Sang Wenci's Calligraphy

Sang Wenci was a famous calligrapher who enjoyed a high reputation in the Chinese calligraphy world. He was born in 1913 and was a famous teacher of his generation in Ningbo. He was known as the highly respected Three Wonders of Literature, Poetry, and Calligraphy. Sang Wenci formed his own theoretical thoughts in calligraphy practice, emphasizing that "the brush must be strong, the qi must be sufficient, the momentum must be complete, and the emotion must be true", and he combined calligraphy with literature, music and other artistic forms. His calligraphy works were considered to have a unique charm.

Sang Wencai's calligraphy was priced between 5,000 to 8,000 yuan.

Information related to Sang Yiwei's calligraphy and painting works could not be found in the search results provided.

There were many versions of the Preface to the Orchid Pavilion, including Wang Xizhi's original work, Feng Chengsu's copy, Zhao Mengfu's copy, etc. Wang Xizhi's Preface to the Orchid Pavilion was regarded as a model for running script by later generations. Li Shimin, Emperor Taizong of the Tang Dynasty, once ordered Chu Suiliang, Ouyang Xun, Feng Chengsu and other calligraphers to copy several copies and give them to his subjects. In addition, Feng Chengsu and Zhao Mengfu also had their own copies. For beginners, they could choose Feng Chengsu's copy to practice. In addition, there were some copybooks and practice methods for reference, such as practice magnified version, using color printing version, tracing red copybooks, etc. In short, the selection of the Preface to the Orchid Pavilion calligraphy copybook should be decided according to personal preferences and learning needs.

The Seventeen Calligraphy Forms was one of Wang Xizhi's representative works of cursive script. It was a group of famous cursive calligraphies from the Tang Dynasty, composed of Wang Xizhi's letters. There were 107 lines and 943 characters in the Seventeen Calligraphy Forms. It was written for 14 years and was an important material for studying Wang Xizhi's life and the development of calligraphy. The style of this group of posts was blunt and elegant, neither aggressive nor fierce, showing a kind of fair and peaceful atmosphere. It was regarded as the supreme model for learning cursive script and was regarded as the "dragon and elephant in the book" by calligraphers. The order of the " Seventeen Calligraphy " was also very particular. From the calm dotting at the beginning to the unrestrained and unrestrained in the middle, then to the regular script that was slightly rested, and finally to the wild cursive script as the end. The entire post was like a symphony. Although the Seventeen Calligraphy Forms was a printed copy, it could still be used as a reference to learn the painting method.

The meaning of the name Sang was the motivation to work hard and encourage people to constantly enrich themselves and pursue success. Such a name also represented the continuation and inheritance of the family, allowing people to maintain pride and respect for the fine traditions of the family. Regardless of whether it was on an individual or family level, the name " Sang " implied good wishes and blessings. In addition, the mulberry word also symbolized sweetness, elegance, and refinement. It represented a broad future and room for development. The word " mulberry " was also related to mulberry trees. Mulberry trees were a kind of decidual-leaf tree. Their leaves could feed silkworms, their fruits were sweet and edible, and their wood could be used to make furniture. Therefore, the name Sang implied sweetness and elegance.

Wu Zetian was a talented empress, and her calligraphy attainments were also highly praised. The most famous of her calligraphy works was the Stele of the Immortal Prince, which was regarded as one of the 100 most beautiful calligraphy works in China. This stele was inscribed in 699 AD. It had 33 lines, 66 words per line, and a total of 2162 words. On the top of the Immortal Ascension Crown Prince Stele, the words 'Immortal Ascension Crown Prince Stele' were written in Fei Bai style, forming a bird-shaped stroke, showing her unique calligraphy style. Her calligraphy strokes were tactful and fluent, and her strokes were sonorous and sonorous. Her style was vigorous and unrestrained, and she was known as the head of women's calligraphy. Her calligraphy had been influenced by Wang Xizhi, and she was especially good at Fei Bai Shu and Xing Cao Shu. Although her calligraphy remains were few, her works displayed her profound calligraphy skills and unique artistic charm.

Xu Hong was an artist, and his calligraphy works were exhibited in the solo exhibition "Paradise in the Deep Valley". The exhibition displayed Xu Hong's paper manuscripts, drawer series, and paintings on shelves, totaling 24 pieces. Xu Hong's writing style and characteristics could not be learned from the search results provided.

Zhang Yuanqing was a famous calligrapher. His calligraphy works displayed a unique style and technique. He was good at many kinds of calligraphy, including regular script, running script, cursive script, Wei stele, official script, etc. His works were full of power and charm, and at the same time, they displayed an elegant style. Zhang Yuanqing's calligraphy works had participated in many calligraphy exhibition at home and abroad and won many awards. He paid attention to learning the famous inscriptions and stone carvings of the past dynasties, pursuing the artistic effect of naivety, unrestrained and elegant. His works were highly praised and recognized by experts and society.

Luo Yunxi's handwriting was Han Yi Luo Yunxi style. This was a handwritten font developed by the Hanyi font library, based on the handwriting of the celebrity Luo Yunxi. This font perfectly restored Luo Yunxi's beautiful and elegant features, and was very popular among users. If you are interested in Luo Yunxi's font, you can download it for free from the relevant font websites.