Yan Zhenqing's masterpiece

Yan Zhenqing's masterpieces included the Manuscript of Sacrifice to Nephew, the Stele of Yan's Family Temple, Yan Zhenqing's Three Manuscript, and the Stele of Many Pagodas. Among them,"Sacrifice to Nephew Manuscript" was known as the world's second best semi-cursive masterpiece, with the characteristics of solemnity and solemnity. 'Yan Family Temple Stele' was a regular script work that recorded the Yan family and their official experiences. Yan Zhenqing's Three Manuscript was one of Yan Zhenqing's masterpieces in cursive script. It had the same distinctive style as the Sacrifice to Nephew Manuscript. The Pagoda Stele was one of Yan Zhenqing's early representative works, which showed his rich, vigorous, beautiful, and calm writing style. In general, Yan Zhenqing's calligraphy works had outstanding performance in both the fields of regular script and cursive.

Yan Zhenqing's representative works of calligraphy included "Pagoda Stele,""Yan Qinli Stele,""Yan Family Temple Stele," and "Magu Immortal Altar Record."

Yan Zhenqing had many representative works, including Yan Qinli Stele, Manuscript of Sacrifice to Nephew, Pagoda Stele, Records of Magu Immortal Altar, Ode to Resurgence, etc. These works displayed Yan Zhenqing's unique calligraphy style and techniques, such as horizontal fine and vertical thick, thin and thick, left fine and thick right, etc. His regular script works focused on strength and movement, and the font was full and powerful. Yan Zhenqing's calligraphy works had the characteristics of outward expansion structure and upward center of gravity, giving people a sense of magnificence. His works were widely praised in the calligraphy world and were hailed as one of the representatives of regular script.

Yan Zhenqing's famous masterpieces include Duobao Pagoda Stele, Persuade Learning, Yan Qinli Stele, Sacrifice Nephew Manuscript, Yan Family Temple Stele, etc.

Yan Zhenqing's representative work of cursive calligraphy was "Fighting for a Seat." This draft letter was written by Yan Zhenqing in November of the second year of Zong Guangde in the Tang Dynasty (764 AD). It was his work to express his loyalty as a subject. Although the original copy had been lost, this post was widely loved by scholars in the past dynasties and was called "the second semi-cursive script in the world" by later generations of calligraphy circles.

Yan Zhenqing's representative works include "Pagoda Stele,""Magu Immortal Altar Record,""Yan Qinli Stele,""Self-written Body Sticker,""Sacrifice Nephew Manuscript,""Fighting for Seat Sticker" and "General Pei's Poetry." Liu Gongquan's representative works included the Mysterious Secret Pagoda Stele, the Divine War Stele, and the Diamond Sutra.

Yan Zhenqing's most famous masterpiece was the " Pagoda Stele ".

Yan Zhenqing's calligraphy works had the following characteristics: First, it was magnificent. His works gave people a solemn and vigorous feeling. Through the strong and powerful strokes, vigorous layout and rich ink color, it created a strong visual impact. The second was the beautiful and elegant shape. Yan Zhenqing paid attention to the smoothness and beauty of the shape. He was good at using the basic strokes to skillfully combine them together to form a harmonious and varied form, making his works appear elegant and elegant. The third was the vigorous and powerful style of the strokes. Every stroke of Yan Zhenqing's calligraphy was full of strength and perfect. His works also had outstanding emotions and spirituality. The thoughts in his writing were natural and strange, expounding a lot of life insights, and the realm of his thoughts was grand and open. In general, Yan Zhenqing's works displayed unique artistic features in terms of momentum, beauty of shape, and strokes.

Yan Zhenqing's regular script copybook referred to Yan Zhenqing's collection of regular script works, which included works such as the Pagoda Stele. These copybooks were based on Yan Zhenqing's regular script style for reference and practice by those who learned and appreciated calligraphy. Yan Zhenqing was a famous calligrapher in the Tang Dynasty. His regular script works were famous for their rich and beautiful strokes, smooth and steady, rigorous and dense, stable and symmetrical. Yan Zhenqing's regular script copybook had an important reference value for learning and studying calligraphy.

Yan Zhenqing's works include Yan Qinli Stele, Yan Zhenqing's Handwritten Letter, Yan Qinli Stele Afterword, Ode to the Resurgence of the Tang Dynasty, Wuxing Collection, Luzhou Collection, Linchuan Collection, Magu Immortal Altar Record, Sacrifice to Nephew Manuscript, Scramble for Seat, Liu Zhong's Envoy Post, Self-Writing Post, Yan Family Temple Stele, Guo Xuji Epitaph, Wang Lin Epitaph, etc.