Appreciation of Seventeen Calligraphy Pieces

The Seventeen Calligraphy Forms was one of Wang Xizhi's representative works of cursive script and was regarded as the best model for learning cursive script. It was a set of letters, written from the third year of Yonghe to the fifth year of Shengping, which lasted for fourteen years. The content of the Seventeen Calligraphy included Wang Xizhi's description of the characters in Shu. It was a letter to Zhou Fu, the governor of Yizhou. The status of this work in cursive script could be compared to the Preface to the Sacred Religion in Huai Ren's Collection of Wang Xizhi's Calligraphy. The engraved version of the Seventeen Calligraphy Forms exists now, and some of them have been copied and handed down. It was known as Wang Xizhi's masterpiece of cursive script and was regarded as the " dragon and elephant in the book " by calligraphers. However, there was no mention of the specific artistic features of the Seventeen Styles in the information provided.

The Seventeen Calligraphy Forms was one of Wang Xizhi's representative works of cursive script, and was known as the dragon and elephant in the book. It was composed of nearly 30 letters written by Wang Xizhi to his friend Zhou Fu, the governor of Yizhou. The letters lasted for 14 years, showing the deep friendship between the two. There were a total of 29 letters in the '17 Tie', and each post had its own characteristics. These letters were written in cursive script, with a variety of stippling patterns. They were plain and natural, in line with the aesthetic of literati. The cursive script of the Seventeen Styles was basically independent of each word. Most of the characters tended to be flat, and the horizontal and vertical strokes ran through each work. Its style was elegant, neither aggressive nor fierce, revealing a kind of righteous and peaceful atmosphere. The " Seventeen Calligraphy " was regarded as the best model for learning cursive script. For those who practiced cursive script, it showed the realm and methods of cursive script.

Appreciation of Famous Pieces Famous works were classic literary works with far-reaching influence. Fragment appreciation is the interpretation and analysis of a certain fragment in a famous work to help readers understand the meaning and extension of the work more deeply. The following are some snippets of famous works: [1]"Jia Baoyu's Memory Loss" from "Dream of the Red Chamber": This plot shows that Jia Baoyu lost his memory and identity after suffering from a family accident. Through this clip, readers can understand Jia Baoyu's inner world, as well as his status and fate in the family. 2. The scene of Lin Chong being banished to the frontier in Water Margins: This plot shows the story of Lin Chong being banished to the frontier as a hostage after gathering at Liangshanbo. Through this clip, readers can understand the organizational structure and character relationships of Liangshan Lake, as well as Lin Chong's fate and mental journey. 3. The scene of Sun Wukong fighting the Bull Demon King in Journey to the West: This scene shows the fierce battle between Sun Wukong and the Bull Demon King, showing Sun Wukong's bravery and wit, and also revealing the good and evil of human nature. 4. The "Fan Jin's Imperial Examination" in The Scholars: This plot shows the story of Fan Jin's good results in the imperial examination, expressing the concept of "cultivating one's moral character, managing one's family, governing the country, and pacifying the world" in Confucianism. Through this clip, readers can understand the system and cultural background of the imperial examination in ancient China. The appreciation and analysis of these famous works have profound intents and extension, which can help readers better understand the thoughts and emotions of the works, and also understand Chinese traditional culture and history.

All the famous calligraphers of the past had created calligraphy works with the word "Fu". These works displayed the word "Fu" in different calligraphy styles for people to appreciate. Among them, there were five types of calligraphy: seal script, official script, regular script, running script, and cursive script. These works displayed the talent and artistic style of the calligraphers. For example, the character "Fu" written by Emperor Kangxi was considered to be a symbol of infinite mystery and infinite blessings. In addition, Wang Xizhi, Zhiyong, Ouyang Xun, Chu Suiliang, Yan Zhenqing and other ancient calligraphers also created exquisite works of the word "Fu". These works not only had artistic value, but also symbolized good fortune and good luck.

The Seventeen Calligraphy Forms was one of Wang Xizhi's representative works of cursive script. It was a group of famous cursive calligraphies from the Tang Dynasty, composed of Wang Xizhi's letters. There were 107 lines and 943 characters in the Seventeen Calligraphy Forms. It was written for 14 years and was an important material for studying Wang Xizhi's life and the development of calligraphy. The style of this group of posts was blunt and elegant, neither aggressive nor fierce, showing a kind of fair and peaceful atmosphere. It was regarded as the supreme model for learning cursive script and was regarded as the "dragon and elephant in the book" by calligraphers. The order of the " Seventeen Calligraphy " was also very particular. From the calm dotting at the beginning to the unrestrained and unrestrained in the middle, then to the regular script that was slightly rested, and finally to the wild cursive script as the end. The entire post was like a symphony. Although the Seventeen Calligraphy Forms was a printed copy, it could still be used as a reference to learn the painting method.

We are unable to provide pictures of Yan calligraphy works.

We can find some information about hard brush calligraphy. Among them, the award-winning works of the 2024 National Hard-Pen Calligraphy Competition showcased the superb skills and unique styles of calligraphers from all over the country. Xiao Huan, Lai Jinghuai, Yuan Houqing, Wang Xiaozhu, and Liu Liangmou won the special prizes for the semi-cursive and regular script groups. Their works showed their own characteristics and charm in different calligraphy styles such as running script, regular script, cursive script and official script. In addition, there were also works from other years of the National Hard-Pen Calligraphy Competition, as well as some famous hard-pen calligraphy works. However, the specific content and pictures of the work needed to be further checked for related links.

Liu Style Calligraphy was the general term for the calligraphy works of Liu Gongquan, the great calligrapher of the Tang Dynasty. Liu Gongquan was one of the four masters of regular script. His calligraphy was known for its strength and strength. He was known as the " Yan Jin Liu Gu ". The characteristics of Liu style calligraphy were clear and vigorous, vigorous posture, meticulous handwriting, and exquisite strokes. Liu Gongquan's regular script combined the characteristics of Yan Zhenqing and Ouyang Xun, forming his own unique style. Liu style calligraphy occupied an important position in the history of calligraphy and was appreciated and studied by many calligraphy lovers.

The cursive script was an art form of Chinese calligraphy. Its characteristics were that the strokes were bold and unrestrained, full of changes, and often appeared in the form of continuous curves and strokes. Cursive script was known as the most difficult calligraphy style in Chinese calligraphy because it required the calligrapher to have superb pen and ink skills and aesthetic ability. Cursive script was widely used not only in calligraphy exhibition but also in painting, poetry and other fields. In calligraphy appreciation, cursive script is often regarded as a unique art form because it has a unique beauty and expression. The characteristics of cursive strokes included: One stroke was unrestrained and full of changes. Cursive calligraphers usually used continuous curves and continuous strokes to make the strokes appear smooth and dynamic. 2. The font was uneven in density and fat and thin. The cursive script was often composed of multiple parts, and there was a certain amount of space and density between each part. 3. The pen is concise and the ink is dripping. The strokes of cursive script were very concise and usually did not require too much ink. The fluency and change of the strokes were the main emphasis on the structure and overall effect of the characters. 4. Pay attention to charm and pursue artistic conception. A cursive calligrapher would usually pay attention to the charm and artistic conception of the words. Through the changes and combinations of strokes, they would express a unique artistic conception and beauty. Cursive script played a very important role in Chinese calligraphy. It required calligraphers to have superb pen and ink skills and aesthetic ability, as well as rich imagination and creativity. In calligraphy appreciation, cursive script was often regarded as a unique art form that could bring unique aesthetic experience and feelings to the audience.

Zhang Xuguang was a calligrapher. In some videos, he wrote and explained Wang Xizhi's cursive calligraphy work, Seventeen Calligraphy Forms. These videos provided detailed teaching and explanations to help the students better understand the characteristics, strokes, and techniques of Wang Xizhi's cursive script, the Seventeen Calligraphy Forms. Therefore, Zhang Xuguang played an important role in the " Seventeen Calligraphy Styles " calligraphy tutorial video.