The four misers in Chinese literature referred to the four greedy and stingy characters in ancient Chinese novels. 1. Wang Hai of the Xia and Shang Dynasties (c. 1400 - 1046 B.C.): He was the "Jia Baoyu" in "Dream of the Red Chamber". The prototype was an extremely greedy businessman who did not hesitate to lie, cheat, steal and other means to obtain more wealth. 2. Yan Jiansheng of the Western Han Dynasty (c. 139 - 87 B.C.): He was a character in The Scholars. He was a greedy businessman and landlord who did not hesitate to kidnap and extort in order to obtain more wealth. 3. Xue Tao of the Tang Dynasty (about 713-about 770 AD): She was the heroine of the Song of Everlasting Sorrow. She was a greedy aristocratic woman who did not hesitate to cheat, steal, blackmail and other means to obtain wealth in order to obtain more property. 4. Wang Anshi of the Song Dynasty (1021 - 1086): He was the villain in the Water Margins. He was an extremely greedy politician and businessman who did not hesitate to deceive the people and plunder the country's wealth through reforms in order to obtain more wealth. These four misers were widely praised in ancient Chinese novels as symbols of greed, selfishness, and stinginess, reflecting the dark side of society at that time.
The "four misers" in Chinese literature referred to the four greedy and selfish characters in ancient novels. She was a legendary goddess in the Xia, Shang and Zhou Dynasties. Because she was greedy, selfish, and stingy, she was called "Ge Tian" by the world. 2. Wang Chong from the Han Dynasty. He was a famous writer and mathematician. His Lun Heng was a work that summarized the economic thoughts of the Han Dynasty. In Lun Heng, Wang Chong put forward the viewpoint that "the rich and the poor are not equal in their fate, and stinginess is not in their hearts". He was a famous politician and military strategist in the Tang Dynasty. The Biography of Chen She that he wrote was a biography describing Chen She's uprising. In the Biography of Chen She, Li Mi criticized Chen She's stingy behavior. He was a famous writer and painter in the Song Dynasty. The Water Margins he wrote was a biography describing the heroes in the Water Margins. In the Water Margins, the Stone Man was described as extremely greedy and stingy to others.
The four misers in literature were usually referred to as Jia Zheng, Grandmother Jia, Xue Baochai, Jia Baoyu, and others in Dream of the Red Chamber. The degree of their stinginess varied, but they were all greedy, selfish, and vicious characters. Jia Zheng was an extremely shrewd businessman. He paid great attention to his own interests. Not only did he live frugally, but he also asked his family to do the same. He was very stingy with money and was only willing to pay a high price for items. Grandmother Jia, on the other hand, was a very astute parent. She paid great attention to the interests of the family. She was very frugal with her clothes, jewelry, and food. However, she was also very greedy and always wanted to obtain more benefits. Xue Baochai was a very rational and shrewd person. She paid great attention to her image and status. She was very good at managing money and was good at saving money, but she also paid great attention to her own interests. Jia Baoyu was a dull, selfish, and greedy man. He was very concerned about his wealth and status, but at the same time, he was very confused and helpless. In 'Dream of the Red Chamber', these characters were all very full. Their personalities and fates were very complicated and complicated. These characters also reflected the various drawbacks of feudal society and the distortion of human nature.
The four misers in the world literature originated from the legendary characters in the ancient Greek city-state of Athens, namely Aktor, Ares, Bateres, and Bildad. These four characters were regarded as typical representatives of greed, selfishness, and stinginess. In literary works, they were often described as using money, objects, or other means to restrict or control others. The stories of these four characters were widely praised in literature and became one of the classic literary images. Among them, Aktor was considered the greediest miser. In order to obtain more money and property, he did not hesitate to resort to various means such as deception, theft, fraud, etc. The other three misers were relatively gentle. Although they would also use money to protect themselves or control others, they usually paid more attention to the money itself than the benefits that money brought. The images of the four misers have a profound significance in literature. They reflect the greed, selfishness, narrow-mindedness and other aspects of human nature, and also provide readers with profound enlightenment and thinking.
The four misers in world literature originated from the ancient Chinese novel, Dream of the Red Chamber. The following was a detailed description of the four misers: 1 A Xiaocun: The character from Dream of the Red Chamber is stingy, greedy, and loves money as much as his life. In order to obtain more wealth, he does not hesitate to use all kinds of despicable means. 2. Grandet: The novel of the same name by Grandet from France is another famous miser. She was greedy, selfish, and squandered money to the extreme. In the end, she led to a tragic fate because of greed and selfishness. 3. Crusoe: From the United Kingdom's Defoe's "Crusoe" is a rational and brave character. Because of his own stinginess and greed, he was trapped on a deserted island and finally obtained freedom through his own efforts and wisdom. Sherlock Holmes: The Sherlock Holmes novel by the British mathematician, physicist, and logician Conan Doyle was another famous miser. He was smart and capable, and in order to pursue more wealth and power, he did not hesitate to resort to all kinds of despicable means.
There were four misers in world literature: Akbaster, Grandet, Sherlock, and Crusoe.
The four misers of world literature were summarized by foreigners. This concept originated from the European literature, through the reference of the ancient Chinese novel "Dream of the Red Chamber", the "four misers" in Chinese novels (namely Xue Baochai, Wang Xifeng, Xia Jingui, Li Wan) were compared with the "four greediers" in European novels (namely Jessica, Bellatrix, Alcott, Voltaire), and became a classic image in Western literature.
The four classic misers in European literature were as follows: Sherlock Holmes was the protagonist of the detective novel The Complete Sherlock Holmes. Holmes was a very shrewd, selfish and greedy person. He valued his wealth and status very much and often obtained wealth through deception and theft. Alcatraz, the miser in the fairy tale of Arbat Grimm, was a greedy, selfish, and cold character. In order to obtain more wealth and status, he did not hesitate to deceive and steal, even putting his relatives and friends in danger. 3 Ivan Pavlov (Ivan Pavlov's story) is a miser in Russian folktales. He was a very greedy and selfish person. In order to obtain more wealth and status, he did not hesitate to use all kinds of means to cheat and steal. 4 Quasimodo (The Hunchback of Clock Tower) in Victor Hugo's Notre-Dame de Paris was a greedy, selfish and stingy character. He valued his wealth and status very much. In order to obtain more wealth, he was willing to resort to all kinds of deception and theft.
The four misers in world literature were: Archimonde, Sherlock Holmes, Blacksmith, and Jack London.
The four misers in world literature usually referred to the four characters in the novel "Miser" written by France Charpin (Le Pena's "Miser" was the first of the four misers). These four characters were all greedy, selfish, and stingy. They were often stingy with money and property in exchange for what they needed. Their stories, which revealed the dark side of human nature, were widely used as literary subjects.
The four misers in world literature were usually referred to as the miser, Charles Cosette, Aldous Herrick, and Louis Levin in the French novel "The Miser." This image appeared in the history of French literature as far back as the 18th century. These characters were regarded as typical representatives of greed, selfishness, and stinginess, and became one of the important symbols in the history of French literature.