The work of Fan Jianjun, the purple clay teapot

There were a few purple clay teapot masters called Jianjun. Fan Jianjun was a master of arts and crafts in Jiangsu Province. He was born in a family of Yixing purple clay teapot makers and was good at making purple clay teapots and pottery carvings. Jiang Jianjun was a national craftsman and a master of purple clay pots. His works were unique in design, rigorous in production, and novel in technique. Gu Jianjun was a member of the Jiangsu Province Arts and Crafts Society and a national arts and crafts artist. He had been engaged in the design and creation of purple sand pottery for a long time. Li Jianjun was a descendant of a family of purple clay teapot makers. He integrated modern aesthetics and modern visual arts into the traditional purple clay teapot making process. According to the information provided, these people were all masters of the purple clay teapot, but no more detailed information was provided to distinguish the differences between them.

Among Fan Jianjun's purple clay teapots, there were some that were worth collecting, such as the " Wind Teapot "," Chrysanthemum Tea Set "," Four Seasons Fragrance Teapot "," Autumn Teapot "," Food Fragrance Teapot "," Cold Jade Teapot "," Three Friends of Gentlemen Teapot "," Impression Mud Teapot ", and " Heaven's Favorite Blue Dragon Teapot ". These works were well received in the industry, and some of them were even collected by Zhongnanhai Ziguang Pavilion and Tianjin Museum. Fan Jianjun's works were rich in subject matter and had a variety of decorative techniques. They had both traditional styles and incorporated creativity and the poetry of the ancients. His works were full of charm and had the elegant style of a scholar.

Fan Jianjun's purple clay teapot was famous for its unique shape, exquisite craftsmanship, and unique creativity. His works had artistic value and market value. They were loved by teapot lovers and had won various awards many times. Fan Jianjun's purple clay teapot works were rich in subject matter and had a variety of decorative techniques. They had both traditional styles and incorporated creativity and the poetry of the ancients. His works were becoming more and more mature in terms of structure and aesthetic content. The large-grade vermilion clay square teapot and the palace exquisite teapot created by him were unique among contemporary purple clay teapot works. Overall, Fan Jianjun's purple clay teapot works were highly praised, but the value of the specific teapot needed to be evaluated according to the specific characteristics of the work and market demand.

Most of Fan Jianjun's purple clay teapot works were priced between 30,000 to 600,000 yuan. The specific price may vary according to the work and the early works.

Most of Fan Jianjun's purple clay teapots were priced between 150,000 to 600,000 yuan. The price of individual works and early works might not be in this range. However, there was no specific information on the price of Fan Jianjun's purple clay teapot. Therefore, it was impossible to accurately answer the price of Fan Jianjun's purple clay teapot.

Fan Jianjun was a senior craftsman at the researcher level.

The Purple Sand Tea Bar was a platform for teapot lovers to share their experiences, insights, interesting things, and suggestions. They could also exchange and trade with other teapot lovers. On this platform, teapot friends could communicate with each other, learn from each other, and make like-minded teapot friends. However, there were also some rules that needed to be followed, such as not to mock, not to private groups, not to provoke battles, not to disturb the culture of Zisha, and so on. The teapot bar provided a rational, healthy, transparent, clean, and lively platform for teapot friends to discuss the charm and value of the teapot.

The collection of purple clay teapots was an art, not just a kind of money transaction. To collect purple clay pots, one needed to have a sufficient understanding of them. Only by going from shallow to deep could one truly appreciate the beauty of purple clay and become a true collector. The purple clay teapot not only had practical value, but also had artistic value and collection value. The collection value of the purple clay teapot mainly depended on its material, shape, craftsmanship, charm, and firing. High-quality purple clay was the foundation of a good teapot, and the shape, workmanship, and artistic taste of the purple teapot were also important considerations for collection. Antique old teapots and famous teapots were top quality collections, but they had to be chosen carefully. In addition, the collection of purple clay pots should also consider their own preferences and economic situation, and there was no need to pursue its market value too much. In short, the collection of purple clay pots was an independent art collection category. By playing with the purple clay pot, people could enjoy it on the spiritual level and make their body and mind happy.

The value of a purple clay teapot varied due to many factors. The value of the purple clay teapot mainly depended on the quality of the clay, the production process, the design concept, and whether it came from a well-known master or an old brand. Some collectible purple clay teapots could cost thousands or even tens of thousands of yuan. However, the prices of most of the purple clay teapots were declining, and the overall average price was much lower than before. For an ordinary purple clay teapot, the price was about 300 to 500 yuan. Although the purple clay teapot might add some ornamental value during the pot raising process, its appreciation space was limited. Therefore, if you just want to buy a purple clay pot for tea, a pot of 1000 to 2000 yuan is enough. If you want a teapot with a certain collection value, you can choose a teapot that costs more than 2500 yuan. In general, the value of the purple clay teapot depended on one's personal needs and budget.

Most of Fan Jianjun's purple clay teapots were priced between 30,000 to 600,000 yuan. The specific price may vary according to the work and the early works.