One of Ouyang Xun's representative works was the 'Ninety percent Palace's Liquan Inscription'.
Ouyang Xun's representative works included the Inscription of Jiucheng Palace's Liquan, the Stele of Huangfu's Birth, and the Inscription of the Buddhist Monk's Stupa in Huadu Temple. Ouyang Xun's calligraphy was strict, neat, and upright. Although his font was slightly longer, it was divided into white, neat and rigorous, the middle palace was tight, and the main pen was elongated, making it seem bold and unrestrained, sparse and dense, all sides were prepared, exquisite, lively and just right. In terms of the combination of dots and the arrangement of the structure, most of his words expanded to the right, but the center of gravity was still very stable. There was no sense of tilting, but the interest of danger in the right. Ouyang Xun's regular script was mostly in regular script. His writing style was square, slightly formal, strong and meticulous. His calligraphy was called the European style, which emphasized the strength of his fingers. The strokes he wrote were strong and firm, and the backbone was contained. It was neither too thin nor too full. Every stroke was too long and too short. The weight was appropriate and the length was just right.
Ouyang Xun's representative works included the "Ninety percent Palace Liquan Inscription","Huangfu's Birthday Stele", and "Huadu Temple Stele". 'The Ninety percent Palace's Liquan Inscription' was one of his representative works in regular script. It was known as the world's number one regular script, displaying his unique writing technique and skill. The font of Huangfu's Birth Stele was thin, hard and straight, and the composition was dense. " Stele of Huadu Temple " was written by Ouyang Xun in his later years. The style was rigorous and steep, and it was known as the model of European style stele books. Ouyang Xun's calligraphy style inherited the past and the future. In the early days, he was influenced by Wang Xizhi and the Northern School of Calligraphy. At the same time, he was also influenced by the calligraphy styles of the Liang, Chen, and Sui Dynasties. His regular script works were dangerous, rigorous, and clear. They contained the essence of calligraphy from the north and south, which had a great impact on the development of regular script in later generations.
Ouyang Xun's representative calligraphy works included "Jiucheng Palace Liquan Inscription,""Huangfu's Birthday Stele,""Huadu Temple Stele,""Zhongni Dream Dietie," and "Running Script Thousand Words."
Ouyang Youquan was a famous Chinese martial arts novelist, and his representative work was " A Hero's Journey." This novel was hailed as a classic in the history of Chinese martial arts novels. It described the growth of a swordsman and displayed the unique style and charm of Chinese martial arts novels. In addition, Ouyang Youquan also created many other famous martial arts novels, such as Flying Fox on Snow Mountain and Liancheng Tactics, which were very popular among readers.
One of Ouyang Xun's representative works was the 'Ninety percent Palace's Liquan Inscription'.
Ouyang Xun had many representative works, the most representative of which was the "Ninety percent Palace Liquan Inscription". This piece of work was known as the " Extreme Rule of Regular Script " and " Number One Regular Script ". It was Ouyang Xun's pinnacle of calligraphy. Other representative works included Huangfu's Birth Stele, Huadu Temple Stele, Zhongni's Dream Liutie, etc. These works showcased Ouyang Xun's unique calligraphy style and techniques, and were deeply loved by calligraphy lovers and collectors. The specific way to read these works was to learn and study Ouyang Xun's calligraphy theory and techniques.
Ouyang Xiu was a writer and politician of the Northern Song Dynasty. 1. The Drunkard Pavilion: This is one of Ouyang Xiu's most famous masterpieces. It is a prose with a natural landscape as the theme and is known as the "representative work of landscape and idyllic poetry". 2. The Story of Yueyang Tower: This is a prose with historical events and characters as the theme, describing the beautiful scenery and historical background of Yueyang Tower. It is known as the "classic work in the history of prose". 3 " Three Words ": This is a collection of short stories written by Ouyang Xiu, including " Yu Shi Ming Yan "," Jing Shi Tong Yan ", and " Xing Shi Heng Yan ", which are known as one of the representative works of " Three Words ". 4. On Cliques: This is a paper on the relationship between political views and cliques. It is Ouyang Xiu's deep thinking and reflection on the ancient political system. In addition, Ouyang Xiu also wrote many other excellent literary works, such as "Ji Gu Lu","On the Clique","Su Xun Wen Lu" and so on, which had a profound impact on the development of ancient Chinese literature.
Ouyang Xun's main calligraphy works included "Jiucheng Palace Liquan Inscription,""Huangfu's Birthday Stele,""Huadu Temple Stele,""Zhongni Dream Dietie,""Running Script Thousand Words," etc. Among them," The Nine-percent Palace Almond Spring Inscription " was known as the world's first regular script. It described the origin of the " Nine-percent Palace " and the magnificence of its buildings, praising the martial arts, culture, governance, and frugality of Emperor Taizong of the Tang Dynasty. Huangfu Dan Stele's writing style is tight and restrained, strong and unyielding, with the characteristics of thin and strong calligraphy style. His works, such as Stele of Huadu Temple, Dream of Zhongni and Thousand-Character Writing in Running Script, also showed Ouyang Xun's unique insights and talents in running script. These works had an important position in the calligraphy world and were widely regarded as Ouyang Xun's representative works.
Ouyang Xun's calligraphy works include "Jiucheng Palace Liquan Inscription,""Huangfu Dan Stele,""Huadu Temple Stele,""Huadu Temple Yi Zen Master Stupa Inscription,""Yu Gonggong Wen Yanbo Stele,""Zhongni Dream Dian Tie,""Running Script Thousand Words,""Bu Shang Tie,""Zhang Hansi Perch Tie," etc.
Lu Xun (September 25, 1881-October 19, 1936), formerly known as Zhou Zhangshou, was an outstanding, ideologist and revolutionary in the history of modern Chinese literature. His works deeply reflected the dark side of Chinese society and the pain of the people, and he was hailed as "the greatest China in a hundred years". "Kite" was Lu Xun's masterpiece. It told the story of a young man Runtu and a young girl Ah Q. Through the description of the pure feelings between the two children, it revealed the various ills of Chinese society and the distortion of human nature at that time. The novel was developed from Runtu's perspective. Through the description of his life experience, it reflected the poverty and backwardness of Chinese society at that time, as well as people's ignorance, superstition, greed and other weaknesses. The language of the novel is concise, the plot is compact, the characters are vivid, and it has a high literary value and depth of thought. It is regarded as a classic work of modern Chinese literature. Besides "Kite", Lu Xun's other masterpieces included "Madman's Diary","The True Story of Ah Q","Medicine","Kong Yiji","New Stories" and so on. These works deeply reflected the dark side of Chinese society and the pain of the people at that time, which had a profound impact on the development of modern Chinese literature and thought.