Yan Zhenqing's Multi-Pagoda Stele

He could find the video of Yan Zhenqing's 'Multi-Pagoda Stele.' In the search results, there were many video tutorial and public lessons to learn Yan Zhenqing's multi-pagoda stele calligraphy. For example, there was a video tutorial with a total of 235 videos on the comprehensive analysis of Yan Style regular script. Each video was 10 minutes long, which was equivalent to 40 hours of professional calligraphy class. There was also a set of 100 videos of copying lessons, where one could learn the copying skills of Yan Zhenqing's multi-pagoda stele. In addition, there were other video tutorial and public classes that could provide more knowledge about Yan Zhenqing's calligraphy.

Yan Zhenqing's multi-pagoda stele in simplified Chinese can be downloaded and viewed online for free on the font world website. This stele was one of Yan Zhenqing's early representative works. The writing was respectful and sincere, the font structure was strict, the strokes were round, dignified and beautiful, giving people a feeling of movement in silence, floating like an immortal. The characteristic of the pagoda stele was that the font was neat and meticulous, and the strokes were meticulous. Therefore, it became one of the models for future generations to learn regular script.

The electronic version of Yan Zhenqing's multi-pagoda stele copybook could be obtained through many ways. On the website that provided online copybook generation services, one could find the online generation tool for Yan Zhenqing's Pagoda Stele. By using this tool, one could create an electronic version of Yan Zhenqing's Pagoda Stele copybook. In addition, the electronic version of Yan Zhenqing's multi-pagoda stele could also be found on some e-book platforms. For example, the essence series of Chinese steles published by Zhonghua Bookstore included it. In addition, there were some high-definition electronic copybooks made by calligraphy enthusiasts that could be downloaded or printed. In short, the electronic version of Yan Zhenqing's multi-pagoda stele was relatively easy to obtain. It could be obtained through online generation tools, e-book platforms, or resources shared by calligraphy enthusiasts.

Yan Zhenqing's " Pagoda Stele " was a model for the introductory teaching of calligraphy. This tutorial was based on Yan Zhenqing's work and explained the basic strokes and components of regular script in detail. The tutorial used the trajectory of the brush to match the painting, and through the illustration method, the calligraphy teaching was more intuitive and clear. The tutorial also included theoretical and creative guidance on the layout, rules, and methods of signing. In addition, the tutorial also provided practice on the word 'Fan' for the students to practice and create reference. This tutorial was recommended by the Ministry of Education and was considered one of the best models for learning Yan calligraphy.

Yan Zhenqing's Duobao Pagoda Stele had the following characteristics: First, it was square and well-proportioned. Most of the characters tended to be square, and the strokes of the characters were evenly spaced. Second, the horizontal painting is thinner than the vertical painting. Third, the left is thin and the right is thick. When two vertical lines appear side by side, the vertical line on the left is smaller. Fourth, breaking the convention and creating some unconventional writing methods. The structure of this stele was tight, the dots were round, beautiful and strong. It was Yan Zhenqing's early work, showing his knowledge and superb calligraphy skills. This monument had extremely high artistic value, giving people a lively, dignified and beautiful artistic enjoyment.

The original text of Yan Zhenqing's "Multi-Pagoda Stele" was as follows: Chao Yi Lang, sentenced to Shangshu, Wu Department Yuanwailang, Lang Yan Zhenqing's letter. Chaosan doctor, inspection minister, all official doctor, Donghai Xu Hao title. Yue County,"Miao Fa Lotus Flower," is the secret treasure of all Buddhas. The pagoda with many treasures is the manifestation of the scriptures. Creation depends on ten strengths, and grand construction depends on four aspects. There is a Zen master named Chu Jin, surnamed Cheng, Guangping people. His grandfather and father believed in Buddhism and celebrated the return of the Fa Yin. His mother, Gao, was not pregnant for a long time. At night, she dreamed of Buddhas and woke up pregnant. This is the sign of a dragon and an elephant, but there is no sign of a bear. The moon is bright and bright. He is not a child, nor a child. Please note that the above is the original text of Yan Zhenqing's "Pagoda Stele".

Yan Zhenqing's pagoda stele was written in regular script.

Yan Zhenqing's multi-pagoda stele could be read as 'multi-pagoda stele'.

Yan Zhenqing's 'Pagoda Stele' was an inscription that recorded the creation of the pagoda by Chu Jin, the Zen Master of Longxing Temple in Xijing. When Zen Master Chu Jin was reading the Lotus Sutra, he seemed to see the pagoda appear in front of him. He was determined to turn this illusion into reality. Therefore, in the first year of Tianbao, Thousand Blessings Temple was selected to be built. Four years later, the pagoda was finally completed. Every year, he would write the Lotus Sutra and Bodhisattva precepts for the emperor and the common people in Thousand Blessings Temple. This had a special significance in the history of Buddhism. Yan Zhenqing's " Pagoda Stele " was one of his famous works in his early years. His writing was respectful and sincere. His style was influenced by the two kings, Ou, Yu, Chu, and other senior calligraphers. At the same time, it also absorbed the nutrition of folk calligraphy art. The entire inscription was well-structured, and there were black silk bars between the lines of the words. The dots were round and neat, dignified and beautiful, giving people a feeling of stillness and movement, floating like an immortal. Although the Pagoda Stele was not Yan Zhenqing's representative work during his mature period and was completely different from his later works, it was the first piece of Yan Shu and the first step to Yan Kai's success. Therefore, people who learned the Yan Style often started from this stele.

Yan Zhenqing's regular script copybook, Duobao Pagoda Stele, was a regular script work created by Yan Zhenqing in the Tang Dynasty. The full name was the " Tang Dynasty Xijing Qianfu Temple Multi-Treasure Pagoda Induction Stele." It was written by the literati Cen Xun, the calligrapher Yan Zhenqing, and the stele engraved by Shi Hua. This copybook is now preserved in the second room of the Forest of Steles in Xi'an. The Pagoda Stele had 34 lines and 66 words per line. It mainly recorded the reason why Chu Jin, the Zen Master of Longxing Temple in Xijing, built the pagoda and the process of its construction. Yan Zhenqing's regular script works were rich and beautiful, smooth and steady, with a strong contrast between horizontal and vertical strokes. This copybook was one of Yan Zhenqing's early representative works, and it was also one of the important models for learning Yan Style regular script.