The End of the Han Dynasty

Wei Zifu chose to commit suicide when Emperor Wu of the Han Dynasty sent people to collect the Empress's seal. This was the ending of Wei Gongzi at the end of the Han Dynasty.

The Little Aristocrats at the End of the Han Dynasty was a novel written by Niu Jiao's second senior brother. This novel told the story of the protagonist, Zhang Yan, who had transmigrated to Mayi, Yanmen, and was the son of a small aristocratic family. He worked hard to become a great figure in the troubled times. However, the search results didn't provide any specific download links or resources. Therefore, it was not possible to provide the download information of " The Small Scholars of the Late Han Dynasty ".

The scribes at the end of Han Dynasty referred to the people who held the post of scribes at the end of Han Dynasty. We can understand that scribes refer to the officials who work in the various institutions of the imperial court, also known as the Ministry Office. They were responsible for handling official matters and carrying out the orders of the main officials. Scribes were usually employees who were passed down from father to son. Their duty was to keep their identity and perform their duties honestly. However, the search results provided did not provide more information about the specific content and role of the scribes at the end of the Han Dynasty. Thus, I am not clear about the details of the scribes in the late Han Dynasty.

The literature of the late Han Dynasty referred to the literary works from the late Han Dynasty to the early Wei Dynasty. The literary creation of this period showed the trend of thought of thought liberation and individual value. The writers started from their own standpoint, thinking about society and life, and pursuing beautiful ideals. Jian 'an literature was the literature of the late Han and early Wei dynasties. It lasted from 184 to 240 years and lasted for about 60 years. Jian 'an literature, with Cao Cao and his son as the core, with the seven sons of Jian' an and the other scholars of Cao Wei as the main force, created a new world of literary development. The poems of this period were mostly impassioned, vigorous and powerful, forming a kind of style, known as the "Jian 'an Style". Among them, Cao Cao's poems were melancholic and sorrowful, Cao Pi's poems were graceful and moving, and Cao Zhi's poems were vigorous and colorful. Jian 'an literature had a profound influence on later scholars and became a model for later scholars to follow.

The characters at the end of the Han Dynasty mainly referred to the writing form at the end of the Han Dynasty. At the end of the Han Dynasty, the main writing forms were official script and regular script. Official script was the main style of calligraphy used in the Han Dynasty, while regular script gradually rose and became popular at the end of the Han Dynasty. Official script was a standard and neat font, mostly used for inscriptions and inscriptions on important occasions. Regular script was more simplified and fluent, becoming the modern handwritten Chinese characters. The development of characters at the end of Han Dynasty reflected the changes and evolution of Han culture.

The calligraphers of the late Han Dynasty included Zhong Yao, Liu Desheng, Liang Hu, Hu Zhao, etc. Zhong Yao was the founder of calligraphy at the end of the Han Dynasty. He created regular script and formed his own unique style. Liu Desheng was the founder of semi-cursive, and his semi-cursive font was called the "founder of semi-cursive" by later generations. Liang Hu was a famous calligrapher from the end of the Han Dynasty to the beginning of the Wei Dynasty. His eight-point calligraphy was outstanding and was praised by calligraphers of all generations. Hu Zhao was a hermit and calligrapher during the Three Kingdoms period at the end of the Han Dynasty. He was respected by his fellow villagers. Calligraphy at the end of the Han Dynasty was already more artistic, and there was a clear difference from the practical cursive script at the end of the Qin Dynasty. Generally speaking, calligraphy at the end of the Han Dynasty had developed in both artistic and practical aspects.

Hegemony at the End of the Han Dynasty was a turn-based, monarch-playing game made by Chengdu Dragon World Studio. The game had a huge numerical system that constructed an unprecedented picture of the Three Kingdoms. Players could customize their generals, choose a scenario, and experience the internal affairs, diplomacy, and battles of the Three Kingdoms period. On the basis of returning to the traditional strategy, the game deeply portrayed the regional differences between the cities of the Three Kingdoms and the similarities and differences in the abilities and characteristics of each general. In terms of combat, players needed to combine the right time, place, and people to fight. The game's features included the classic white drawing style, simple and easy-to-use government management mode, as well as rich content such as generals, cities, troops, events, and relationships. Hegemony at the End of Han Dynasty maintained a rating above 8.8 on Taptap and ranked 16th on the best-selling list. Overall, this was a very good and rich content of the Three Kingdoms strategy simulation business game.

At the end of the Han Dynasty, many famous poets appeared, including Cao Cao, Cao Pi, Cao Zhi, Kong Rong, Wang Can, Liu Zhen, Ruan Yu, Xu Gan, Chen Lin, Ying Wei, etc. These poets created a large number of poems during the Jian 'an period, reflecting the social turmoil and the sufferings of the people at that time, expressing the ideals and aspirations of unifying the world. Their poems were impassioned, vigorous, and powerful, and were known as the "Jian 'an Style". Among them, Cao Cao's Haoli Xing was regarded as a good reflection of the social situation at that time. In addition to these poets, there were also a large number of poets in the Tang and Song Dynasties, indicating that the influence of the poets at the end of the Han Dynasty was not extinct.

Hegemony at the End of the Han Dynasty was a strategy game with a turn-based monarch-playing mode, set in the Three Kingdoms period. The game had a variety of characters, items, cities, and events. Players could customize their generals, choose their scripts, and experience the internal affairs, diplomacy, and battles of the Three Kingdoms period. The game focused on combining the right time, place, and people to carry out the battle. It strived to present the players with a new Chinese thinking and a new perspective of the Three Kingdoms game experience. The art style of the game was simple and elegant, using the classic white embroidery style, and the interface design highlighted the authentic Chinese style. The game was available on the Steam platform in both free and paid versions, as well as rich content such as DLC and mods. Overall, Hegemony at the End of Han Dynasty was a game worth trying.

Shangshutai at the end of the Han Dynasty referred to the Shangshutai organization at the end of the Han Dynasty. Shangshu Tai was an important government agency in the Han Dynasty, responsible for handling official business and managing documents. The organization of Shangshu Tai included Shangshu Ling, Shangshu Pushe, Shangshu Zuo, Youcheng, and the six Cao Shangshu. The Shangshu Ling was the head of the Shangshu Platform. He was responsible for handling official matters and leading the other Shangshu. When the Shangshu Ling is not around, the Shangshu Pushe handles official affairs on behalf of the Shangshu Ling. The left and right ministers were responsible for recording documents and assisting the Shangshu Ling in handling affairs. The six ministers were responsible for handling the affairs of the world. The power of Shangshutai gradually increased, becoming a decision-making body that surpassed the three princes in the late Han Dynasty. To be specific, Shangshu Tai was in charge of receiving memorials, conveying imperial edicts, participating in the decision-making of military affairs, leading the national government affairs, and had the power to picket and impeach officials. The power of the Minister's Office varied from person to person, but in general, it became the true decision-making and issuing authority of the emperor.