High definition murals of Yongle Palace

The murals in Yongle Palace were one of the treasures of ancient Chinese painting art. It was located in Yongle Palace in Yongji County, Shanxi Province. It was one of the representative works of Taoist murals in the Yuan Dynasty. The five existing buildings of Yongle Palace were all painted with exquisite murals, with a total area of 960 square meters. It was the most magnificent Taoist murals of the Yuan Dynasty preserved in China. Among them, the Chaoyuan Painting in the Hall of Three Pristines was one of the most important murals. It depicted the grand scene of worshipping the ancestor of Taoism, the Primitive Heavenly Lord. There were a total of 286 characters in the Chaoyuan Painting, and each character's expression was unique and lifelike. The entire mural was grand and magnificent. The characters were full of vivid expressions, gorgeous clothes, and smooth and exquisite lines. Although there were many people, they were dense and varied. The murals in Yongle Palace were of high artistic value and were hailed as miracles in the history of Chinese painting.

The imitation of Yongle Palace murals referred to the creation of new works by imitating the painting techniques and styles of Yongle Palace murals. The copying of Yongle Palace murals was a challenging and artistic activity. The murals in Yongle Palace were painted with heavy colors. The colors were rich and gorgeous, the characters were lifelike, and the composition was exquisite. To copy a mural, one needed to meticulously draw every detail, including lines, colors, and expressions. The process of copying a mural required patience and skill. Artists would use water colors and mineral paint to restore the color and texture of the mural. The copying of Yongle Palace murals had become an art activity that received widespread attention and research, attracting many art workers and art lovers to participate. By copying the murals of Yongle Palace, artists could learn from the techniques and styles of Yuan Dynasty paintings, and at the same time, they could inherit and develop traditional Chinese painting art. The Yongle Palace mural copying base also provided a place for students and researchers to study and study murals. In short, the copying of murals in Yongle Palace was an artistic activity of great significance and value. It could not only protect and inherit the artistic heritage of ancient murals, but also promote the creation and development of art.

The ticket price of Yongle Palace was 60 yuan per person in peak season and 30 yuan per person in off-season, 50 yuan per person in off-season and 25 yuan per person in off-season.

The murals in Yongle Palace were from the Yuan Dynasty.

He could find some high-definition pictures of the palace. On websites such as Photograph Network, Qianku Network, and Knowledge Seeking Network, one could find a complete collection of palace pictures, including palace architecture, palace background, palace performances, and so on. These images could be used for design, photography, creativity, and other purposes. However, the specific high-definition pictures needed to be further searched or browsed through the photo libraries of these websites.

The background wall mural was a common element in interior decoration. It could be used to decorate the wall, adjust the atmosphere, and enhance the taste. Choosing a suitable background wall mural required consideration of the grand theme to create an atmosphere that matched the taste and style of the host. You can choose some background wall murals with landscape paintings or modern elements to decorate the living room or hall. These paintings could bring a scene of spring and enhance the luck of the hall. They could also create a different style and atmosphere by contrasting the colors of the paintings with the walls. In addition, it was also important to choose the right place to hang the painting. You could use traceless nails or other suitable hanging tools to fix the painting to avoid damage to the wall. In short, choosing a suitable background wall mural could add an artistic and personal style to the home.

Di Renjie's Psychic Palace was a the mainland of China movie that was released in 2021. The plot of the movie revolved around the dust flying over the mountains all night, the bier atoning for the blood of the common people, the immortals entering the golden palace at dusk, the palace door being locked without anyone noticing, the butterfly-shaped petals darkening purple, the vines weaving curtains rolling up the incense dust, and so on. However, the free high-definition viewing information for the movie was not found in the search results provided.

Palace drama was a type of TV series that depicted the power struggle between the women in the palace and the fight for the emperor. This kind of TV series usually portrayed some smart, witty, and power-seeking female protagonists, as well as various conspiracies, betrayals, and struggles within their families and the palace. The origins of palace dramas can be traced back to ancient China, especially during the Qing Dynasty. The struggles and conspiracies in the palace were an open secret. Many novels and literary works depicted the struggles and struggles within the palace. Later, with the development of the modern entertainment industry, palace dramas gradually became popular and became a popular genre of television dramas. The development of palace dramas had gone through a long process. The first few works mainly depicted the struggles and struggles between the female officials in the palace. Later, it gradually developed into a story about the struggles between the women in the various families and the palace. With the continuous improvement of the production level and plot of the TV series, the content of the palace battle drama became richer and more complex, more and more fascinating. Now, palace dramas had become a popular form of entertainment, attracting a large number of viewers.

During the Yongle period of the Ming Dynasty, many famous officials appeared, some of which included Xie Jin, Zheng He, Zhu Neng, Qiu Fu, Yang Shiqi, and so on. Xie Jin was the number one genius of the Ming Dynasty, and he edited the Yongle Grand Ceremony. Zheng He was a voyager, diplomat, and eunuch of the Ming Dynasty. His voyages to the West and his experience in the Battle of Jingnan were his achievements. During the Battle of Jingnan, Zhu Neng captured the Nine Gates of Peiping and took in 100,000 soldiers from the Southern Army. Qiu Fu was the number one hero of Jingnan. During the Jianwen years, he followed Chengzu Jingnan and fought bravely, serving as the vanguard many times. Yang Shiqi was an assistant official of the Ming Dynasty. He served as the chief assistant of the cabinet and the minister of the Ministry of War. He majored in the Ming Record, Emperor Taizong's Record. These famous officials played an important role in the Yongle period of the Ming Dynasty and made great contributions to the development of the Ming Dynasty.

The murals of the Northern Qi Dynasty referred to the murals of the Northern Qi Dynasty (550 - 577 AD). The Northern Qi murals were protected and displayed in a special museum in Taiyuan City. It was called the Taiyuan Northern Qi Murals Museum. The museum was located in Wangjiafeng Village, Yingze District, covering an area of 20000 square meters and a building area of 5355 square meters. The museum concentrated on displaying the murals of Northern Qi tombs unearthed in Taiyuan and surrounding areas, including the murals of Lou Rui's tomb and Xu Xianxiu's tomb in Taiyuan, as well as the murals of Jiuyuangang in Xinzhou and Shuiquan Liang in Shuozhou. These murals reflected the early pattern of the Chinese nation's unity and showed the integration process of farming culture and nomadic culture. Taiyuan Northern Qi Murals Museum was the first special museum built on the original site of the murals tomb. It was considered a miracle of the world's tomb murals. The museum also used 3D, AR, VR and other technologies to provide a more intuitive and immersive exhibition experience for the audience.