The representative works and characteristics of the four masters of regular script were as follows: 1. Ouyang Xun: His representative works include "Jiucheng Palace Liquan Inscription" and "Huadu Temple Stele" and so on. His specialty was that he was able to draw with both square and round strokes. His strokes were strong and condensed. His regular script was both steep and neat. It was steady in the side and loose in the compact. 2. Yan Zhenqing: His representative works include Yan Qinli Stele. His characteristic was that his regular script was dignified and majestic. His knots were in the middle of the square, and the strokes were well-proportioned. Some of the knots would tilt slightly to the left, and the arrangement of the patterns depended on the size of the font and the size of the font. It looked well-arranged. 3. [Liu Gongquan: His representative works include the Mysterious Secret Tower Stele and the God's Will Army Stele.] His characteristics were his rigorous composition, exquisite brush strokes, and upright strokes. His handwriting was strong and firm, giving people a feeling of iron and steel. 4. Zhao Mengfu's representative works include the Three Gates of Rebuilding Xuanmiao Temple. His characteristic was that his regular script was round and delicate, upright and rigorous, without losing the elegance and grace of his running script. His regular script was called "Zhao Style" by the world. Please note that the above answers are based on the search results provided and may not contain all relevant information.
The representative works of the four masters of regular script were Ouyang Xun's " Nine-percent Palace Liquan Inscription ", Yan Zhenqing's " Yan Qinli Stele "," Yan Family Temple Stele "," Pagoda Stele ", and " Magu Immortal Altar Record ", Liu Gongquan's " Mysterious Secret Pagoda Stele " and " God's Will Army Stele ", and Zhao Mengfu's " Three Gates Record of Xuanmiao Temple Rebuilding ".
The four masters of regular script were Ouyang Xun, Yan Zhenqing, Liu Gongquan of the Tang Dynasty and Zhao Mengfu of the Yuan Dynasty. Their representative works were Ouyang Xun's " Ninety percent Palace Liquan Inscription ", Yan Zhenqing's " Multi-Pagoda Stele ", Liu Gongquan's " Mysterious Secret Pagoda Stele " and " God's Will Army Stele ", and Zhao Mengfu's " Three Records of Rebuilding Xuanmiao Temple ".
Ouyang Xun's representative works include "Jiucheng Palace Liquan Inscription,""Huangfu's Birthday Stele,""Huadu Temple Stele,""Zhongni Dream Litie,""Running Script Thousand Words," etc.
The four masters of regular script referred to Ouyang Xun, Yan Zhenqing, Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty.
The four masters of regular script were Ouyang Xun of the early Tang Dynasty, Yan Zhenqing of the prosperous Tang Dynasty, Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty.
The four masters of regular script referred to Ouyang Xun, Yan Zhenqing, Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty.
The four masters of regular script in ancient China were Ouyang Xun, Yan Zhenqing, Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty. Their regular script works had an important position in the history of calligraphy and had a great influence on later calligraphers. Ouyang Xun's regular script was famous for its steepness and unique structure, and was called the "European Style". Yan Zhenqing was the most accomplished and influential calligrapher after the two kings. He created the "Yan Style" regular script, which had a unique style. Liu Gongquan's regular script was known for its strength and strength, and was known as the " Liu Style ". Zhao Mengfu was a calligrapher of the Yuan Dynasty. His regular script works also had a unique style. The works of these four calligraphers all had their own characteristics and styles. For beginners, they could choose to learn one of the works according to their personal preferences.
The four masters of regular script were Ouyang Xun, Yan Zhenqing, Liu Gongquan, and Zhao Mengfu.
Both official script and seal script were representative works of the writing style of Chinese characters. Official script was mainly popular in the Han Dynasty. It was the official document and calligraphy form of the Han Dynasty. The representative figures of the Han Dynasty calligrapher Cao Quanbei, Shimen Song, etc. The characteristic of official script was that the strokes were beautiful, graceful, and smooth. The writing style was beautiful, and the form was beautiful. It was mostly used for letters, regulations, inscriptions, and so on. Seal script was mainly popular in the Qin Dynasty and the Western Han Dynasty. It was the writing form of seals and currency. The representative figures were Li Si, Zhao Gao, Deng Ai, etc. The characteristic of seal script was that the strokes were square, hard, standard, and neat. It was mostly used for seals, stone inscriptions, history books, and so on. The main differences between official script and seal script were in writing style, stroke form, and writing tools. The elegant strokes of official script, smooth and beautiful in shape, were mostly used for letters, regulations, inscriptions, etc., while seal script, with its square and hard strokes, was mostly used for seals, inscriptions, history books, etc. In addition, the writing tools of official script and seal script were also different. Official script was usually written with a brush, while seal script was written with a pen or ballpoint pen.
Liu Zongyuan was not one of the four masters of regular script. The four masters of regular script were Ouyang Xun, Yan Zhenqing, and Liu Gongquan of the Tang Dynasty, and Zhao Mengfu of the Yuan Dynasty.