The plot of the 32nd episode of the Tang Dynasty's Di Gong case was that the snow had not stopped for several days. Since Di Renjie came out of the underground palace, he had been in a coma. Cao An suspected that Di Renjie was influenced by the altar and suggested leaving the library overnight. Li Miao arranged for the disciples to carry Di Renjie onto the carriage while Cao An drove alone. Di Renjie saw Cao An leave in his dream. When he woke up, he saw Ma Rong and Qiao Tai, but Cao An was nowhere to be seen. There was only a note that said," The car has been broken. I'm going to look for someone." Di Renjie felt that something was wrong and suspected that Cao An was in danger. Sure enough, the crazy old woman in the inn recognized the wooden sword that Cao An had picked up. She became extremely agitated and shouted the name of her grandson, Wei Xiaobao, to attract Di Renjie's attention. Cao An had once seen records of sacrificing children in the sheepskin book. Di Renjie looked up and found that there was a strange phenomenon in the sky. He immediately returned to the Cloud Library with Ma Rong and Qiao Tai. At this moment, the library was unusually quiet. The three of them hid in a corner of the main hall and watched as a group of disciples dressed in black robes entered the underground palace. Di Renjie followed behind them.
The plot of the 32nd episode of the Tang Dynasty's Di Gong case was that the snow had not stopped for several days. Since Di Renjie came out of the underground palace, he had been in a coma. Cao An suspected that Di Renjie was influenced by the altar and suggested leaving the library overnight. Li Miao arranged for the disciples to carry Di Renjie onto the carriage while Cao An drove alone. Di Renjie saw Cao An leave in his dream. When he woke up, he saw Ma Rong and Qiao Tai, but Cao An was nowhere to be seen. There was only a note that said," The car has been broken. I'm going to look for someone." Di Renjie felt that something was wrong and suspected that Cao An was in danger. Sure enough, the crazy old woman in the inn recognized the wooden sword that Cao An had picked up. She became extremely agitated and shouted the name of her grandson, Wei Xiaobao, to attract Di Renjie's attention. Cao An had once seen records of sacrificing children in the sheepskin book. Di Renjie looked up and found that there was a strange phenomenon in the sky. He immediately returned to the Cloud Library with Ma Rong and Qiao Tai. At this moment, the library was unusually quiet. The three of them hid in a corner of the main hall and watched as a group of disciples dressed in black robes entered the underground palace. Di Renjie followed behind them.
Di Renjie still had a high fever, his consciousness was blurry, and he kept mumbling "Brother". Therefore, Cao An asked Li Miao to brew two more batches of medicine. However, as soon as Li Miao left, a gust of wind blew open the door and scattered the old books that filled the room. One of the picture albums with pictures of ghosts and monsters caught Cao An's attention. She recalled that Li Miao had once described Zhou Li claiming to have opened his heavenly eye when he was alive, and that he could see undeserved disasters and ghosts who died in vain. As Cao An flipped through the album, she felt as if there were eyes staring at her from all around, and a chill ran down her spine. Suddenly, the door opened slightly. The sandalwood that Di Renjie had entrusted Li Miao to pass to Cui Haoran appeared out of thin air. Cao An relied on his memories to search for the treasure. He was almost discovered by the disciples in the palace and rushed into the hidden underground palace in a panic. The underground palace's long corridor was winding. Cao An followed the candlelight to the end and pushed open the stone door. In front of him was a huge palace. In front of them were all kinds of divine Buddha statues, and opposite them was an altar used for sacrifice. Just as Cao An was feeling puzzled, Li Miao suddenly appeared and explained the whole situation to her.
The specific content of each episode's plot introduction could not be found from the search results provided.
"Da Tang Di Gong Case" was a Chinese TV series directed by Li Yunliang in 2022. It was adapted from the novel of the same name by the Dutch writer, Gulik van Gulik. The play unfolded in the form of a unit drama, telling the story of Di Renjie's legendary experience of being an official and getting rid of evil with the people. Qiu Yue in the movie was not the murderer, but was taken hostage by Cishi Li because he thought that she had killed his son. The drama was first broadcasted on CCTV-8 on February 6, 2022, and it was broadcasted exclusively on Youku. The production team of the series meticulously produced it, striving to highlight the value of IP, broaden the boundaries of suspense, and show the bright era of Glory.
After the broadcast of " Da Tang Di Gong Case," Zhou Yiwei's character, Di Renjie, became the focus of the audience's criticism. Some of the audience felt that Zhou Yiwei's acting skills were too forceful and lacked delicate expression. The act was too big and could not be taken back. His performance also troubled the other actors. However, there were also some audience members who had a positive evaluation of Zhou Yiwei's performance, thinking that his love story with Lady Cao was sincere and moving. Overall, the reputation of " The Case of Di Gong of the Great Tang " was divided. The audience was controversial about Zhou Yiwei's acting skills.
You can read the novel " Da Tang Di Gong Case " online on Qidian Chinese Network, which includes the plot of the case of the desert chase.
The Great Tang Di Gong's Case was a storytelling work. It described the legendary experience of the prime minister of the Tang Dynasty, Di Renjie, who was an official in the state, county, and the capital. This book contained a total of 23 stories, including 'The Opening Wedge of Di Gongan,''The Mist of Morning Clouds of Di Gongan,''The White Lady of Di Gongan,' and so on. The great storyteller, Mr. Zang Rude, had also performed a interpretation of " Duke Di's Case." He used humorous language to describe the thrilling and strange cases that happened in the Great Tang Dynasty. In addition, there was also a novel version of Da Tang Di Gong An. It was written by the Dutch writer Gaulopez and was divided into six volumes, including Penglai Chapter, Hanyuan Chapter, Puyang Chapter, etc. This storytelling work used cases to talk about things. It combined the style of Chinese public case novels with the narrative method of suspense and reasoning. It explored the right and wrong of human nature and the value of protecting social fairness and justice.
The Lakeside Case of Duke Di of the Tang Dynasty was an audio novel written by the Dutch sinologist, Gulik van Gulik. The novel told the story of Di Renjie, a famous official of the early Tang Dynasty, investigating a murder on a flower boat in an ancient county town. During the investigation, Di Gong found himself involved in greed and evil, and encountered more mysteries. This novel had both the elegant charm of Chinese classical literature and the style of Western detective novels. It was a fascinating work of reasoning and investigation.
There was no mention of Bai Su in the case of Duke Di of the Tang Empire. I don't know who Bai Su is.
" The Great Tang Di Gong Case " was a mystery drama with Di Renjie as the main character. The story was set in the prosperous period of the Tang Dynasty, Wu Zetian. In the play, Di Renjie solved a series of complicated cases with his talent in solving cases. The plot used a unit structure, connecting many small cases together and finally connecting them to the big case related to the power of the court. The drama drew 17 cases from the original "The Case of Di Gong of Tang Dynasty". The plot was compact and the cases were dense. The cast was strong and the production quality was above average. However, compared to the same genre of work," The Strange Story of the Tang Dynasty," there was a certain gap in reputation. The audience's evaluation of the plot and the depth of the characters was not high. Although the visual presentation of the case was more beautiful, it was still lacking in the plot and character creation. For the audience, the setting and development of the characters in the play were crucial to creating emotional resonance. Although " Da Tang Di Gong's Case " was highly anticipated, there was still room for improvement. He hoped that the quality and appeal of the series could be improved in the future.