Yan Zhenqing's Diligence Monument Collection

One of Yan Zhenqing's most famous works was Yan Qinli Stele. This inscription was the tombstone that Yan Zhenqing had erected for his great-grandfather, Yan Qinli. Its full name was 'The Divine Monument of Yan Jun, the Protector Army in the Thin History of Kuizhou Dudu Mansion, the Former Secretary of Tang Dynasty'. It was Yan Zhenqing's representative work in his later years, showing the aesthetic fashion of the prosperous Tang Dynasty. Yan Qinli Stele was dignified, wide and smooth, with a strong momentum. The skeleton was wide, square and outward, and the horizontal and vertical strokes were very clear. The strokes of the circle and turn were clear. This stele emphasized laws and regulations, and it had the aura of the Great Tang. It was one of Yan Zhenqing's masterpieces during his mature period of calligraphy. It displayed his unique writing style and structural design. "Yan Qinli Stele" is now in Xi'an Stele Forest Museum.

Yan Zhenqing's " Qin Li Bei " was a collection of 16 ancient poems. This stele was written by Yan Zhenqing for his great-grandfather, Yan Qinli. It recorded the lineage of the Yan family and Yan Qinli's life story. "Diligence Stele" showed the mature style of Yan Zhenqing's regular script. Its writing style was vigorous, dignified and elegant, and the font structure was rigorous yet flexible. Yan Zhenqing was good at using techniques such as lifting, pressing, and stopping to make the strokes and lines show rich changes, both powerful and rhythmic. In addition, he also paid attention to the resonance and contrast between the words, making the whole work unified without losing the change, full of vivid charm. The Diligence Stele was one of Yan Zhenqing's representative works in his later years and had a profound influence on calligraphy in later generations.

Yan Zhenqing's Diligence Stele was one of his representative works, and it was also one of his ancient poetry collections. This ancient poetry collection contained some of Yan Zhenqing's ancient poems, showing his praise for the ancients 'diligent learning and his promotion of the spirit of Great Harmony. These ancient poems depicted the filial piety of some characters and the depth of their studies, as well as the tranquility and order of their time on the move. Yan Zhenqing's calligraphy works were famous for their vigorous and powerful strokes and majestic momentum. His Diligence Stele was also one of his calligraphy works that could convey the original form and spirit. This ancient poetry collection was highly respected in the calligraphy teaching world. According to the information provided, we can conclude that Yan Zhenqing's diligent stele is a collection of ancient poems among his calligraphy works.

Yan Zhenqing's 'Yan Qinli Stele' was a Shinto Stele he erected for his great-grandfather, Yan Qinli. It was one of his representative works in his later years. This monument was erected in the 14th year of the Tang Dynasty (779) and is now in the Forest of Steles Museum in Xi'an. The stele was 175 cm tall, 90 cm wide, and 22 cm thick. It was surrounded by carvings on all four sides. There were a total of 19 lines of positive inscriptions and 20 lines of negative inscriptions. Each line had 38 words, and there was a side engraved on both sides. Yan Zhenqing used the horizontal and thick strokes in the "Yan Qin Li Stele", combined with the square technique, showing his calligraphy style. This monument was dignified and open-minded, relaxed and cheerful, combined with movement and stillness, clever and clumsy, graceful and generous, and had the atmosphere of the prosperous Tang Dynasty. Yan Qinli Stele was Yan Zhenqing's masterpiece when his calligraphy was mature. It was also one of the models for learning Yan Style.

The full text of Yan Zhenqing's Diligence Stele could not be obtained from the search results provided.

Yan Zhenqing's Stele of Diligence, the full name of the stele was "The Shinto Stele of Yan Jun, the Chief Historian of Kuizhou Dudu Mansion, the Former Secretary of the Tang Dynasty." It was the Shinto Stele that Yan Zhenqing wrote for his great-grandfather Yan Qinli. It was the representative work of Yan Zhenqing's regular script in his later years. This stele was erected in the 14th year of the Tang Dynasty (779) and was unearthed in Xi'an, Shaanxi Province in October of the 11th year of the Republic of China (1922). It is now in the Xi'an Forest of Steles Museum. Yan Qinli Stele was engraved on all four sides. There were 19 lines on the positive side of the stele, 20 lines on the negative side of the stele, 38 words per line, and 5 lines on the side of the stele, 37 words per line. The inscription traced the merits of Yan's ancestors and described the achievements of future generations in the Tang Dynasty. The brush strokes are horizontal, thin and vertical, covering the head and protecting the tail, and using both square and round strokes; the body is dignified and generous, wide and stretched, and there is a skill in the clumsy; the breath is strong and vigorous, and the vitality is vigorous, representing the aesthetic fashion of the prosperous Tang Dynasty.

Yan Zhenqing's 'Diligence Stele' mainly recorded the lineage of the Yan family and Yan Qinli's life story. The inscription recounted the merits of the Yan family's ancestors and the achievements of their descendants in the Tang Dynasty.

Yan Qinli Stele was a Divine Monument that Yan Zhenqing had erected for his great-grandfather Yan Qinli. The full name was Yan Zhenqing's Divine Monument. This monument was erected in the 14th year of the Tang Dynasty (779) and is now in the Forest of Steles Museum in Xi'an. The inscription recounted the merits of the Yan family's ancestors and the achievements of their descendants in the Tang Dynasty. There were 1667 words on the inscription, and there were three sides left. Yan Zhenqing's calligraphy style was fully displayed in the "Yan Qinli Stele". The strokes were thin and thick, the style was dignified and generous, and the aura was strong and strong, representing the aesthetic fashion of the Tang Dynasty. However, the full text and translation of Yan Qinli Stele were not available at the moment.

Yan Zhenqing's works include Yan Qinli Stele, Yan Zhenqing's Handwritten Letter, Yan Qinli Stele Afterword, Ode to the Resurgence of the Tang Dynasty, Wuxing Collection, Luzhou Collection, Linchuan Collection, Magu Immortal Altar Record, Sacrifice to Nephew Manuscript, Scramble for Seat, Liu Zhong's Envoy Post, Self-Writing Post, Yan Family Temple Stele, Guo Xuji Epitaph, Wang Lin Epitaph, etc.

Yan Zhenqing had a lot of copybooks, some of which were famous, including Zhushan Hall Couplet Poetry Calligraphy, Gongshen Calligraphy, Sacrifice Nephew Manuscript, Liu Zhong Envoy Calligraphy, Huzhou Calligraphy, etc. These copybooks showed the style and skills of Yan Zhenqing's regular script and cursive script. Yan Zhenqing's handwriting was graceful and magnanimous. In the early days, he used a square pen, but in the later days, he changed to a round pen. The font was mostly surrounded, tight on the outside and loose on the inside. His regular script was masculine, showing his talent and representing the prosperity of the Tang Dynasty. Yan Zhenqing's copybook was a precious resource for calligraphy lovers to learn and appreciate.