Cui Yingying's scolding came from the poem "Replying to Zhang Sheng."
Cui Yingying's command to leave the door half-open was a word that meant that Cui Yingying had instructed her servants to leave the door half-open and wait for her lover, Zhang Sheng. This action displayed Cui Yingying's shy and expectant young girl mentality, which was full of the brilliance of human nature. This saying was circulated in the local area. It meant bravely pursuing love and daring to challenge the shackles of tradition.
Cui Yingying's command to leave the door half-open was a word that meant that Cui Yingying had instructed her servants to leave the door half-open and wait for her lover, Zhang Sheng. This action displayed Cui Yingying's shy and expectant young girl mentality, which was full of the brilliance of human nature. This saying was circulated in the local area. It meant bravely pursuing love and daring to challenge the shackles of tradition. In recent years, a number of cultural activities with the theme of " Cui Yingying's Cries of Half-opening " had emerged in Rongcheng area. There were both traditional opera performances, modern stage plays, and even film and television works. These activities used their unique artistic expression techniques to interpret Cui Yingying's image and spread the belief of bravely pursuing love. As a regional cultural phenomenon, Cui Yingying's half-open household had a very high cultural value. It inherited the spiritual meaning of the famous literary work of the Tang Dynasty,"The Legend of Yingying", and carried forward the traditional virtues of daring to create and pursue love in Rongcheng area.
Cui Yingying's command to leave the door half-open was a word that meant that Cui Yingying had instructed her servants to leave the door half-open and wait for her lover, Zhang Sheng. This action displayed Cui Yingying's shy and expectant young girl mentality, which was full of the brilliance of human nature. This saying was circulated in the local area. It meant bravely pursuing love and daring to challenge the shackles of tradition. In recent years, a number of cultural activities with the theme of " Cui Yingying's Cries of Half-opening " had emerged in Rongcheng area. There were both traditional opera performances, modern stage plays, and even film and television works. These activities used their unique artistic expression techniques to interpret Cui Yingying's image and spread the belief of bravely pursuing love. As a regional cultural phenomenon, Cui Yingying's half-open household had a very high cultural value. It inherited the spiritual meaning of the famous literary work of the Tang Dynasty, the Biography of Yingying, and carried forward the traditional virtues of innovation and the pursuit of love in Rongcheng area.
Cui Yingying's command to leave the door half-open was a word that meant that Cui Yingying had instructed her servants to leave the door half-open and wait for her lover, Zhang Sheng. This action displayed Cui Yingying's shy and expectant young girl mentality, which was full of the brilliance of human nature. This saying was circulated in the local area. It meant bravely pursuing love and daring to challenge the shackles of tradition. In recent years, a number of cultural activities with the theme of " Cui Yingying's Cries of Half-opening " had emerged in Rongcheng area. There were both traditional opera performances, modern stage plays, and even film and television works. These activities used their unique artistic expression techniques to interpret Cui Yingying's image and spread the belief of bravely pursuing love. As a regional cultural phenomenon, Cui Yingying's half-open household had a very high cultural value. It inherited the spiritual meaning of the famous literary work of the Tang Dynasty,"The Legend of Yingying", and carried forward the traditional virtues of daring to create and pursue love in Rongcheng area.
The simplest explanation for Cui Yingying's command to leave the door half-open was that Cui Yingying had instructed her servants to leave the door half-open while waiting for her lover, Zhang Sheng. This action showed Cui Yingying's shy and expectant young girl mentality. It meant that she was brave enough to pursue love and dared to challenge the shackles of tradition.
Cui Yingying's command to leave the door half-open was a word that meant that Cui Yingying had instructed her servants to leave the door half-open and wait for her lover, Zhang Sheng. This action displayed Cui Yingying's shy and expectant young girl mentality, which was full of the brilliance of human nature. This saying was circulated in the local area. It meant bravely pursuing love and daring to challenge the shackles of tradition.
Cui Yingying chided the door to be half-open. The original text was to wait for the moon in the west wing, and the door to be half-open in the wind.
Wang Xifeng's scolding was referring to the twenty-first chapter of 'Dream of the Red Chamber', which was titled' Wang Xifeng's Return to Home'. This chapter described the plot after Wang Xifeng returned to the Jia residence.
Cui Yingying scolded the author who had opened the door halfway.
Half-opened was a word that meant Cui Yingying had instructed her servants to leave the door half-open and wait for her lover, Zhang Sheng. This action displayed Cui Yingying's shy and expectant young girl mentality, which was full of the brilliance of human nature. This saying was circulated in the local area. It meant bravely pursuing love and daring to challenge the shackles of tradition. To be more specific,'Chihu Bankai' was a poem from a five-character quatrain,'Replying to Zhang Sheng,' that Cui Yingying wrote in the Tang Dynasty. This poem was a love poem about a young girl inviting her lover for a tryst. Through the description of the moon, the wind, and the half-opened door, it expressed Cui Yingying's expectations and love for Zhang Sheng. This poem was also used to describe the brave pursuit of love and the attitude of daring to challenge tradition. However, other than this information, I can't provide any more specific information about the half-opened door.