The Romance of the Three Kingdoms, Shan Tianfang's version, what's the difference between all 86 chapters and all 112 chapters?

The differences between the 86 and 112 chapters of the Romance of the Three Kingdoms that Shan Tianfang was talking about were as follows: 1. The storyline is different. The 86-chapter version of the book mainly tells about the disputes and wars between Liu Bei, Cao Cao, Sun Quan and others during the Three Kingdoms period, including the Battle of Red Cliff, the Battle of Three Heroes against Lu Bu, Guan Yu's passing of five passes and the killing of six generals, etc. The 112-chapter version of the book explored the history, characters, and culture of the Three Kingdoms in greater depth, including Zhuge Liang's wisdom, Lu Su's loyalty, Zhou Yu's strategy, and so on. 2. Different character images: The 86-chapter version of Pingshu narrates historical stories while portraying the images of the main characters to enhance the appeal of the plot. For example, Liu Bei was a gentle and responsible leader, Cao Cao was a cunning but also cute character, Sun Quan was a smart and controversial character, and so on. The 112-chapter version of the story focused more on the creation of characters. Each character had their own unique personality and characteristics, making the story more lively and interesting. 3. Different language styles: The 86-chapter version of storytelling uses the traditional storytelling language with slow rhythm, heavy intonation, and strong emotions. On the other hand, the 112-chapter version of the storytelling focused more on the spoken language, concise, crisp, fast rhythm, light intonation, and was closer to the listening habits of modern audiences. Generally speaking, the 86 and 112 chapters of storytelling were different in terms of storyline, character image and language style, but they were both very classic traditional storytelling works that were deeply loved by listeners.

The 112 chapters of the Romance of the Three Kingdoms that Shan Tianfang had broadcasted was one of the most famous storytelling in history and also one of the representative works of Chinese storytelling art. Mr. Shan Tianfang performed the classic Romance of the Three Kingdoms with his profound cultural heritage and superb performance skills, which was deeply loved by the audience.

The Romance of the Three Kingdoms chapter 112 was a vague question, and it was not clear which chapter it was referring to. However, Romance of the Three Kingdoms did not have a fixed title. Instead, it was divided into many chapters according to the different plots and characters. Shan Tianfang's Romance of the Three Kingdoms is a very famous book series in the Chinese storytelling world. It has a total of 112 chapters, including many different chapters and storylines. This version of Romance of the Three Kingdoms was very popular and was loved by the audience. The exact number of chapters in Shan Tianfang's Romance of the Three Kingdoms might be related to his version and time of creation. Different versions and times of creation might have different numbers of chapters. But no matter what, this version of Romance of the Three Kingdoms was a very classic series that was loved by the audience.

I have Shan Tianfang's Romance of the Three Kingdoms (125 chapters old version). However, it was important to note that Shan Tianfang's Romance of the Three Kingdoms was different from a novel. Storytelling was an art form that was spread verbally, usually told by an experienced actor according to a traditional story line. The difference between storytelling and novels is that storytelling is often improvised by actors according to the audience's reaction, so sometimes there will be changes and incoherently in the plot. If you want to read the complete novel, it is recommended to choose other more formal literary works.

Shan Tianfang was a famous storyteller in China. His storytelling work, Romance of the Three Kingdoms, was widely loved by audiences. Romance of the Three Kingdoms was a historical novel about the Three Kingdoms period. It told the stories of Liu Bei, Guan Yu, Zhang Fei, Zhuge Liang, Cao Cao, and Sun Quan. Shan Tianfang's Romance of the Three Kingdoms narrated the history and characters of the Three Kingdoms period in a vivid and interesting way. Through the plot and the description of the characters, it showed the social background and characters of the Three Kingdoms period. His voice was high-pitched and passionate, and he was good at using intonation and tone to make the storytelling content more vivid and interesting, which was deeply loved by the audience. Shan Tianfang's Romance of the Three Kingdoms storytelling was an important part of Chinese culture. His voice and storytelling content had been deeply imprinted in the hearts of the Chinese people and had become one of the treasures of Chinese culture.

Dan Tianfang was a famous storyteller during the Ming Dynasty. His storytelling was called Romance of the Three Kingdoms. Shan Tianfang's storytelling was still very popular today, with its vivid images and humorous language telling the historical stories of the Three Kingdoms period. Due to the influence of Dan Tianfang's storytelling, the stories of the Three Kingdoms period have been widely spread, so they can be heard in various cultural places such as libraries, museum, radio stations, television and other places. Of course, there were many other storytellers who were also narrating the story of Romance of the Three Kingdoms. Their performance styles and language styles were also worth listening to.

Shan Tianfang's Romance of the Three Kingdoms was a classic storytelling work that described the war and political struggle between Shu Han and Dongwu during the Three Kingdoms period. In the storytelling, Shan Tianfang used vivid images and humorous language to describe the historical background and characters of the Three Kingdoms period, attracting a wide range of audiences. During the Three Kingdoms period, Shu Han and Wu were two opposing political powers. Shu Han advocated Liu Bei's idea of benevolent government while Wu advocated Sun Quan's idea of legal system and reform. In this period of history, wars and political struggles were endless, resulting in the emergence of countless heroes. One of the most famous figures was Zhuge Liang, who was regarded as one of the greatest statesmen and military strategists of the Three Kingdoms period and made great contributions to the establishment and development of Shu Han. In addition, the storytelling also mentioned many other important characters such as Guan Yu, Zhang Fei, Zhao Yun, Cao Cao, Liu Bei, Sun Quan, etc. Their stories and characters were also important parts of the storytelling. These characters not only represented the politics and culture of the time, but also represented the traditional values and aesthetic tastes of the Chinese people, making the Romance of the Three Kingdoms a classic work with profound historical and cultural significance.

Shan Tianfang's " Tong Lin Biography-Chapter 250 " and Zhang Shaozuo's " Tong Lin Biography " were two different novels, although they were both part of the " Tong Lin Biography " series. Shan Tianfang's " The Legend of Tong Lin-250 Chapters " was a complete novel series with a total of 250 chapters. It told the story of Tong Lin's growth from a teenager to a martial arts master. In the novel, Shan Tianfang had an in-depth description of Tong Lin's image, personality, experience, martial arts, and other aspects. The story plot and character images in the novel were also relatively rich. It was one of the more classic parts of the "Tong Lin Biography" series. In contrast, Zhang Shaozuo's " Tong Lin's Biography " was a standalone novel. It described Tong Lin's past experiences and growth process without a complete story series. Zhang Shaozuo's description of Tong Lin's image and character in the novel was less, and more of his recollection and description of Tong Lin's past. Therefore, the style of Tong Lin Biography was more refreshing and concise, paying more attention to the character's past experience and growth process. Shan Tianfang's 250 chapters of Tong Lin and Zhang Shaozuo's are two different novels. They have different plots, characters and literary styles.

The 120th and 140th chapters of Investiture of the Gods that Shan Tianfang mentioned had some differences in terms of storyline and character settings. The 120th chapter of the Investiture of the Gods mainly told the story of Jiang Shang's disciples, King Wen of Zhou, and the Battle of the Gods at the end of the Shang Dynasty, as well as the story of King Wu, King Wen's son, attacking the Shang Dynasty. The storyline of this version was relatively complete, including many important nodes and plot twists. In terms of character setting, the main characters in the 120th chapter of the Investiture of the Gods were more vivid and detailed. In contrast, the 140th chapter of the Investiture of the Gods focused more on depicting the relationships and conversations between the characters. Although the storyline of this version also included the plot of the Battle of Gods, compared to the 120-chapter version, the storyline was much simpler. In terms of character setting, the main characters in the 140-chapter version of the Investiture of the Gods were more vague and had fewer descriptions of their personalities. In general, the 120 and 140 chapters of the Investiture of the Gods were different in terms of storyline and character setting, but they were both classic online novels that were deeply loved by readers.

The Romance of the Three Kingdoms Storytelling Shan Tianfang was a famous storytelling artist in China. He was known as one of the "Four Elders" in the storytelling world. He narrated the historical stories and heroes of the Three Kingdoms period with humorous language and unique performance style, which was deeply loved by the audience. The Romance of the Three Kingdoms narrated the historical stories and heroes of the Three Kingdoms period, including the Battle of Red Cliff, the Battle of Three Heroes against Lu Bu, Zhao Yun saving the young master, and so on. His voice was high-pitched and passionate, and his performance style was unique. He often used rich body language and facial expressions to immerse the audience in the story. Teacher Shan Tianfang's works were not only popular in China but also highly respected by overseas Chinese. His storytelling ratings and influence spread all over the country and even had many fans overseas.