Destroy the Night Tang Empire?

The Night Tang Empire had not been destroyed. In the war against the Tang Empire, the Tang Empire successfully blocked the attacks from various forces and finally defeated the Golden Palace, the Right Palace, and the Left Palace to defend its own country. Although the Tang Empire had paid a painful price in the battle, they had successfully defended their territory. Therefore, according to the information provided, the Ye Tang Empire was not destroyed.

In the novel General Night, the Tang Empire did not perish. In the novel, the Tang Empire was a powerful country, neighboring the Yan Kingdom, the Golden Tribe Royal Court, and other countries. At the end of the novel, Li Zhongyi, the king of Tang, died. Ning Que inherited the throne and continued to rule the Tang. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!

The last person to inherit the throne of the Tang Empire at night was the Sixth Prince of the Tang Empire. In " General Night 2 ", Ning Que helped the Sixth Prince of the Tang Empire to cultivate, making him the most likely prince to inherit the throne. With the efforts of the Sixth Prince of Tang and the help of Ning Que, he succeeded to the throne of Tang.

"Dreaming of the Great Tang" and "Chasing Dreams of the Great Tang" were two different performances. " Dreaming of the Tang Dynasty " was a time-travel dance drama. It told the story of a modern girl who traveled through time and space to pursue her dream lover. On the other hand," Tang Dynasty Dream Chasing " was a large-scale immersive live performance. The audience could take a boat to watch it on Furong Lake in Tang Dynasty Furong Garden. Both performances had their own strengths, and the specific differences needed to be decided according to personal preferences and viewing needs.

It could be seen that " Dreaming Back to the Great Tang " and " Chasing Dreams of the Great Tang " were both performed at the Tang Furong Garden. The two programs had their own characteristics, and the specifics of which one looked better might vary from person to person. " Dreaming of the Tang Dynasty " was a time-travel dance drama. Through modern technology and the exquisite performance of the dancers, it brought a beautiful visual enjoyment to the audience. On the other hand," Chasing Dreams of the Tang Dynasty " was a large-scale live performance. The tourists took a boat to watch the performance on the Furong Lake. Through the boat tour, they explored the form of chasing dreams and displayed the thousands of charms of the Tang Dynasty. Therefore, it was impossible to determine which one was better. It was best to choose according to one's personal interests and preferences.

Rebuilding the Tang Empire was a novel. It described the protagonist's journey back to the end of the Tang Dynasty and his efforts to unify the Longyou prefectures and counterattack the Central Plains. Finally, he rebuilt the Tang Empire. The novel's plot was full of ups and downs, exciting and popular with readers. However, the specific chapter table of contents and content could only be understood by reading the novel.

In the middle of the night, Jun Mo, the Second Brother of the Academy, led the Revolutionary Army of the people of Xuankong Temple to attack Xuankong Temple. Later, Ning Que's cruise missile Primordial Thirteen Arrows in Chang 'an nailed the Chief Preaching Monk to the ground and trapped the Big Boss of Xuankong Temple. At this time, the Desolate Man went south to assist the Revolutionary Army to destroy Xuankong Temple and the Right King's Palace. Thus, he successfully destroyed Xuan Kong Temple.

" The Imperial Concubine of the Tang Dynasty " was a Peking opera work. It was first performed at the opening ceremony of the Shanghai International Art Festival in 2001. The play was based on the love story between Yang Guifei and Emperor Ming of the Tang Dynasty, showing the sincerity and debauchery of Emperor Xuanzong of the Tang Dynasty in love. The theme song of the play, Ode to Pear Blossom, was widely sung. It was not only popular among opera fans, but it was also adapted and sung by pop singers. The play was born out of Mei Lanfang's famous play," The Biography of Taizhen ". It was re-interpreted with the aesthetics of the new era, exploring innovation and returning to the times. The new version of the Beijing opera,"Imperial Concubine of the Tang Dynasty," inherited the traditional Beijing opera and integrated modern stage art concepts. The plot, aria, dance beauty, etc. were polished again, adding more artistic charm. The play was re-created in 2019 at the Shanghai Peking opera theater, with Shi Yihong, Li Jun and other famous actors leading the show. The new version of "Imperial Concubine of the Tang Dynasty" was performed for the first time at the National Grand Theater in Beijing in February 2021.

" The Imperial Concubine of the Tang Dynasty " was a Peking opera work, a new iconic work of the Mei School in the modern era. The play was derived from the novel Taizhen Biography from nearly a hundred years ago, but it still retained the essence of Mei School art. Mr. Mei Baojiu spent more than 20 years studying the relationship between music and Peking opera, and devoted himself to the innovation of Mei School singing. He and the creator of " Imperial Concubine of the Tang Dynasty " had dressed " The Biography of Taizhen " in a gorgeous and fitting old style, enhancing its cultural content. They had also used many innovative methods of stage art to package the classical works with modern art, making this classic work glow with new vitality after the past 100 years. The theme song of " Tang Imperial Concubine "," Ode to Pear Blossom ", was widely circulated. Not only was it sung among opera fans, but it was also adapted and sung on the Spring Festival Gala and various variety shows. The play was based on the love story between Yang Guifei and Tang Minghuang. It was reinterpreted through the aesthetics of the new era, exploring innovation and opening up a better future for the art of opera.

Concubine Yang of the Great Tang was the concubine of Emperor Taizong of the Tang Dynasty, the daughter of Emperor Yang of the Sui Dynasty, and the princess of the Sui Dynasty. She was the mother of Li Ke, King of Wu, and Li Yin, King of Shu. At the end of the Sui Dynasty, Concubine Yang was captured by Li Shimin and gave birth to his son. However, she and her son were eventually killed by the court for treason. There was no mention of Concubine Yang's title or her life in the literature.