What is the relationship between the West-Hill Divine Palace and the Zhishou Abbey?

Haotian Taoism and the West-Hill Divine Palace were two religious forces in the story of General Night. The West-Hill Divine Palace claimed to be the Church of Light that understood Haotian's will. The people of West-Hill believed in Haotian. The South School of Haotian Taoism belonged to the West-Hill Divine Palace in name, but in fact, it served the Tang Empire. Although the Headmaster did not believe in Haotian, in order to maintain social order, the Tang Empire established the South School of Haotian Taoism to manage the people's faith. The South School of Haotian Taoism existed to protect the safety of the Tang Empire and even the God-stunning Array in the capital of the Tang Empire. Therefore, the South School of Haotian Taoism and the West-Hill Divine Palace were related in religion, but they were independent in practice.

The West-Hill Divine Palace was the headquarters of the Haotian Taoism, the only orthodox religion in the world. It was also the governing body of the West-Hill Divine Kingdom. It was divided into three halls, namely the Hall of Light, the Hall of Judgment, and the Hall of Revelation. The Judicial Department was a subordinate organization of the Judicial Hall, and it was in charge of the killings. The Hierarch was the supreme ruler of the West-Hill Divine Palace, and the Great Divine Priest of Light, the Great Divine Priest of Revelation, and the Great Divine Priest of Judgment were the representatives of its affiliated organizations. In addition, the West-Hill Divine Palace had an Unknown Place called Zhishou Abbey, which was the pillar of the cultivation world behind the secular forces.

In the evening, the Abbey Dean of Zhishou Abbey, Chen Mou, and Chen Pipi were enemies. Chen Mou was the Abbey Dean of Zhishou Abbey, while Chen Pipi was a cunning Taoist priest. His goal was to seize the control of Zhishou Abbey. In the novel, the two of them were enemies and often fought against each other. In the novel, those above the Five States referred to those who had surpassed the realm of ordinary people. They had already reached the mysterious realm. In this world, different realms represented different powers and abilities. Above the fifth realm was an extremely mysterious realm that was said to have powers and abilities that surpassed humans. However, the specific content and strength of this realm had not been clearly explained, so it was a very mysterious existence.

The relationship between Divine Thrones 1 and 2 was a transition. According to the author of the Divine Throne, the two novels were not necessarily related. They had adopted a new plot design. Therefore, it could be said that the Divine Throne 1 and 2 were independent works but had a transition relationship.

Divine Throne 1 and Divine Throne 2 were related. " The Divine Throne " was a fantasy novel written by the three young masters of the Tang family. The first novel was released on November 14th, 2011, and the second novel was called " The Divine Throne: The Second Moon in the Sky." Although the second movie adopted a new plot design, it continued the setting and worldview of the first movie. At the same time, the second book also started with a pair of twins, telling about their special growth experience. Therefore, it could be said that Divine Throne 1 and Divine Throne 2 were related.

The Journey to the West was a novel, also known as Journey to the West. It was one of the four famous novels in ancient China. The author was Wu Chengen, a novelist in the Ming Dynasty. Journey to the West tells the story of Sun Wukong, Zhu Bajie, and Monk Sand who helped Tang Sanzang go to the West to obtain the scriptures after going through 81 difficulties. The Journey to the West and the Journey to the West were closely related. Although they had different titles, they were all ancient Chinese novels written by Wu Chengen. "Journey to the West" was the short form of "Journey to the West" and "Journey to the West" was the short form of "Journey to the West". Journey to the West was one of Wu Chengen's representative works and a classic in ancient Chinese novels. It could be said that Journey to the West and Journey to the West were both outstanding works in ancient Chinese novels, each representing different literary schools and artistic styles.

The relationships between the people in the ancient imperial palace were very complicated, often involving politics, power, family, interests, and so on. The following are some common relationships between people in the ancient palace: 1. Emperor and Empress: The Emperor was the supreme ruler of the palace, and the Empress was the Emperor's spouse. The empress usually had a close political relationship with the emperor and also had her own family and power. 2. Emperor and members of the royal family: The members of the emperor's family include royal brothers, sisters, sons and daughters, etc. These members held different positions in the palace, such as guards, eunuchs, and officials. 3. Officials and eunuchs: There were many officials and eunuchs in the palace. Their duties included managing palace affairs, guarding the palace, and handling household chores. These officials and eunuchs usually had close contact with the emperor and empress. Princess and Prince: Princess and Prince are the children of the emperor. They hold different positions in the palace, such as guards and officials. Princesses and princes usually had their own families and forces. Other officials and families: In addition to the emperor and empress, officials and eunuchs, there were many other officials and families in the palace, such as nobles and eunuchs. These families and officials had close political relations with the emperor and empress, and they also had their own forces. The relationships between the people in the ancient imperial palace were very complicated. The interaction between various forces and families often led to political turmoil and war.

The relationships between the main characters in Journey to the West were as follows: - Sun Wukong: The protagonist of this book is the son of the Bull Demon King. Through cultivation, he has obtained supernatural powers and is able to use the Seventy-Two Transformations and Somersault Cloud. - Tang Sanzang: The other protagonist of this book is a Buddhist monk who was sent by Buddha to the Western Heaven to obtain the true scriptures. - [Zhu Bajie: Sun Wukong's adopted brother was punished for his greed and laziness. He joined Tang Sanzang's team to provide assistance to Sun Wukong and Tang Sanzang.] - [Sha Wujing: Zhu Bajie's sworn brother was recruited by Liu Shahe to join Tang Sanzang's team.] - [White Dragon Horse: Tang Sanzang's mount has been subdued by Flowing Sand River and joined Tang Sanzang's team.] There were complicated relationships between the above characters. Some were relatives, some were competitors, and some were allies and friends. These relationships changed as the plot developed, which was the essence of the story of Journey to the West.

'The Spy in the Deep Palace' was a novel that told the story of Emperor Kang Xi and Yidangge. Dan Gege was the adopted daughter of Emperor Kang Xi and one of his concubines. In the novel, Tangege was married to the Mongolian steppe and became the princess of a Mongolian prince. Emperor Kangxi visited Yidangge in Mongolia many times and became entangled with her feelings.

Water margin and Journey to the West are both classics in the history of Chinese literature. Although their names are different, their stories and characters are deeply loved by people. Water margin was a novel by the Ming Dynasty novelist Shi Naian about a peasant uprising. It was about 108 heroes who participated in the uprising and fought to protect the people and the court, but eventually failed. There were many heroes in the Water Margins, such as Song Jiang, Lin Chong, Wu Yong, etc. Their images were deeply rooted in the hearts of the people. Journey to the West was a novel by the Tang Dynasty novelist Wu Chengen. It told the story of Sun Wukong, Zhu Bajie, Monk Sand, and Tang Sanzang. There were many magical plots and monsters in Journey to the West, as well as many manifestations of wisdom and courage. Although their stories are different, they are all classics of Chinese literature with high artistic and cultural value.