The representative works of Northern Qi calligraphy were Northern Qi's Li Qing's Virtue Reporting Statue Stele and Northern Qi's Zhangsun Yan's Epitaph. These two works both displayed the characteristics and style of Northern Qi calligraphy and were considered masterpieces of the Northern Dynasty. The Northern Qi Dynasty's Li Qing's Virtue Reporting Statue Stele was a Buddhist cliff calligraphy. The calligraphy was profound, with regular script and official script, and was good at using square pen. The Northern Qi's Zhangsun Yan Epitaph was an epitaph. The calligraphy was elegant and ancient, mixed with the style of official script. The handwriting was elegant and square, slightly flat. It was considered to be the top grade epitaph in Northern Qi. These works displayed the talent and style of Northern Qi calligraphers.
Northern Qi calligraphy and painting referred to the calligraphy and painting arts of the Northern Qi period. Among them," Northern Qi School Painting " was a silk colored painting created by Yang Zihua during the Northern Qi Dynasty. It depicted the scene of Emperor Wenxuan of the Northern Qi Dynasty ordering Fan Xun and other 11 people to publish the history of the Five Classics collected by the state. This painting is now in the Art Museum of Boston, USA, and is a copy of the Song Dynasty. The expressions of the characters in the painting were vivid, and the details were described in detail. The colors were simple and beautiful. Yang Zihua was good at painting noble figures and palace scenes. His paintings had a profound impact on the art of the Sui and Tang Dynasties. There was no other information regarding the Northern Qi calligraphy and painting.
Calligraphy research during the Northern Qi period showed that the calligraphy style of the Northern Qi Dynasty showed the characteristics of "flat strokes and wide knots", including a style that "had many official meanings, loose knots, vigorous strokes, and strange momentum", and another style that "contained a little official meaning, proper posture, simple and elegant, clumsy and skillful". Northern Qi's calligraphy mainly included regular script, official script, and a mixture of regular script and official script. The number of regular script gradually increased, and official script occupied the mainstream position in the inscription style. Northern Qi's calligraphy works were artistic. The font was flat and wide, with the lingering charm of official script and the structure of regular script. The characteristics of Northern Qi calligraphy also included the flat and overlapping of the characters, and the horizontal style of the characters. The study of Northern Qi calligraphy is of great significance to reveal the artistic value of Northern Qi and its influence on later generations.
The Northern Qi Colloquial Painting depicted the clothing of the Northern Qi period. According to historical records and pictures, men's clothing during the Northern Qi period mainly included robes, inner shirts, and skirts. During the Jin Dynasty, robes were used with crossed collars and right lapels, wide sleeves, collar, sleeves, lapels and other parts inlaid with edges. The robes of the Northern Dynasty were either cross-collared or round neck, with the right side of the skirt, narrow sleeves, and fitting. The collar, sleeves, and lapels were either inlaid with edges or not. The inner garment was a sleeveless cloak, usually made of white cloth. It was tied with a tie that could be draped over the shoulder and tied around the neck to block the cold. As for the skirt, it was worn by the music artist who was wearing the traditional skirt. The specific style and shape were unknown. Generally speaking, men's clothing during the Northern Qi period was mainly loose and elegant, paying attention to decoration and details.
The Painting of the Northern Qi School of Calligraphy was an art piece from the Northern Qi period, created by the Northern Qi painter Yang Zihua. This painting is currently in the Museum of Fine Arts in Boston, USA. It is a copy of the Song Dynasty. The painting depicted the scene of Gao Yang, Emperor Wenxuan of the Northern Qi Dynasty, ordering Fan Xun and 11 scholars to publish the history of the Five Classics collected by the state. The expressions of the characters in the picture were vivid, the details were detailed, and the colors were simple and beautiful. This work not only showed the superb level of calligraphy art during the Northern Qi Dynasty, but also reflected the development of ancient Chinese culture and art. For scholars and enthusiasts who studied ancient Chinese calligraphy, painting, and cultural history, this work had important research value.
Yang Zihua was a painter during the Northern Qi Dynasty. His work,"The Painting of the Northern Qi School of Calligraphy", was a painting painted on silk. This painting depicted the seventh year of Tianbao in the Northern Qi Dynasty (556 AD), when Emperor Wenxuan Gao Yang ordered Fan Xun and others to collate the history of the Five Classics collected by the state. There were three groups of people in the picture. Four of them were scholar-bureaucrats sitting on the couch. Some were deep in thought, some were writing, some wanted to leave, and some wanted to stay. The scene vividly showed the expressions and details of the characters. The strokes were smooth and the colors were simple and beautiful. The Northern Qi School Map is now in the collection of the Boston Art Museum.
Northern Qi and Qi were two independent governments of different periods. There was no direct relationship between them. Northern Qi was established by Gao Yang during the Northern and Southern Dynasties, and was also known as the " Gao Qi ". Qi was established by Xiao Daocheng during the Northern and Southern Dynasties, and was also known as the " Xiao Qi " or " Southern Qi ". Although they all used the same name, Qi, they were established in different regions. One was the southern regime, and the other was the northern regime. Therefore, other than the same name, Northern Qi and Qi had no other practical relationship.
Northern Qi was called Northern Qi because it was located in the north and had the same name as the Southern Qi Dynasty. In order to differentiate it from the Southern Qi, people called it the Northern Qi. In addition, Northern Qi's royal family had the surname Gao. In order to distinguish it from Xiao Qi, it was also called Gao Qi.
Northern Qi was called Northern Qi because it was a dynasty during the Northern and Southern Dynasties of China. During the Northern and Southern Dynasties, there were many governments in the north named Qi. In order to distinguish them, people called them Northern Qi. Northern Qi was a regime established by Gao Yang, the second son of Gao Huan, a powerful minister of the Eastern Wei Dynasty. It existed from 550 to 577 and shared the country for 28 years. Northern Qi's royal family had the surname Gao, so it was also known as Gao Qi.
Ouyang Xun's representative calligraphy works included "Jiucheng Palace Liquan Inscription,""Huangfu's Birthday Stele,""Huadu Temple Stele,""Zhongni Dream Dietie," and "Running Script Thousand Words."
Liu Gongquan's calligraphy masterpieces included Mysterious Secret Tower Stele, Divine Strategy Army Stele, Meng Zhao Tie, Sending Pear Tie Postscript, Diamond Sutra Stone Engraving, Feng Su Stele, Jiuyi Mountain Fu, etc.