The omniscient perspective and the limited perspective were two perspectives in novel writing. The specific differences were as follows: The omniscient perspective meant that the author had a complete understanding and grasp of the story and the characters 'experiences. He could show the story and the relationships between the characters to the readers directly or indirectly. With an omniscient perspective, the author could control the development of the story and adjust the direction of the story at any time. Therefore, novels with an omniscient perspective often had stronger control and influence. The limited perspective meant that the author only had a partial understanding of the story and the characters 'experiences. They needed to show the story and the relationships between the characters from the perspective of other characters. In a limited perspective, the author needed to rely on the actions and words of other characters to promote the development of the story. Therefore, the novel in a limited perspective was often more oral and realistic. Here are some common omniscient and limited perspective novels: A novel from an omniscient perspective: - Journey to the West - Water Margins - Dream of the Red Chamber - Romance of the Three Kingdoms - The Scholars - Ordinary World A novel with a limited perspective: - Lu Zhishen, Lin Chong and other characters in Water Margins - Sun Wukong, Zhu Bajie, Sha Wujing and other characters in Journey to the West - Jia Baoyu, Lin Daiyu and other characters in Dream of the Red Chamber - Fan Jin and other characters in The Scholars - Sun Shao 'an and Sun Shaoping in The Ordinary World