Appreciation of Tang Bohu's Calligraphy Works

Fu Man Hua Tang calligraphy works referred to calligraphy works with Fu Man Hua Tang as the theme or theme. We can know that Fu Man Hua Tang is a word. It means that good fortune is hidden in the family and has a lot of foundation. However, the search results did not provide any specific content to appreciate Fu Man Hua Tang's calligraphy works. Therefore, based on the information provided, it was impossible to provide specific appreciation content for Fu Man Hua Tang's calligraphy works.

All the famous calligraphers of the past had created calligraphy works with the word "Fu". These works displayed the word "Fu" in different calligraphy styles for people to appreciate. Among them, there were five types of calligraphy: seal script, official script, regular script, running script, and cursive script. These works displayed the talent and artistic style of the calligraphers. For example, the character "Fu" written by Emperor Kangxi was considered to be a symbol of infinite mystery and infinite blessings. In addition, Wang Xizhi, Zhiyong, Ouyang Xun, Chu Suiliang, Yan Zhenqing and other ancient calligraphers also created exquisite works of the word "Fu". These works not only had artistic value, but also symbolized good fortune and good luck.

Tang Bohu was a writer and painter during the Ming Dynasty. His representative works include the Legend of Three Smiles, Peach Blossom Fan, and Dream of the Red Chamber. Among them, the Three Smiles was considered one of Tang Bohu's most famous works. It was a humorous story depicting three small characters in the imperial examination and political struggles. It was hailed as a classic work of ancient Chinese humorous novels.

Tang Bohu was a famous painter of the Ming Dynasty. His paintings were very popular at that time and were known as the leader of the "Eight Monsters of Jiangnan". His paintings were mainly made of ink, and the shades and changes of the ink color showed the depth of the subject. The effect of the painting was very unique. How much was the most expensive price for Tang Bohu's paintings? The specific price varied according to the price changes in the auction market. According to records, one of Tang Bohu's paintings, the Painting of Nine Peaches, had reached 270,000 yuan at an auction in 1980. However, in an auction in 2018, the price of the Painting of Nine Peaches soared to 13.76 million yuan, setting a record for the auction of Tang Bohu's paintings. It should be noted that these prices are only for reference. The actual price may vary due to market changes or other factors.

Elder Chang was a famous calligrapher. His works demonstrated his inheritance and innovation of Han Li art. His works include stone inscriptions such as Yi Ying Stele, Rites Stele, Huashan Stele, Cao Quan Stele, Zhang Qian Stele, etc. These works show the classic beauty of Han Li. He also created a series of works, such as Honest, Tea Ceremony, Filial Piety, Mother, Win-win Cooperation, Family Harmony, Rare Confusion, Heaven Rewards Diligence, etc. These works demonstrated his understanding and expression of traditional values. Elder Chang's calligraphy works had participated in many national and local calligraphy exhibition, and his creative ability had been widely recognized. In his calligraphy creation, he paid attention to copying the classic inscriptions and studied the rules and characteristics of the strokes and knots. He also drew on the works of other calligraphers, such as Wang Xizhi and Mi Fu's letters. Through comparison and learning, he formed his own unique style. Elder Chang's calligraphy works showed his respect for the ancients and his expression of his inner world. His works were filled with indifference and calmness. In short, Elder Chang's calligraphy was exquisite and unique, worthy of appreciation.

Jiao Yongtang was a young calligrapher from Hohhot City. His works had been exhibited many times in national and provincial professional exhibition. His small regular script works were delicate and exquisite, warm and beautiful, while the Wei stele style displayed a profound ancient meaning of being strong, rough and clumsy. Jiao Yongtang's works had the characteristics of both regular script and cursive script. His regular script contained the elements of seal script, official script, Wei stele and other calligraphy styles, while his cursive script was full of meaning and unrestrained atmosphere, showing the unique charm of ancient cursive script. However, the search results didn't provide any specific content about Jiao Yongtang's calligraphy works.

Fan Jianhua's calligraphy works did not mention the specific content or style in the search results provided. Therefore, the information provided about Fan Jianhua's appreciation of calligraphy was not enough to answer this question.

Song of the Peach Blossom Nunnery was an ancient poem written by Tang Bohu, a writer of the Ming Dynasty. It described the scene of him drinking and composing poems in the Peach Blossom Nunnery, as well as his helplessness and emotion towards life. The following is an appreciation of this poem: Song of the Peach Blossom Nunnery portrayed an open-minded and unrestrained image of Tang Bohu. In the poem, he was in the Peach Blossom Monastery and called himself the "Peach Blossom Immortal". He drank and made merry freely. The Peach Blossom Nunnery that he described was a quiet place with a strong cultural atmosphere. Here, he drank and composed poems to express his lofty aspirations and understanding of life, showing an open-minded and free personality. The scene depicted by Tang Bohu in the poem reflected his helplessness and emotion towards life. He used the Peach Blossom Monastery to express the loneliness and loneliness in the depths of his heart. In the Peach Blossom Monastery, he was one with nature, but he could not get rid of the shackles of society and could not be truly free. This contradictory mood reflected the depression and hesitation in the hearts of ancient scholars. Song of the Peach Blossom Nunnery portrayed Tang Bohu, who was full of personality and romanticism, with its open-minded, free and unrestrained poetic style. It represented a kind of aesthetic style and spiritual meaning of ancient Chinese poetry, which provided important enlightenment for later literary creation.

The pavilion style calligraphy was a style of calligraphy from the Ming and Qing Dynasties. It was neat, smooth, and vigorous. Shen Du of the Ming Dynasty was one of the representatives of the pavilion style calligraphy. His work, Jing Zhai Zhen Ce, was considered to be the highest level of the pavilion style calligraphy. This work had a standard font, strong strokes, even knots, neat rows, rich appearance, elegant grace. In addition, the court examination paper of Zhao Bingzhong, the top scholar of the Ming Dynasty, was also one of the precious relics of Guange calligraphy. Guange calligraphy was widely used in court documents and imperial examinations during the Ming and Qing Dynasties. Its standardized font and easy-to-read characteristics made it an official calligraphy style. However, for the development of the art of calligraphy, Pavilion Style Calligraphy was sometimes considered an obstacle because it was too standardized and lacked personal style and innovation. In general, the works of calligraphy in the pavilion style were still worth appreciating and learning today because they showed the skills and talents of calligraphers in the Ming and Qing Dynasties.

Heavenly Blessing Calligraphy was a form of art with an excellent meaning. It conveyed the pursuit of good fortune and beautiful things through the expression of calligraphy. These works usually used four words, such as " Heavenly Blessing ", where " Heaven " referred to heaven," Ci " referred to rewards and giving," Hong " referred to great things, and " Fu " referred to good fortune and beautiful things. These works were based on calligraphy and were complemented with flowers, bamboo, stone, and other elements to make the works richer and more complete. The Tianci Hongfu calligraphy works could be used to decorate the living room, bedroom, and other spaces. It could also be used as a wedding gift for friends. These works were full of ink, and the strokes were swift and unrestrained, giving people a pleasant visual enjoyment. In general, the calligraphy works of Tianci Hongfu were a meaningful and artistic form.