Lin Huiyin wanted to see Liang Sicheng before her death but was rejected.

Li Qin played Lin Huiyin in the variety show Meet the Temple of Heaven. Her appearance and temperament were very much in line with Lin Huiyin's image, leaving a deep impression on people. Li Qin's performance was well received by the audience. She successfully replicated Lin Huiyin's style. Lin Huiyin was a legendary woman. She was not only an outstanding architect in modern China, but also a talented writer and poet. Her beauty, intelligence, and talent made people admire her endlessly. Li Qin showed Lin Huiyin's charm through superb acting skills and just the right temperament, winning the audience's love and appreciation.

Lin Huiyin was a famous architect, poet, and writer in modern China. She was known as the "poet of the architectural world". Her representative works include: Lin Huiyin's residence, Xihua Hall, was located in Dongcheng Area Beijing City. It was Lin Huiyin's residence when she worked in Beijing. The building used traditional Chinese architectural styles, including glazed roof tiles, bucket arch, colored paintings and other elements, and was hailed as the "treasure of ancient Chinese architecture." 2. Lin Huiyin's Taj Mahal: The Taj Mahal is a famous mausoleum in India and one of the world's cultural heritages. It was designed and built by the famous Indian architect, Rama Taj Mahal. It is one of the greatest buildings in the world and one of the greatest buildings in Indian history. 3. Lin Huiyin's " Tsinghua University's Department of Construction ": Lin Huiyin was not only an outstanding architect but also a famous writer. She studied at Tsinghua University and participated in the establishment of the Department of architecture of Tsinghua University, making an important contribution to the modern architecture industry in China.

Lin Huiyin was a famous poet, writer, architect, and social practitioner in modern China. She was known as the "Goddess of the Construction World". Her masterpieces included You Are the April Day of the Human World and How Many Flowers Have Fallen in My Dream.

Li Qin played Lin Huiyin, a talented woman from the Republic of China in the variety show Meet the Temple of Heaven. Her appearance and temperament were similar to Lin Huiyin's, and she was well received by the audience. Li Qin's style and acting skills were highly recognized. Some viewers even thought that she was better looking than Lin Huiyin herself. On the show, she had a slightly curly hairstyle and wore a white embroidered cheongsam. Overall, she looked fresh and elegant. Li Qin's superb acting skills, coupled with her scholarly temperament, made her one of the best candidates to play Lin Huiyin.

Lin Huiyin's love experience was as follows: - Xu Zhimo: Lin Huiyin met Xu Zhimo when she was studying in England. Xu Zhimo fell in love with Lin Huiyin and began to pursue her. Lin Huiyin also had a good impression of Xu Zhimo, but she knew that Xu Zhimo was already married, so she rejected his pursuit. - Liang Sicheng: After Lin Huiyin returned to China, she met Liang Sicheng. The two soon fell in love and got married. Liang Sicheng was Lin Huiyin's classmate and friend, as well as her lifelong partner. - Jin Yuelin: After Lin Huiyin and Liang Sicheng got married, Jin Yuelin had always been in love with Lin Huiyin. He knew that Lin Huiyin and Liang Sicheng had a good relationship, but he still couldn't control his feelings. He had been silently guarding Lin Huiyin until Lin Huiyin died. In general, Lin Huiyin's love experience was very rich. She had emotional entanglements with Xu Zhimo, Liang Sicheng, and Jin Yuelin. Her love story also became a much-told story in the history of modern Chinese literature. While waiting for the anime, you can also click on the link below to read the classic original work of " Full-time Expert "!

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I came to the foot of Yuelu Mountain and looked at the lofty mountain peak, and my heart couldn't help but feel a sense of reverence. Liang Sicheng and Lin Huiyin Lin Huiyin was a famous architect and designer in China in the 20th century. Together with Liang Sicheng, she devoted herself to the protection and reconstruction of ancient Chinese buildings and became one of the founders of the protection of ancient Chinese buildings. 3. A gentle breeze blows over the hills, and there are homes where white clouds grow. Stop and sit in love with the maple forest. The evening frost leaves are redder than the flowers in February. The mountain is not high, there are immortals; the water is not deep, there are dragons. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the fifth day, the street was wet with light rain, like the crisp grass color. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. Six days high, the clouds are thin, looking at the wild geese flying south. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 7 Alone in a foreign land, as a stranger, I miss my family more than ever during the festive season. I know from a distance that my brothers are short of one person by planting dogwood everywhere. Do you know that the flowers are full of fragrance? Fragrance filled the whole building, do you know? The mountain is heavy and the water is heavy. There is no way out. The willows are dark and the flowers are bright. Another village. 10 ambition hungry meal Hu Krupp meat laughing talk thirsty drink Xiongnu blood. To clean up the old mountains and rivers from the beginning. On the 11th day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there is a fairy name; The water is not deep, there is a dragon spirit. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. How much sorrow can you have? Like a river flowing eastward in spring. I was born to be useful. Cook sheep, slaughter cattle, and enjoy the party. You must drink three hundred cups at a time. On the 15th day, the street was drizzling like the crisp grass, but it was not near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. 16 mountains and heavy water, there is no way out, there is another village. 17 days high, the clouds are thin, looking at the wild geese flying south. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 18 Alone in a foreign land, as a stranger, I miss my family more every festival. I know from a distance that my brothers are short of one person by planting dogwood everywhere. On the 19th day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 21st day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The twenty-two days are high, the clouds are light, and the wild geese flying south are broken. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 23 Alone in a foreign land, as a stranger, I miss my family more every festival. I know from a distance that my brothers are short of one person by planting dogwood everywhere. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 25th day, the street was wet with light rain, like the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The twenty-seven days high, the clouds are light, and the wild geese fly south. If you don't reach the Great Wall, you're not a real man. You'll have to go twenty thousand miles. 28 Alone in a foreign land, as a stranger, I miss my family more every festival. I know from a distance that my brothers are short of one person by planting dogwood everywhere. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 30 days of light rain on the street, moist like crisp grass, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there is a fairy to be famous; The water is not deep, there is a dragon to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 32nd day, the street was drizzling like grass, but it was not near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 34th day, the street was drizzling like grass, but it was not near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The 36th day of the street is drizzling like the crisp grass, but there is nothing near. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals, it is famous; The water is not deep, there are dragons, it is spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. On the 38th day, the light rain on the street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there is a fairy to be famous; The water is not deep, there is a dragon to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 40 days of light rain on the street, moist like crisp grass, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 42 days street light rain moist like crisp grass color, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The light rain on the 44th Heaven Street was as moist as the crisp grass. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The light rain on the 46th Heaven Street is as moist as the crisp grass color. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. The light rain on the 48th Heaven Street was as moist as the crisp grass color. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city. The mountain is not high, there are immortals to be famous; The water is not deep, there are dragons to be spiritual. This is a shabby house, but my virtue is fragrant. Moss marks on the steps green grass color into the curtain green. 50 days of light rain on the street, moist like crisp grass, looking from afar but not close. Most of all, a clump of verdant trees moved the feelings of separation, and tried to look at the empty city.

Lin Huiyin was a famous architect and poet in modern China. She was also known as the "poet of the architectural world". Her works include architectural plans and architectural designs, as well as literary works such as poetry, prose, and novels. Here are some recommended books about Lin Huiyin: Liang Sicheng and Lin Huiyin: This is a book that records the many important construction projects completed by two outstanding architects. The author is Liang Sicheng and Lin Huiyin's son, Liang Zaibing. This book had high historical value, literary value, and artistic value. 2 Biography of Lin Huiyin: This is a comprehensive introduction to Lin Huiyin's life and career, written by historian Lin Yutang. This book not only described Lin Huiyin's academic and architectural achievements, but also her literary creation and life experience. It was highly readable and collectible. "Everyone You Meet in Heaven": This is a collection of Lin Huiyin's essays about her thoughts and feelings about life, nature, culture, and so on. This book has a high literary value and philosophical depth, suitable for readers to reflect and comprehend. 4 "How many flowers fall in my dream": This is a collection of some of Lin Huiyin's poems. This book has a high literary value and artistic value. It shows the characteristics and style of Lin Huiyin's poetry creation, which is suitable for readers to appreciate and taste. These are some books about Lin Huiyin. They not only have high literary value and historical value, but also bring readers different life experiences and thoughts.

Lin Huiyin (January 15, 1907-October 19, 1959) was a famous architect, poet and revolutionary in modern China. The following are some of Lin Huiyin's classic sayings: This was Lin Huiyin's view on architectural art. The purpose of architecture is not the building itself but the spirit it represents. 3. Buildings should reflect the spirit and atmosphere of the times and reflect people's thoughts and emotions. Real buildings should be habitable, not just for looks. I like architecture because it can make people feel beautiful and warm, and make people feel happy and happy. 6. The architectural design should consider both practicality and aesthetics, as well as environmental, climate and budget factors. Building is a kind of culture, one of the highest forms of art created by human beings. I hope that China's architectural design can pay more attention to traditional culture and pay more attention to the harmony between man and nature. Construction should be a kind of service, a kind of service behavior, so that people can obtain more happiness and satisfaction from it. Building should be an art, an art that makes people feel happy and enjoyable.

I can recommend a good book about Lin Huiyin to you. It's Liang Sicheng and Lin Huiyin. This book was published by China Youth Press. The author is Lin Huiyin's eldest son, Liang Sicheng. This book tells the story of Lin Huiyin and Liang Sicheng's contribution to the preservation of ancient architecture and the development of modern architecture in China, as well as their deep love story with their father. This book is rich in content and beautifully written. It is one of the important works to understand Lin Huiyin.