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The representative works and characteristics of the four masters of regular script

2024-12-29 09:38
1 answer

The representative works and characteristics of the four masters of regular script were as follows: 1. Ouyang Xun: His representative works include "Jiucheng Palace Liquan Inscription" and "Huadu Temple Stele" and so on. His specialty was that he was able to draw with both square and round strokes. His strokes were strong and condensed. His regular script was both steep and neat. It was steady in the side and loose in the compact. 2. Yan Zhenqing: His representative works include Yan Qinli Stele. His characteristic was that his regular script was dignified and majestic. His knots were in the middle of the square, and the strokes were well-proportioned. Some of the knots would tilt slightly to the left, and the arrangement of the patterns depended on the size of the font and the size of the font. It looked well-arranged. 3. [Liu Gongquan: His representative works include the Mysterious Secret Tower Stele and the God's Will Army Stele.] His characteristics were his rigorous composition, exquisite brush strokes, and upright strokes. His handwriting was strong and firm, giving people a feeling of iron and steel. 4. Zhao Mengfu's representative works include the Three Gates of Rebuilding Xuanmiao Temple. His characteristic was that his regular script was round and delicate, upright and rigorous, without losing the elegance and grace of his running script. His regular script was called "Zhao Style" by the world. Please note that the above answers are based on the search results provided and may not contain all relevant information.

Four Split Personalities

Four Split Personalities

Battling an unusual form of personality dissociation, Motan admits to feeling the weight of immense pressure bearing down on him. Amidst this turmoil, he finds solace in a virtual escape called "The Realm of Innocence," a game that has become his sanctuary from stress. In the realm where ambiguity reigns, Motan's behavior is unpredictable and impetuous, making him the instigator and mastermind behind myriad events that spiral out of control. Yet, within the sphere of virtue, his resilience and courage shine through, earning him the admiration of many who see him as the epitome of a righteous knight and a fair judge. When dwelling in the balance of absolute neutrality, he adopts a demeanor of modesty and lethargy, mirroring the ordinary essence of every soul. Conversely, in the domain of chaotic evil, he transforms into a figure of madness and cruelty, embodying the very essence of a demon and deceiver, showing kindness only to himself. "Tan Mo is the most extraordinary Bard I have ever encountered, though he is... perplexing, to say the least," comments Countess Leisha, reflecting on his complex nature. "Mor is a man of distinguished integrity! Having met him just once, I am convinced that he is someone one can confidently turn their back to," declares Gwen, the leader of the Rose Rot, acknowledging his noble character. "If you're in search of the ideal neighbor, look no further than Hei Fan," recommends Alchemist Luna, suggesting his suitability for companionship. Yet, amidst these varied testimonies, a warning resonates, "Don't talk about that man!" indicating a mysterious, perhaps darker aspect of his persona that remains unexplored.
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999 Chs
The Rich Young Lady Destroyed Her Dream Girl Script

The Rich Young Lady Destroyed Her Dream Girl Script

Yan Xi was the eldest young lady of the Yan family, the head of Beiqiao City’s top four aristocratic families. Despite her astonishing talents, she was sick and destined to die young. She was an unattainable dream girl for many. She had a dream one day and dreamt that she was in a novel. In the novel, her father adopted a girl named Chen Xiangxiang who looked just like her to alleviate his pain of losing his wife, and soon his daughter. The girl was as docile as a deer and spending time with her was very therapeutic, which made her all the more lovable. This girl became her substitute, and after a series of heart-wrenching incidents, everyone —ranging from her father and her brother to her fiance and her friends— doted on this girl. Meanwhile, Yan Xi fought against the girl in every aspect, and she eventually became the evil second female lead. In the end, she was despised and hated by everyone. After having sulfuric acid splashed onto her face and ended up disfigured, she jumped from a building and fell to her death. After her death, she left a large inheritance which was inherited by the girl. Yan Xi, who used to not care about dying because she regretted not being able to save her mother, did not want to die anymore. She destroyed her dream girl script and decided to stay away from the lunatics around her. At the same time, she decided to live her life well with the intent of stopping anyone who lays their eyes on her assets while she reveals her hidden identities, one by one, and destroys the trash she encounters. During the process, she happened to protect a good-looking young man who was cold and upright. Turns out, he's a big boss with many hidden identities too?
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563 Chs

The representative works of the four masters of regular script

1 answer
2024-12-26 01:00

The representative works of the four masters of regular script were Ouyang Xun's " Nine-percent Palace Liquan Inscription ", Yan Zhenqing's " Yan Qinli Stele "," Yan Family Temple Stele "," Pagoda Stele ", and " Magu Immortal Altar Record ", Liu Gongquan's " Mysterious Secret Pagoda Stele " and " God's Will Army Stele ", and Zhao Mengfu's " Three Gates Record of Xuanmiao Temple Rebuilding ".

Who are the four representative works of the four masters of regular script?

1 answer
2024-12-24 08:23

The four masters of regular script were Ouyang Xun, Yan Zhenqing, Liu Gongquan of the Tang Dynasty and Zhao Mengfu of the Yuan Dynasty. Their representative works were Ouyang Xun's " Ninety percent Palace Liquan Inscription ", Yan Zhenqing's " Multi-Pagoda Stele ", Liu Gongquan's " Mysterious Secret Pagoda Stele " and " God's Will Army Stele ", and Zhao Mengfu's " Three Records of Rebuilding Xuanmiao Temple ".

The representative work of Ouyang Xun, the four masters of regular script

1 answer
2024-12-27 03:46

Ouyang Xun's representative works include "Jiucheng Palace Liquan Inscription,""Huangfu's Birthday Stele,""Huadu Temple Stele,""Zhongni Dream Litie,""Running Script Thousand Words," etc.

Who are the four masters of regular script?

1 answer
2024-12-29 19:17

The four masters of regular script referred to Ouyang Xun, Yan Zhenqing, Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty.

Who are the four masters of regular script?

1 answer
2024-12-26 00:29

The four masters of regular script were Ouyang Xun of the early Tang Dynasty, Yan Zhenqing of the prosperous Tang Dynasty, Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty.

Who are the four masters of regular script and their dynasties?

1 answer
2024-12-30 05:06

The four masters of regular script referred to Ouyang Xun, Yan Zhenqing, Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty.

The Four Masters of Regular Script in Ancient China

1 answer
2024-12-26 03:00

The four masters of regular script in ancient China were Ouyang Xun, Yan Zhenqing, Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty. Their regular script works had an important position in the history of calligraphy and had a great influence on later calligraphers. Ouyang Xun's regular script was famous for its steepness and unique structure, and was called the "European Style". Yan Zhenqing was the most accomplished and influential calligrapher after the two kings. He created the "Yan Style" regular script, which had a unique style. Liu Gongquan's regular script was known for its strength and strength, and was known as the " Liu Style ". Zhao Mengfu was a calligrapher of the Yuan Dynasty. His regular script works also had a unique style. The works of these four calligraphers all had their own characteristics and styles. For beginners, they could choose to learn one of the works according to their personal preferences.

Who are the four masters of regular script? Zhao Mengfu

1 answer
2024-12-26 05:03

The four masters of regular script were Ouyang Xun, Yan Zhenqing, Liu Gongquan, and Zhao Mengfu.

2 representative works of official script and 2 representative works of seal script, characteristics and differences

1 answer
2024-09-13 01:05

Both official script and seal script were representative works of the writing style of Chinese characters. Official script was mainly popular in the Han Dynasty. It was the official document and calligraphy form of the Han Dynasty. The representative figures of the Han Dynasty calligrapher Cao Quanbei, Shimen Song, etc. The characteristic of official script was that the strokes were beautiful, graceful, and smooth. The writing style was beautiful, and the form was beautiful. It was mostly used for letters, regulations, inscriptions, and so on. Seal script was mainly popular in the Qin Dynasty and the Western Han Dynasty. It was the writing form of seals and currency. The representative figures were Li Si, Zhao Gao, Deng Ai, etc. The characteristic of seal script was that the strokes were square, hard, standard, and neat. It was mostly used for seals, stone inscriptions, history books, and so on. The main differences between official script and seal script were in writing style, stroke form, and writing tools. The elegant strokes of official script, smooth and beautiful in shape, were mostly used for letters, regulations, inscriptions, etc., while seal script, with its square and hard strokes, was mostly used for seals, inscriptions, history books, etc. In addition, the writing tools of official script and seal script were also different. Official script was usually written with a brush, while seal script was written with a pen or ballpoint pen.

Who are the four masters of Liu Zongyuan's regular script?

1 answer
2024-12-29 07:14

Liu Zongyuan was not one of the four masters of regular script. The four masters of regular script were Ouyang Xun, Yan Zhenqing, and Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty.

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