What are Yan Zhenqing's late representative works?

Yan Zhenqing's representative works include Begging for Imperial Books, Setting Free Pond Stele Table, Xianyu's Lidui Record, Guo Family Temple Stele, Duo Pagoda Stele, Dongfang Shuo Painting Praise Stele, Sacrifice Nephew Manuscript, Liu Zhong's Envoy Post, Fighting for Seat Post, Magu Immortal Altar Record, Yan Qin Li Stele, etc.

Yan Zhenqing had many representative works, some of which were more famous, including "Sacrifice to Nephew Manuscript","Pagoda Stele","Persuade to Learn","Yan Qinli Stele","Yan Family Temple Stele" and so on. These works displayed Yan Zhenqing's unique calligraphy style, which was dignified, vigorous, and heavy. Later generations praised him as the founder of the Yan Style. The Manuscript of Sacrifice to Nephew was a funeral oration written by Yan Zhenqing in memory of his nephew Yan Zhitui. It was praised as the second running script in the world. The Pagoda Stele was Yan Zhenqing's early masterpiece, showing his calligraphy attainments and artistic talent. 'Persuade to Learn' was a seven-character ancient poem written by Yan Zhenqing, and it was also one of his representative works. Yan Qinli Stele was a Shinto Stele that Yan Zhenqing wrote for his great-grandfather Yan Qinli. It was one of his representative works in his later years. These works not only had high artistic value, but also demonstrated Yan Zhenqing's talent and love for calligraphy.

Yan Zhenqing's representative works include "Sacrificial Nephew Manuscript,""Pagoda Stele,""Persuade to Study Poetry,""Yan Qinli Stele,""Begging for Imperial Letter to Set Free Pond Stele Table,""Xianyu's Record of Leaving the Dui,""Guo Family Temple Stele,""Self-written Letter to Tell the Body,""Scrambling for a Seat,""Magu Immortal Altar Record," and so on.

Yan Zhenqing's representative works include "Sacrifice to Nephew Manuscript,""Pagoda Stele,""Yan Qinli Stele,""Self-written Invitation,""Magu Immortal Altar Record," etc.

Yan Zhenqing's representative works were "Sacrificial Nephew Manuscript" and "Pagoda Stele." " Sacrifice to Nephew Manuscript " was Yan Zhenqing's representative work of cursive writing. It was known as " the second cursive writing in the world ". It showed the characteristics of his writing, his emotional expression, and his vigorous writing style. " Pagoda Stele " was Yan Zhenqing's early masterpiece. It had a respectful and sincere style and combined the characteristics of many calligraphers. Yan Zhenqing's calligraphy style was firm and vigorous. The structure of his words was firm, upright, and stable. At the same time, it showed his emotional and mental state. It had a natural, vigorous, and vigorous style.

One of Yan Zhenqing's representative works was the Manuscript of Sacrifice to His Nephew.

One of Yan Zhenqing's representative works was Magu Fairy Altar.

One of Yan Zhenqing's representative works was Yan Qinli Stele.

Yan Zhenqing's representative works include "Sacrificial Nephew Manuscript,""Pagoda Stele,""Yan Qinli Stele,""Li Xuanjing Stele,""Magu Immortal Altar Record," etc. His writing style was elegant and dignified, and his strokes were vigorous and powerful. He was good at using the center stroke. The knot word changed from the thin and long in the early Tang Dynasty to a square, with a circle in the square, which had a centrifugal force. His cursive calligraphy was vigorous and powerful, revealing his true feelings. The structure was calm, and the stippling was flying, showing the atmosphere of the prosperous Tang Dynasty. Yan Zhenqing's calligraphy was known as the " Second Running Script in the World ", and it was a perfect example of the combination of calligraphy and personality.

Yan Zhenqing's representative works include "Sacrificial Nephew Manuscript,""Pagoda Stele,""Magu Immortal Altar Record,""Yan Qinli Stele," etc. His writing style had changed at different stages. His early works were influenced by the regular script of the early Tang Dynasty, so the style was tight and he had not formed his own style as a whole. Later works such as Magu Fairy Altar showed Yan Zhenqing's unique style, which was upright and steady, vigorous and ancient, creating a precedent for the conversion of seal script into regular script. In his later years, his calligraphy style alternated between two styles. One was square, broad, clumsy, and vigorous, while the other was dignified, broad, and sparse. These representative works demonstrated Yan Zhenqing's innovation and maturity in the art of calligraphy.