stone Piao, Jingzhou Stone Piao, and Hantang Stone Piao. Ziye's stone ladle gave people a kind of ancient and gentle beauty. The pot button was small, the lid was slightly thick, the body was slightly straight, and the flow handle had a more dynamic feeling. Jingzhou's stone ladle weakened its solemnity and added a hint of smoothness, giving people a humble and reserved feeling. Han Tang stone ladle shape round, slightly simple and honest, from a straight flow into a curved flow. The Yongpao teapot was popular because of its shape, lines, and charm. It was called the "King of Piao". Li Hanyong was a purple clay artist. The purple clay teapot he made was highly praised and had a high level of teapot making skills. However, the search results did not provide any information about the specific price and story of the Yongpao teapot.

Fan Yujun, a national craftsman, was born in 1973 in Yixing, Jiangsu Province, China's pottery capital. He had developed a strong interest in the art of teapot for a long time and began to learn it in 1991. Fan Yujun gathered the strengths of each family, coupled with his own understanding of teapot art, his skills became increasingly exquisite. He was good at designing and making square artifacts, focusing on shape, qi, and spirit, pursuing both hardness and softness. Fan Yujun's works combined the strengths of hundreds of schools and could combine the charm of the former dynasty's purple sand with the current purple sand techniques. Most of his pots were solemn, simple, elegant, and full of old-fashioned flavor. Fan Yujun had received many awards, including the Outstanding Award, the Third Prize, and the Silver Award. He also founded the studio "Juyizhai".

Wang Fengqin was a Yixing teapot artist, born in 1971. She joined the Yixing Purple Sand Factory in 1988 and had very solid basic skills. Most of her works were traditional round objects, which combined ancient and modern styles. She paid attention to the way of nature and was unconventional. Her purple clay teapot not only maintained the traditional style, but also integrated with the atmosphere of the times, so it was deeply cherished by collectors. Wang Fengqin's purple clay teapot was made using high-quality soil and a scientific formula. The style was novel and simple. Her work was considered to be highly collectible.

Chen Yongliang was a national assistant arts and crafts artist and an outstanding young ceramist in Yixing City. He was born in 1981 and had been influenced by ceramic art since childhood. He had a strong interest in purple sand art. He started making pots in 1998 and received guidance from many masters. Chen Yongliang's works were simple and elegant, with fine workmanship and exquisite charm. They were both hard and soft, and the shape was simple and unsophisticated. They were rich in the vigorous charm of oriental culture. His works were favored by the majority of teapot enthusiasts and won many awards in competitions and exhibition activities. They had high collection value. Chen Yongliang's collection of purple clay teapots included bottom trough clear, Wan Yu, Jingzhou stone ladle, Dayun De Zhong and many other works, using different clay materials and capacity. He also had his own personal studio, which detailed his personal information, works, awards, and contact information.

Li Meiling was a state-level senior arts and crafts artist who was good at the modeling and creation of purple clay pots. She was born in Yixing, a pottery family, and studied under Chen Guoliang, a researcher level arts and crafts artist. Li Meiling's purple clay teapot works had won many awards in East China, including "Rising to Qingyun Pot","Rotten Wood Becomes a Vessel","Immediately Becoming a Marquis","Ruyi Pot" and so on. Her works were elegant, simple and elegant, with smooth lines and exquisite craftsmanship. They were all handmade with pure purple clay. Li Meiling's purple clay teapot works were collected at home and abroad and published in newspapers. She had many years of experience in the purple sand industry. She pursued innovation and height, giving people a new feeling. In general, Li Meiling was a well-recognized artist of purple clay teapot.

Wang Lijuan was a craftsman of purple clay teapot. She was born in 1971 and her ancestral home was Yixing, Jiangsu Province. She had been influenced by the purple sand culture since she was young. Since 1989, she had entered the purple sand craft factory to make purple sand teapots. During this period, she received guidance from many masters and was fortunate enough to become the apprentice of Xu Yanchun, a master of arts and crafts in Jiangsu Province, further deepening her skills. Wang Lijuan was good at making flower and light utensils by hand. She paid attention to the design and creation of the appearance and internal structure, pursuing innovation and fine workmanship. Her works inherited the traditional artistic style. The design was simple and elegant, the workmanship was rigorous, and the decorations were exquisite. Her hand-made decals were unique and lifelike, which enriched the cultural atmosphere and artistic effect of the works and was deeply loved by collectors. Her work "Blessing" had won the gold medal of the "Xinghai Cup" in Dalian, her work "One Leaf Knowing Autumn" had won the "Jingzhou Cup" competition, and her work "Holding Up Your Eyebrows and Exhaling" had also won the "Excellence Award" in the 11th All-Handicraft Competition. According to the information provided, Wang Lijuan was a well-recognized and admired artist of the purple clay teapot.

Wu Lijun's purple clay teapot was a combination of traditional elements and modern aesthetics. It was unique in shape, smooth in lines, exquisite in craftsmanship, and very detailed in handling, making every teapot unique. The quality of the purple clay he chose was superior. After being baked at high temperatures, the body of the pot was hard and the color was warm. It had a high artistic value. However, the value of the purple clay teapot was not constant. It would fluctuate with the changes in market demand, the improvement of the maker's skills, and the increase or decrease of the existing quantity. Therefore, whether Wu Lijun's purple clay teapot was worth money still needed to be judged according to the specific works and market conditions. In general, Wu Lijun's purple clay teapot had a high collection value due to its exquisite craftsmanship and high-quality artistic performance.