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Fan Jianjun, also known as Yiming, was a master of ceramic art and arts and crafts in Jiangsu Province. He had rich experience and attainments in the field of purple sand art. Fan Jianjun had learned purple clay carving skills from Bao Zhiqiang, a master of Chinese arts and crafts. He also learned teapot making skills and purple clay pottery design under the guidance of his mother, Cao Wanfen. His works were skillful and fresh in style. They were deeply loved by teapot lovers and had won various awards many times. Fan Jianjun's works included "Pots Art,""Purple Sand Stationary,""Four Seasons Fragrance" and other teapots. These works won excellent awards and awards in ceramic competitions and exhibition. His artistic attainments were highly praised and he was considered an important figure in the purple sand art world.
Fan Jianjun, also known as Yiming, was a famous teapot maker in Yixing, Jiangsu Province. He was born in August 1962 in Yixing, Jiangsu Province. Fan Jianjun was once taught by the famous pottery master, Tan Yaokun, and studied painting and purple sand pottery carving skills in Yixing Purple Sand Craft Factory with Master Bao Zhiqiang. His works were skillful with knife skills and smooth lines, forming a unique style of purple sand "micro-carving" decoration. Fan Jianjun had also studied in the design department of Wuxi Institute of Light Industry, specializing in ceramic design and decoration. He was a master of arts and crafts in Jiangsu Province and a master of ceramic art in Jiangsu Province. He was known as an expert in making purple clay pots. His works were diverse and creative, and were loved by teapot enthusiasts. He had won various awards many times.
Fan Jianjun's seal could be used as a reference for teapot lovers. Fan Jianjun was a master of arts and crafts and a master of ceramic art in Jiangsu Province. He inherited his mother's teapot making style and integrated calligraphy, seal cutting, seal and other skills into the production of purple clay teapot. His works were elegant, full of charm, and had the elegance of a scholar. Fan Jianjun had created a variety of tea utensils through the perfect combination of painting and purple sand, such as "Bright Moon in the Pine","Strong Wind Festival","Iron Bone Ice Postures","Bamboo Rhyme Plum","East Fence Picking Chrysanthemum","Yao Jiao Cang Long","Autumn Beauty","Competition Show" and other works. Fan Jianjun's seal could be found on the Guyi Zisha website.
Director Fan Jianjun was a Chinese male born in Laixi, Shandong Province. According to the information provided, Fan Jianjun was currently a member of the Party Group of Laixi City Conservancy Bureau in Shandong Province and the director of the Reservoir Management Service Center. He was in charge of river and lake management, management and protection of small water conservancy projects, rural environmental renovation, and presided over the overall work of the reservoir management service center. In addition, Fan Jianjun had also served as the deputy director of the Standing Committee of the County People's Congress and the president of the Zhejiang Alumni Association. There was no other detailed information about Fan Jianjun in the search results.
Fan Jianjun was an artist of purple clay pots. He had designed and made many excellent works of purple clay pots. His works were rich in subject matter and had a variety of decorative techniques. They had both traditional styles and incorporated creativity and the poetry of the ancients. Fan Jianjun's works have been loved by teapot enthusiasts in recent years and have won various awards. Some of his representative works included "Bright Moon in the Pine Tree","Strong Wind Festival","Iron Bone Ice Postures","Bamboo Rhyme Plum Blossom","East Fence Picking Chrysanthemum","Yao Jiao Cang Long","Autumn Beauty","Competition Show" and other tea utensils. Most of Fan Jianjun's works were priced between 30,000 to 600,000 yuan. The specific price may vary according to the work and the early works. Fan Jianjun's works were highly collectible. His purple clay teapot making skills were perfect and he was considered to have the potential to become a master of purple clay teapot making in China.
In 2020, Fan Jianjun of Jinmao said that he would speed up the progress of cooperation and strive to achieve results as soon as possible so as to contribute more strength to Changsha's high-quality development. He also expressed Jinmao's responsibility as a central enterprise. It would promote the second phase of the Meixi Lake International New City project and build a new center for Changsha's urban development. In addition, Fan Jianjun also mentioned Jinmao's deep cooperation and cooperation intentions with Ganjiang New District, United Investment Group, Yuhua District and other places. The specific contents of the cooperation include suitable industry and production, integration of production and city, scientific and technological innovation, etc. However, the specific activities and achievements of Fan Jianjun in 2020 were not mentioned in the information given so far.
Fan Jianjun, male, Han nationality, born in August 1965, from Linyi, Shanxi Province. He joined the Chinese Party in June 1993, started working in September 1987, and had a postgraduate degree. According to the information provided, Fan Jianjun was currently the vice president of Xi'an Municipal Party School (Xi'an City Administrative College). Other than that, he did not provide any more information about Fan Jianjun.
Fan Jianjun was a Yixing purple clay teapot artist. He was born in a purple clay family and his mother was the national master Cao Wanfen. He learned the art of purple sand in Yixing Purple Sand Craft Factory, and learned painting and purple sand pottery from Bao Zhiqiang, a master of the country. Fan Jianjun's works were loved by teapot lovers because of his skillful knife skills and fresh style. He was a master of arts and crafts in Jiangsu Province and a master of ceramic art in Jiangsu Province. He had won many awards. Fan Jianjun's works were a combination of poetry, calligraphy, painting, literature, seal carving, stone carving, and other decorative arts. They were integrated with the pot shape, emitting a simple and straightforward, quaint atmosphere. They subtly expressed the interest of modern people in retro and traditional.