Yan Zhenqing fights for a seat to appreciate calligraphy

"Fight for a seat post" original text: November, Jin Ziguang Lu doctor inspection Xing Department Shangzhu State Lu Jun founding Duke Yan Zhenqing, respectfully presented a letter to the right servant shot Dingxiang Prince Guo Gong, probably too high moral integrity, followed by meritorious service, this is immortal. I also heard that the chief officer is the commander of all officials. The king of the vassals was the most important minister. Now Pushe Ting's immortal achievements should be the most important minister. Isn't it because his talent is outstanding in the world and his achievements are the best in the world? Defeat Shi Siming's domineering army, resist Huihe Wuyan's request, so can personally draw Lingyan Pavilion, in the name of Taibao Pavilion, ah is worthy of fear. However, it is beautiful, but it is difficult to finish it. Therefore, it is said that if you are full but not overflowing, you can keep your wealth for a long time. High but not dangerous, is used to maintain the position of dignitaries. Can you not be alarmed and afraid?

The translation of the "Invitation for a Seat" was not found in the information provided.

Yan Zhenqing's " Scramble for a Seat " was one of his representative works and a model of his cursive calligraphy. The original manuscript of this letter had been lost, but there was a stone carving in the Forest of Steles in Xi'an. There were a total of seven pages in the " Invitation for a Seat ", written with a bald pen, totaling 1,193 words. In the letter, Yan Zhenqing pointed out Guo Yingyi's contempt for etiquette and flattery of eunuch Yu Chaoen, expressing his loyalty. The writing of this post was free and unrestrained, and it was praised by calligraphers of all generations. Together with Wang Xizhi's Preface to Lanting Collection, it was known as the "Double Jade" of running script, and together with "Sacrifice to Nephew Manuscript" and "Uncle's Manuscript," it was known as "Yan's Three Manuscript." However, regarding the specific information of Yan Zhenqing's post, I can't find the answer in the search results provided.

Yan Zhenqing's regular script copybook referred to Yan Zhenqing's collection of regular script works, which included works such as the Pagoda Stele. These copybooks were based on Yan Zhenqing's regular script style for reference and practice by those who learned and appreciated calligraphy. Yan Zhenqing was a famous calligrapher in the Tang Dynasty. His regular script works were famous for their rich and beautiful strokes, smooth and steady, rigorous and dense, stable and symmetrical. Yan Zhenqing's regular script copybook had an important reference value for learning and studying calligraphy.

Yan Zhenqing's "Scramble for a Seat" was one of his representative works in semi-cursive, and it was also the semi-cursive engraving with the largest number of words he left behind. This draft letter was written by Yan Zhenqing in November of the second year of Zong Guangde in the Tang Dynasty (AD 764) to Guo Yingyi, the Prince of Dingxiang. In the letter, Yan Zhenqing pointed out that Guo Yingyi had disregarded etiquette at the banquet and fawned over eunuch Yu Chaoen, causing Yu Chaoen's seat to be higher than the six ministers and violating the court rules. This letter was full of loyalty and righteousness, and the words were filled with a strong and unyielding spirit. The original trace of the "Scramble for a Seat" has been lost, but there is a stone carving in Xi'an Stele Forest. This work was loved by scholars of all generations and has been passed down to this day. Yan Zhenqing's semi-cursive style was grand, broad, and profound. His semi-cursive works were based on Zhang Xu's style and integrated with the seal strokes, which was unique. "Scramble for a Seat" was Yan Zhenqing's masterpiece in semi-cursive. Every word was full of pure and dignified style.

Yan Zhenqing's " Scramble for a Seat " was a letter of severe criticism to Guo Yingyi. In the letter, Yan Zhenqing accused Guo Yingyi of despising etiquette at the celebration banquet and flattering the eunuch Yu Chaoen, causing Yu Chaoen to be ranked higher than the ministers and causing dissatisfaction. In the letter, Yan Zhenqing criticized Guo Yingyi's behavior for violating the etiquette of the court based on the rules of the past dynasties and the Tang Dynasty. This letter showed Yan Zhenqing's upright and staunch character, full of loyalty. " Scramble for a Seat " was one of Yan Zhenqing's cursive works and was considered one of the most influential works in the history of Chinese calligraphy.

Yan Zhenqing had a lot of copybooks, some of which were famous, including Zhushan Hall Couplet Poetry Calligraphy, Gongshen Calligraphy, Sacrifice Nephew Manuscript, Liu Zhong Envoy Calligraphy, Huzhou Calligraphy, etc. These copybooks showed the style and skills of Yan Zhenqing's regular script and cursive script. Yan Zhenqing's handwriting was graceful and magnanimous. In the early days, he used a square pen, but in the later days, he changed to a round pen. The font was mostly surrounded, tight on the outside and loose on the inside. His regular script was masculine, showing his talent and representing the prosperity of the Tang Dynasty. Yan Zhenqing's copybook was a precious resource for calligraphy lovers to learn and appreciate.

Yan Zhenqing's representative works of calligraphy included "Pagoda Stele,""Yan Qinli Stele,""Yan Family Temple Stele," and "Magu Immortal Altar Record."

Yan Zhenqing had many famous calligraphy works, some of which were worth recommending, including Yan Qinli Stele, Li Xuanjing Stele, Sacrifice to Nephew Manuscript, Ode to the Resurgence of Tang Dynasty, and Liu Zhong's Invitation. These works showcased Yan Zhenqing's unique writing style and structural design, such as the integration of seal script into regular script, as well as the characteristics of firm writing and strong writing style. Yan Zhenqing's calligraphy style was emotional and spiritual, and his thoughts were grand and open. He was known as one of the four masters of regular script. His calligraphy works had an important position and influence in the history of Chinese calligraphy.

Yan Zhenqing had many representative works, including Yan Qinli Stele, Manuscript of Sacrifice to Nephew, Pagoda Stele, Records of Magu Immortal Altar, Ode to Resurgence, etc. These works displayed Yan Zhenqing's unique calligraphy style and techniques, such as horizontal fine and vertical thick, thin and thick, left fine and thick right, etc. His regular script works focused on strength and movement, and the font was full and powerful. Yan Zhenqing's calligraphy works had the characteristics of outward expansion structure and upward center of gravity, giving people a sense of magnificence. His works were widely praised in the calligraphy world and were hailed as one of the representatives of regular script.