The requirement to marry a girl from Xiangxi

The Yao people in Xiangxi had a tradition of women marrying men. When the girl in the house grew up to the age of love, her parents would arrange for her to live in a penthouse so that it was convenient for her to meet young men. The girl would wait for her lover in the penthouse, singing and dancing to show the eagerness of the Yao young man. This tradition was very common in Xiangxi and was regarded as part of the Yao culture.

There was no fixed amount of betrothal gifts for marrying a Xiangxi girl. Different documents mentioned different numbers, such as 20,000, 40,000, 60,000 RMB, 100,000 RMB, or even higher. The specific requirements for betrothal gifts varied from individual to family, and sometimes, betrothal gifts were not needed. Therefore, the amount of betrothal gifts needed to marry a Xiangxi girl should be determined according to the requirements of the woman's family and the economic situation of the man's family.

Marrying a girl from Xiangxi had to meet certain conditions and respect the local marriage customs. The girls in Xiangxi were more traditional and simple. They required the man to be loyal to his feelings, be patient with the girl, and have a strong working ability. In addition, marrying a girl from Xiangxi also required a certain amount of betrothal money. The specific cost standard may vary according to the family's situation.

The origin of the girl in Luohua Cave in Xiangxi originated from the folklore of the Miao and Tujia ethnic groups in Xiangxi. The exact time and place were unknown, but it could be speculated that it happened in some tribes in the remote mountainous areas of Xiangxi during the Qing Dynasty or the Republic of China. Women in these tribes were strictly restricted by feudal ethics and tribal customs. They had no freedom or choice in sex and could only passively accept marriages arranged by their parents or chiefs. If they didn't get married on time or didn't find a suitable partner, they would be regarded as a shame and burden, and even be ostracized and discriminated against. In such an environment, some unmarried women would develop a psychological imbalance and a morbid fantasy. They believed that they had been chosen by a certain Cave God and fell in love with him. They would dress themselves up beautifully and immerse themselves in sweet dreams all day long, no longer paying attention to anything in reality. These legends reflected the confusion and dissatisfaction of the local people about the status of women and the marriage system, as well as the worship and fantasy of gods and supernatural forces.

The Cowherd and the Weaver Girl is one of the Chinese mythological stories. It tells the story of the Cowherd and the Weaver Girl. Legend has it that the gigolo was Dong Yong's neighbor because Dong Yong's family had a cow and the gigolo was very grateful to this magical cow, so the two began a relationship. But cows had a lifespan. After the cow died, Dong Yong covered the cow's ears, nose, and tail with cloth and named the cow "Weaver Girl". In the myth, the Weaver Girl was a beautiful, intelligent, hardworking and kind-hearted woman while the Cowherd was a poor and hardworking man. Every year on the seventh day of the seventh lunar month, the cowherd would come to Dong Yong's house and ask the Weaver Girl to meet them. However, the Weaver Girl could only come back once a year, so the two could only miss each other silently. On this day, people would usually place lanterns, give gifts, sing and dance at the place where the Weaver Girl met to commemorate this tradition. Therefore, the story of the Cowherd and the Weaver Girl is a fairy tale full of romantic colors and touching plots. The time requirement for silent reading is usually to express your love and respect for the story, so as to deepen your understanding and perception of the story through reading and thinking.

The corpse herder was from Xiangxi. Corpse chasing was a folk custom of the Miao people in Xiangxi. It belonged to the witch culture and was related to Zhu Youke. The legend of corpse chasing in Xiangxi was inseparable from the Miao people. Corpse driving was a legendary magic that could drive corpses to walk. It was a type of Miao Gu technique and a part of Chu Wu culture. Although the Xiangxi corpse drive had never been verified by science or personally, it had become the prototype of many horror movies and was widely known.

The existence of corpse chasers in Xiangxi was real, but the existence of corpse chasers in Jiangxi had not been confirmed. Hunting corpses in Xiangxi was an ancient folk tradition. It originated from the period of frequent wars and blocked traffic in ancient China. The corpse transporter would use some special techniques and props, such as the Soul-sucking Bell and yellow paper talismans, to control the corpses and guide them to walk. However, there was no conclusive evidence of the existence of Jiangxi corpse herders. Therefore, it could be said that Xiangxi corpse chasing was real, but the existence of Jiangxi corpse chasing had not been confirmed.

The third episode of "Bloody Xiangxi" told the story of Long Feihan's revenge after he grew up. In this episode, Long Feihan tried many times to assassinate Shen Baiwan and the other bandits, but he failed. The episode also revealed some of Long Feihan's past and his hatred for bandits. Overall, the third episode showed Long Feihan's determination and perseverance to take revenge.

The opening song of the TV series " Bloody Xiangxi " was " Lang Uphill, Sister Uphill ", and the ending song was " There's Good Water in the High Mountain." Among them," There's Good Water in the High Mountain " was sung by Xu Qianya. It was a heroic and tragic song that deeply touched people's hearts. These two songs used Xiangxi folk songs as the theme, showing the charm of Xiangxi's local folk songs and the original ecological style.

The second female lead of " Bloody Xiangxi " was Yue Yue. In the movie, Yueyue was the childhood friend of the female lead, Tian Suisui, and later became Tian Suisui's foster mother. However, Yueyue's role was not well received in the play. She was called a slut by the second male lead until the last moment of her life. Her character description was quite explicit, and it might cause controversy today.