The original text and translation of Zhou Chuzhuan of Jin Shu

Qimin Yaoshu was a comprehensive agricultural book from the Northern Wei Dynasty of China. The author was Jia Sixie, and it was probably written at the end of the Northern Wei Dynasty (533 - 544 AD). It was the earliest complete agricultural book in China. Qimin Yaoshu systematically summarized the agricultural production experience, food processing and storage, and the utilization of wild plants in the middle and lower reaches of the Yellow River before the 6th century, which had a great impact on the development of ancient Chinese agriculture. The following is the original text and translation of the article "Planting Grain" in "Qi Min Yao Shu": Original text: All grains mature sooner or later, the height of seedlings and stalks is different, the harvest is more or less, the quality is different, the taste of rice is different, and the grain is different. The terrain is good and thin, and the mountains and swamps are suitable. If the weather is favorable and the terrain is favorable, the labor will be less and the success will be more. Return to the right path at will, toil without gain. Translated: All kinds of grains matured early and late, the plants were tall and low, the harvest was more or less, the nature was strong and weak, the quality of the rice was good and bad, the seeds were full and thin. The terrain is fertile and barren, the mountains and lakes are suitable and unsuitable, according to the weather, measure the geographical location, then less effort and more harvest. Indulging one's mind against the law is futile and fruitless. If you want to know more about the follow-up, click on the link and read it!

The Biography of Tao Yuanming in the Book of Jin was a biography written by Wang Bo, a historian of the Jin Dynasty. It described the deeds of the poet Tao Yuanming during the Eastern Jin Dynasty. The following is the original text and translation of the biography: Tao Qian's character is bright and bright, and he is a person at the end of the Eastern Jin Dynasty. When he was young, he liked to read and had literary talent. At the age of forty, he lived in seclusion in a house with five buckets of rice and called himself Mr. Five Willows. Devoted to learning, good at ancient times, good at drinking, self-proclaimed is not the world's waste, so he died. One of his friends, Chen Fan, heard that he lived in seclusion and came to visit him from Jiangzhou. "What is the name of this place?" asked Fan. "It's the old name of the village of five bushels of rice," said Liu Qian. "How can you use up five bushels of rice in seclusion here?" said Fan. Liu Qian said,"I think this place is not a place for people, not a place for dignitaries, not to mention the disturbance of silk and bamboo. Therefore, it is named under the Five Willows." Qian Qian was good at official script in literature, history, astronomy, mathematics, theory and calligraphy. At that time, he was called "Doctor of the Five Classics". He was naturally good-natured. Every time he entered the mountains and swamps, he would return to Shimen. Shimen claimed to be a "suitable person". He once planted chrysanthemums in the east fence. Every autumn, he would write poems to praise them. At the age of eighty-two, people regarded his five arts of literature, music, wine, grass and wood as "Five Unique Arts". The inscription reads: "Climbing high is spectacular. The vast river between heaven and earth does not return. On the other side of Mount Huangshan is a city called Zhong Danfeng, a white-haired old man on the street. Heaven and earth, a sand gull, the universe, a cloud, leisurely watching the angler in the empty mountain valley." The poem reads: "Picking chrysanthemums under the eastern fence leisurely see Nanshan." The mountain air is good day and night, birds fly back together. There's something in it that I really want to distinguish." He said happily,"The Peach Blossom Pond is a thousand feet deep, and Wang Lun is not as good as I am. Li Bai was about to set out in a boat when he heard a beautiful woman on the shore. The wind blows the willows, the rain is like smoke, and the peach blossoms are still smiling in the spring breeze." The wine said,"Life is full of joy, do not let the golden cup empty to the moon. I'm born with talent, I'm sure it'll be useful. To cook sheep and slaughter cattle for fun, you must drink three hundred cups at a time." The grass says,"The wildfire will not burn, and the spring wind will blow it again. The far-off fragrance encroaches on the ancient road, the clear green connecting the deserted city. And send the prince to the lush garden to bid farewell." The tree says,"Green pines, green pines, green bamboos, green bamboos." The pine trees in ten thousand valleys are blown by the wind, and the bamboo shoots and stones on several peaks are beautiful."

The forty-first volume of the Biography of Jin was a biography in the Book of Jin that described the famous people and deeds of the Jin Dynasty. The characters recorded in the 41st volume of the biography were: Wang Dao: Wang Dao was a politician and military strategist in the early Jin Dynasty. He once served as the prime minister and the tutor. He had an important influence on the political and military development of the Jin Dynasty. 2. Yang Hu: Yang Hu was a writer and politician in the Jin Dynasty. He once served as the military and prime minister of King Jiangxia. He had an important influence on the literature and politics of the Jin Dynasty. 3. Xie Wei: Xie Wei was a painter and writer of the Jin Dynasty. His paintings and literary works were known as the "Master of Mountains and Rivers", which had a profound impact on later generations of painting and literature. 4. Xie Hun: Xie Hun was a poet and writer of the Jin Dynasty. His poems were fresh and natural. They were known as "Little Du" and had an important impact on the literature of later generations. These four figures were all outstanding figures in the Jin Dynasty. They had important contributions and influences in politics, literature, military affairs, and the arts.

The original text of the reeds and reeds was "The reeds and reeds are green and the white dew is frost." The so-called Yi Ren is on the other side of the water." From Li Sao.

The original text and translation of hanging beams and piercing shares were hanging beams and piercing bones. Hanging a beam and stabbing a stock was an idiom to describe studying hard and not afraid of hardship. It literally meant to hang a rope from a tree and study in the biting wind. It was a longer idiom, which meant that one was very diligent and not afraid of hardship when studying. It was like an awl piercing into one's brain to make one study more clearly. These two idioms were used in ancient Chinese learning methods to emphasize the importance of learning and the spirit of hard work.

The original text of "Looking at the Mountains" was: "How about Dai Zongfu? the green of Qilu has not yet faded. The clock of destiny is beautiful, and yin and yang are separated from each other. Swinging chest gave birth to Zeng Yun, open eyes into the return bird. I will climb the top of the mountain and look at the small mountains." The translation was: " How about Mount Tai, the head of the five mountains? On the land of Qilu, the beautiful green mountains had no end. Nature had gathered all the magical and beautiful scenes. The mountains, south, and north were divided into yin and yang, and the morning and evening were completely different. The rising layers of clouds made the heart shake; I tried my best to open my eyes and look at the returning bird hiding in the mountains and forests. You must climb to the highest peak and look down at the mountains that seem small in front of Mount Tai."

The ventriloquism is a traditional Chinese martial arts skill, also known as "ventriloquism performance" or "ventriloquism music". It's a skill that uses the mouth to produce a special sound to perform tricks. It's usually used in rap, crosstalk, and other types of comedy. The original name of ventriloquism was "ventriloquism performance" or "ventriloquism music". It originated in southern China and was formed during the Song Dynasty. A ventriloquism performance is usually performed by one or more performers. They express different storylines and topics by making special sounds and combinations of sounds. The performance of ventriloquism was usually accompanied by musical instruments such as flutes, gongs, drums, and erhu. Today, ventriloquism has become a traditional Chinese culture and is still valued and performed in some areas.

Stomat-fighting is a traditional Chinese art form, also known as the wind instrument. It is a musical instrument that uses the mouth and throat to make sounds. Its way of performing is very unique. It puts a ventriloquism object on its nose and blows it with its mouth to make it make a sound. The following is the original text and translation of the ventriloquism: The ventriloquism, also known as the wind instrument, is a musical instrument that uses the mouth and throat to make sounds. A wind instrument is a musical instrument that uses the mouth and throat to make sounds. It is usually placed over the nose and blown by the mouth to make the sound.

The art of ventriloquism was a traditional Chinese opera art form, also known as mouth opening, harmonica, wind, wind instrument, etc. Its performance form was unique. It was a very expressive art form by playing musical instruments in different parts of the mouth, nose, throat, etc. with facial and body expressions and movements. There were many forms of ventriloquism performances, such as playing the flute, flute, gourd flute, etc. There were also some playing the harmonica, flute, etc. The performance time of ventriloquism was not fixed. It could be a short performance of a few minutes or a long solo or duet. The ventriloquism in China had a long history, starting from the Han Dynasty and reaching its peak in the Tang Dynasty. Now, ventriloquism has become an important art form in Chinese opera and one of the favorite performances of domestic and foreign audiences.

The ventriloquism was a traditional Chinese opera performance technique, also known as "blowpipe ventriloquism" or "blowing ventriloquism". It produced melodious melodies and tones through different parts of the mouth and throat to play musical instruments such as flute, xiao, suona, etc. The performance of ventriloquism was usually performed by one person playing in the center of the stage while others imitated the performance around the stage or through the different changes of the performer's ventriloquism to express different musical topics. The performance time of ventriloquism was usually short, but the performance effect was very exciting, allowing the audience to feel the charm of music. The original name of the ventriloquism was "ventriloquism". It referred to a performance technique that performed music through the mouth and throat. The art of ventriloquism in China has been around for thousands of years. It was once an important part of traditional Chinese music and opera, and it is still used by some schools.