Bai Juyi's poem came out after a long time

Bai Juyi was a great poet in the Tang Dynasty. His poems had a wide range of topics, varied forms, and simple language. He was known as the "Poet Devil" and "Poet King". His representative works include Song of Everlasting Regret, Charcoal Merchant, Pipa Song, etc. His poems expressed his concern and sympathy for the sufferings of the working people, showing the great influence of his kind nature. His works not only depicted the beautiful scenery of Jiangnan, but also expressed his love for the beauty of nature and his hope for social equality. Bai Juyi's poems were of a high level in terms of artistry and ideology, which had a profound influence on later poets.

The full text of Bai Juyi's "Everlasting Lovesickness" is as follows: The Bianshui River flows, the Surabaya River flows, flows to the ancient ferry of Guazhou, and the Wu Mountain is a little sad. Thinking long, hate long, hate to go home only to rest, the moon is bright people lean against the building.

Bai Juyi's poems had a variety of styles, good at expressing feelings, exquisite descriptions, and beautiful language. His poems covered a wide range of topics, reflecting the social reality and the sufferings of the people. He was known as the "Poet Devil" and "Poet King". Bai Juyi's representative works included Song of Everlasting Regret, Song of Pipa, and Farewell to Ancient Grass. Song of Everlasting Sorrow was a long narrative poem that described the love story between Emperor Xuanzong of the Tang Dynasty and Yang Guifei. It was hailed as a classic of ancient Chinese love poetry. Song of the Pipa, on the other hand, expressed the author's sympathy for the sufferings of the people and his criticism of social reality by describing the experience of the pipa girl. " Farewell to the Ancient Plains Grass " depicted the author's feelings and thoughts on the ancient plains. Bai Juyi's poems were also known for their superb artistic expression and unique aesthetic charm. Their diction, rhetoric and layout all had unique charm and were hailed as the treasures of Chinese classical poetry.

Bai Juyi was a famous poet in the Tang Dynasty. His poems were varied in style, mainly realistic and lyrical, but also bold and unconstrained, graceful and restrained. His representative works include Song of Everlasting Regret and Song of Pipa.

Bai Juyi's full text is translated as follows: Eternal longing, eternal longing it is a pity that we did not meet on time. My younger brother has gone south of the Yangtze River I'll leave my brother here until he's old. I miss you every night, but I don't see you and together we wrap the bright moon. Together we wrap the bright moon the bright moon shines on the ditch. The water in the ditch is clear My longing for you grew stronger. heart grow fonder the strong feelings flow like water. Flowing like water Water surrounded the mountains. Turn around the mountain I turned the mountain and didn't see you. At night, I suddenly return to my hometown in a dream by the window of the little pavilion I am dressing up. Looking at each other without a word, only a thousand lines of tears I can't wait to be heartbroken year after year the moonlit night is short on the pine hills.

Bai Juyi's long narrative poem that was as famous as the pipa song was the Song of Everlasting Regret. Song of Everlasting Sorrow was a narrative poem that described the court struggle of the Tang Dynasty and the love story between Emperor Xuanzong and Yang Guifei. It was regarded as one of the representative works of the Tang Dynasty's narrative poems and a classic in the history of Chinese literature. The poem was based on the story of Emperor Xuanzong of the Tang Dynasty and Concubine Yang. It described the political struggle and the distortion of human nature in the court of the Tang Dynasty by describing the debauchery of Emperor Xuanzong of the Tang Dynasty and the grief of Concubine Yang. Song of Everlasting Sorrow used a wealth of rhetorical devices such as metaphor, contrast, and parallel. It was praised as one of the representative works of narrative poetry in the Tang Dynasty.

This poem came from the Tang Dynasty poet Bai Juyi's "Song of the Pipa." It described the scene of the pipa girl being called out in front of Emperor Xuanzong of the Tang Dynasty, with her face half-covered by the pipa. The concise language of this poem is profound and profound. Through describing the situation of the pipa girl in front of Tang Xuanzong, it shows the difference in her talent and status. At the same time, it also implies the hypocrisy and cruelty of Tang Xuanzong. Among them, the phrase "I only come out after a thousand calls" showed the impatience and helplessness of the pipa girl while the phrase "I still hold the pipa and cover my face" showed the silence and euphemism of the pipa girl in her predicament. The "half-masked face" in this poem added a mysterious atmosphere to the image of the pipa girl, adding more artistic charm. This poem was praised as a classic in Chinese classical poetry for its concise, profound and implicit expression. It was worthy of readers 'taste and appreciation.

" When I come out after a thousand calls, I still hold the pipa and cover half my face " was a famous line in Song of the Pipa written by the Tang Dynasty poet Bai Juyi. It meant," I was summoned by you for a long time and shouted many times before finally appearing. I hold the pipa in my arms and only reveal half of my face." This poem showed her status, reputation, and status by describing the lute girl playing the lute. From the structure of the poem, this line was the climax of the whole poem. Through the description of "thousands of calls" and "still holding the pipa half covering her face", the image of the pipa girl was vividly portrayed, allowing the readers to deeply feel her situation and mood. From a literary point of view, this poem used the technique of "suppressing first when you want to raise". By first calling out loudly and then appearing with a small movement "still holding the pipa and half covering her face", the image of the pipa girl was shaped very plump, and at the same time, it also allowed the readers to think more about her identity and status. The poem," When I come out after a thousand calls, I still hold the pipa and half cover my face ", through the description of the pipa girl playing the pipa, shows her situation of being despised and not valued, and deeply reflects the reality and drawbacks of the Tang Dynasty society. It is a poem with profound ideology and high literary value.

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Bai Juyi's famous poem describing rural life was "Farewell to the ancient grass." This poem depicted his return to the countryside after leaving the ancient plains, expressing his feelings for nature and cherishing life. The poem also mentioned the hard work of the farmers and the tranquility and beauty of the countryside, which reflected his concern for the people. This poem was widely read and became one of the classics describing rural life.